Maggie O'Farrell

'Dazzling. Devastating' Kamila Shamsie 'Stunning... deserves to win prizes' Marian Keyes A stunning new departure for Maggie O'Farrell's fiction, HAMNET is the heart-stopping story behind Shakespeare's most famous play. On a summer's day in 1596, a young girl in Stratford-upon-Avon takes to her bed with a fever. Her twin brother, Hamnet, searches everywhere for help. Why is nobody at home? Their mother, Agnes, is over a mile away, in the garden where she grows medicinal herbs. Their father is working in London. Neither parent knows that one of the children will not survive the week. Hamnet is a novel inspired by the son of a famous playwright. It is a story of the bond between twins, and of a marriage pushed to the brink by grief. It is also the story of a kestrel and its mistress; flea that boards a ship in Alexandria; and a glovemaker's son who flouts convention in pursuit of the woman he loves. Above all, it is a tender and unforgettable reimagining of a boy whose life has been all but forgotten, but whose name was given to one of the most celebrated plays ever written.

Hamnet

Laura Gill

Oahu is a giant clam. She has been living inside a clamshell, able to see a chunk of the wide blue world past the edges and walking along porcelain veneers in the meanwhile. 

If he were a dog, his tail would be constantly wagging.

The silence swells between them; it expands and wraps itself around them; it acquires shape and form and tendrils, which wave off into the air, like the threads trailing from a broken web. 

Ausrine Blazyte

What is the word, Judith asks her mother, for some one who was a twin but is no longer a twin? 

If you were a wife, Judith continues, and your husband dies, then you are a widow. And if its parents die. a child becomes an orphan. But what is the word for what I am?

Anyone, Eliza is thinking, who describes dying as 'slipping away' or 'peaceful' has never witnessed it happen. Death is violent, death is a struggle. The body clings to life, as ivy to a wall, and will not easily let go, will not surrender its grip without a fight.

How can he live without her? He cannot. It is like asking the heart to live without the lungs, like tearing the moon out of the sky and asking the stars to do its work, like expecting the barley to grow without rain.

She grows up feeling wrong, out of place, too dark, too tall, too unruly, too opinionated, too silent, too strange. She grows up with the awareness that she is merely tolerated, an irritant, useless, that she does not deserve love, that she will need to change herself substantially, crush herself down if she is to be married. She grows up, too, with the memory of what it meant to be properly loved, for what you are, not what you ought to be. 

Every life has its kernel, its hub, its epicentre, from which everything flows out, to which everything returns. 

Women’s Prize for Fiction 2020 Agnes, una muchacha peculiar que parece no rendir cuentas a nadie y que es capaz de crear misteriosos remedios con sencillas combinaciones de plantas, es la comidilla de Stratford, un pequeño pueblo de Inglaterra. Cuando conoce a un joven preceptor de latín igual de extraordinario que ella, se da cuenta enseguida de que están llamados a formar una familia. Pero su matrimonio se verá puesto a prueba, primero por sus parientes y después por una inesperada desgracia. Partiendo de la historia familiar de Shakespeare, Maggie O’Farrell transita entre la ficción y la realidad para trazar una hipnótica recreación del suceso que inspiró una de las obras literarias más famosas de todos los tiempos. La autora, lejos de fijarse únicamente en los acontecimientos conocidos, reivindica con ternura las inolvidables figuras que habitan en los márgenes de la historia y ahonda en las pequeñas grandes cuestiones de cualquier existencia: la vida familiar, el afecto, el dolor y la pérdida. El resultado es una prodigiosa novela que ha cosechado un enorme éxito internacional y confirma a O’Farrell como una de las voces más brillantes de la literatura inglesa actual. «Sobresaliente, preciosa, conmovedora (...) El libro de su vida.» Tracy Chevalier «Un extraordinario hito de la imaginación y la empatía.» The New York Times «Un regalo para los sentidos. Una novela muy especial.» The Sunday Times «Una historia emotiva y llena de intriga sobre la manera en que el dolor transforma brutalmente un matrimonio.» The Washington Post «Una saga familiar tan llena de vida, de magia y de afecto que desearía que fuera real. (...) Maravillosamente escrita.» The Boston Globe «Su mejor novela hasta la fecha. Hamnet demuestra que siempre hay nuevas historias que contar.» The Guardian

caroline

ame 

WINNER OF THE 2020 WOMEN'S PRIZE FOR FICTION - THE SUNDAY TIMES BESTSELLER 'Richly sensuous... something special' The Sunday Times 'A thing of shimmering wonder' David Mitchell TWO EXTRAORDINARY PEOPLE. A LOVE THAT DRAWS THEM TOGETHER. A LOSS THAT THREATENS TO TEAR THEM APART. On a summer's day in 1596, a young girl in Stratford-upon-Avon takes to her bed with a sudden fever. Her twin brother, Hamnet, searches everywhere for help. Why is nobody at home? Their mother, Agnes, is over a mile away, in the garden where she grows medicinal herbs. Their father is working in London. Neither parent knows that Hamnet will not survive the week. Hamnet is a novel inspired by the son of a famous playwright: a boy whose life has been all but forgotten, but whose name was given to one of the most celebrated plays ever written.

