Reviews

10/10
It has everything that I love about a suspense book. The main character is incredible and complex, and her being the narrator gives a twist to a “typical” story about girls disappearing, making it new and fascinating for me. The author narrates the atmosphere of a small American town so well that I felt like I was there. The best of all, the ending. Really wasn’t expecting that plot twist.
Would recommend to anyone who’s looking for a book that keeps you hook throughout begging to end.

What do you mean this MASTERPIECE is a debut novel? Maybe it hits me too close to home... But I can't even describe what it made me feel.


this is the book that got me into thrillers when I was in high school. I arguably think it's her best work (yes, even more than gone girl)

excellent excellent holds up on the third go round

This was a rough read, this story is descriptively gruesome and macabre, part of me feels it should almost come with a warning. It took me almost 30% of the way in before i really felt "hooked" by the story and characters, but once hooked i couldn't put it down until i finished it.

I liked it more than I expected. Why can’t ladies just be nice to each other??

yeah this one screwed me up

A dark and at times creepy tale of small-town America. A sordid homecoming for the protagonist who isn’t exactly on the up & up. No major mystery but with overly matured children and their antics is enough to worry you.

i truly was shook at the twist in this book. one of my all time favorite thrillers now

this book was so cringey. i guess that was what the author was aiming at. giving it 1 star is me been generous. i’m surprised i actually finished the book.

OH MY…

a fucked up mother-daughter relationship? 5 stars.

for the girls with mommy issues

wtf was this

oh my god. motherhood?!… nightmares?!…

“The face you give the world, tells the world how to treat you.” Sharp Objects is my first read of the year 2020 and the first book I have read by author Gillian Flynn. First let me start with the star ratings I have given this book. All through this book I was stuck between a 1 or a 2 star rating but I kind of ended up giving it a 3 star rating only because of the climax. I must say the author really took me by surprise with such an unpredictable end. On the other hand I thought the whole story was blown out of proportion and was all over the place or should i say was all over the town. Every character in the book has a very dark, shadowy, sad, depressing past which they carry with them throughout the whole story, be it Camilla Precker, her mother Adora or the thirteen year half sister who does not quite behave her age. According to me the author had roped in way too many characters, which have little or no contribution to the story except for the juicy gossips they provided around town. Honestly,halfway through the book I found it difficult to put a finger on as to which direction the story was really headed. was it the story of the main protagonist Camilla Precker and the shadowy relationship with her mother and her half sister or story of the investigation into the case of the girls how had been murdered and how all this would end up being related to Camilla? Even when the story got interesting I found that the author had put pages after pages describing people or the town of wind gap due to which as a reader i was losing interest and was unable to keep focus . I felt the book was highly descriptive. For me personally the book only got interesting in the last four five chapters. All I can say is that i had my fingers crossed hoping for a unpredictable end, which according to me the author lived up too.

Gillian Flynn is a fantastic author. I think this book was expertly executed with the many reveals as well as the complexity of the characters.

Interesting read. Bit slow up until 3/4 in. Then the ending was mad quick.

The book was dark and sad when the words that present emotions to us of long-lasting damage inflicted to people they ought to and perhaps love. It's heart wrenching but a good storyline.

3.5

uhm... well... 3.5 stars, i guess? almost gave it 3 because of the main character who basically made every wrong decision possible and still managed to survive somehow

I spoiled this book for myself but I do love the story.

Meh. With the hype I expected so much more. I kinda knew who was doing it the moment you met the family. Also I wasn't a fan of the writing style? It was very strangely written and I know it might have been to set the atmosphere of the book but I honestly just found it annoying and unappealing.
It's not a bad book per say, but I wouldn't read it again and if I knew what I know now I probably wouldn't even read it in the first place.
Highlights

"I am learning to be cared for. I am learning to be parented. I'm returning to my childhood, the scene of the crime."

"A child weaned on poison considers harm a comfort."

"Hurt as a form of flirtation. Pain as intimacy, like my mother jabbing her tweezers into my wounds."


"I didn't need to hide from someone courting oblivion as ardently as I was."

"Sometimes I think illness sits inside every woman, waiting for the right moment to bloom. I have known so many sick women all my life. Women with chronic pain, with ever-gestating diseases. Women with conditions. Men, sure, they have bone snaps, they have backaches, they have a surgery or two, yank out a tonsil, insert a shiny plastic hip. Women get consumed."

"It was a town that bred complacency through cable TV and a convenience store. Those who remained here were still just as segregated as before... They were women not strong enough or smart enough to leave. Women without imagination. So they stayed in Wind Gap and played their teenage lives on an endless loop."

"I never mind throwing up. When I'd get sick as a child, I remember my mother holding my hair back, her voice soothing: Get all that bad stuff out, sweetheart. Don't stop till it's all out. Turns out I like that retching and weakness and spit."

"I was never really on my side in any argument. I liked the Old Testament spitefulness of the phrase got what she deserved. Sometimes women do."

"People got such a charge from seeing their names in print. Proof of existence. I could picture a squabble of ghosts ripping through piles of New. Pointing at a name on the page. See, there I am. I told you I lived. I told you I was."

"I wanted to slice barren into my skin. That's how I'd stay, my insides unused. Empty and pristine. I pictured my pelvis split open, to reveal a tidy hollow, like the nest of a vanished animal."

"I like checking days off a calendar—151 days crossed and nothing truly horrible has happened. 152 and the world isn't ruined. 153 and I haven't destroyed anyone. 154 and no one really hates me. Sometimes I think I won't ever feel safe until I can count my last days on one hand."

"I just think some women aren't made to be mothers. And some women aren't made to be daughters."

"I've always been partial to the image of liquor as lubrication—a layer of protection from all the sharp thoughts in your head."

"...in truth I think she's always had more problems with children than she'd ever admit. I think, in fact, she hates them. There's a jealousy, a resentfulness that I can feel even now, in my memory. At one point, she probably liked the idea of a daughter. When she was a girl, I bet she daydreamed of being a mother, of coddling, of licking her child like a milk-swelled cat. She has that voraciousness about children. She swoops in on them."

"I always feel sad for the girl that I was, because it never occurred to me that my mother might comfort me. She has never told me she loved me, and I never assumed she did. She tended to me. She administrated me."

"I'm here, I said, and it felt shockingly comforting, those words. When I'm panicked, I say them aloud to myself. I'm here. I don't usually feel that I am. I feel like a warm gust of wind could exhale my way and I'd be disappeared forever, not even a sliver of fingernail left behind. On some days, I find this thought calming; on others it chills me."

"I felt no particular allegiance to the town. This was the place my sister died, the place I started cutting myself. A town so suffocating and small, you tripped over people you hated every day. People who knew things about you. It's the kind of place that leaves a mark."

"I was lovely to look at, as long as I was fully clothed. Had things turned out differently, I might have abused myself with a series of heart-wrenched lovers. I might have dallied with brilliant men. I might have married."

"... children digest terror differently. The boy saw a horror, and that horror became the wicked witch of fairy tales, the cruel snow queen."

"Every tragedy that happens in the world happens to my mother, and this more than anything about her turns my stomach. She worries over people she’s never met who have a spell of bad chance. She cries over news from across the globe. It’s all too much for her, the cruelty of human beings."

"'I wish I'd be murdered... Then I'd never have to worry again. When you die, you become perfect. I'd be like Princess Diana."

"They always call depression the blues, but I would have been happy to waken to a periwinkle outlook. Depression to me is urine yellow. Washed out, exhausted miles of weak piss."

"For those who need a name, there’s a gift basket of medical terms. All I know is that the cutting made me feel safe. It was proof. Thoughts and words, captured where I could see them and track them. The truth, stinging, on my skin, in a freakish shorthand. Tell me you’re going to the doctor, and I’ll want to cut worrisome on my arm. Say you’ve fallen in love and I buzz the outlines of tragic over my breast. I hadn’t necessarily wanted to be cured. But I was out of places to write, slicing myself between my toes—bad, cry—like a junkie looking for one last vein. Vanish did it for me. I’d saved the neck, such a nice prime spot, for one final good cutting. Then I turned myself in."