Mariam Abdel-Razek

WINNER OF THE 2020 WOMEN'S PRIZE FOR FICTION - THE NO. 1 BESTSELLER 'Richly sensuous... something special' The Sunday Times 'A thing of shimmering wonder' David Mitchell TWO EXTRAORDINARY PEOPLE. A LOVE THAT DRAWS THEM TOGETHER. A LOSS THAT THREATENS TO TEAR THEM APART. On a summer's day in 1596, a young girl in Stratford-upon-Avon takes to her bed with a sudden fever. Her twin brother, Hamnet, searches everywhere for help. Why is nobody at home? Their mother, Agnes, is over a mile away, in the garden where she grows medicinal herbs. Their father is working in London. Neither parent knows that Hamnet will not survive the week. Hamnet is a novel inspired by the son of a famous playwright: a boy whose life has been all but forgotten, but whose name was given to one of the most celebrated plays ever written.

WINNER OF THE WOMEN'S PRIZE FOR FICTION 2020 - THE NO. 1 BESTSELLER

Sarah Jackson

Maggie O'Farrell Ι bow in your magnificence. This book is a work of art. Maggie is a skilled writer.  The way she uses and play with the words, every word has worth and a purpose.

As a person who doen't give much attention to writing it's the first time I felt attatched to it. I became completely absorbed by it. 

This is a remarkable tale of love.. Of man and woman and parents and children. The heart of the story is the tragic death of a twin

The one passage that particularly jumped out to me as I read it is also likely to have done so for everyone else who has also read it because it tells the tale of how the disease first spreads: a boy, a monkey, three fleas that fall off the monkey, and thus begins the path that will claim the lives of many. I experienced goosebumps when I read it. 

To craft a story with limited supporting documentation that penetrates the reader's heart on a profound level demands a master storyteller.

I thoroughly enjoyed it, and I doubt there is a reader out there who wouldn't. I'm still in awe of O'Farrell's ability to add so much beauty to a subject that is so tragic

Konstantina Ag

Maggie O'Farrell Ι bow in your magnificence. This book is a work of art. Maggie is a skilled writer.  The way she uses and play with the words, every word has worth and a purpose.

As a person who doen't give much attention to writing it's the first time I felt attatched to it. I became completely absorbed by it. 

This is a remarkable tale of love.. Of man and woman and parents and children. The heart of the story is the tragic death of a twin

The one passage that particularly jumped out to me as I read it is also likely to have done so for everyone else who has also read it because it tells the tale of how the disease first spreads: a boy, a monkey, three fleas that fall off the monkey, and thus begins the path that will claim the lives of many. I experienced goosebumps when I read it. 

To craft a story with limited supporting documentation that penetrates the reader's heart on a profound level demands a master storyteller.

I thoroughly enjoyed it, and I doubt there is a reader out there who wouldn't. I'm still in awe of O'Farrell's ability to add so much beauty to a subject that is so tragic

Maggie O&039;Farrell

Lynn

Unpopular opinion ahead: I find myself struggling with this book. I don’t care much for the characters, the plot feels haphazard and I am getting very frustrated with the time jumps not having clear cut signs. The fact that I do not care that characters are dying and/or getting married probably speaks volumes as to how distant I feel from this book. The prose is beautiful, but it alone cannot make up for the boring and very flat seeming plot. I think this might be a DNF for me for now.

Hamnet is a beautiful story about love and grief, about family and finding yourself. A lot is encompassed in this small book. It's so much more than a novel about the plague, yet of course that aspect does play a large part. The love story at the beginning was so sweet yet held so much tension--I loved it. The unnamed Latin tutor and Agnes are a great couple and I wish more scenes were included about their early romance. I absolutely adore Agnes and think she's one of my favorite female literary characters.

This book moved me. It really resonated with me, even more than some of my favorite books. I felt I related to (almost) every character at one point or another. Normally I prefer first person POVs throughout a book, but the varying POVs here were written so well I did not mind them at all.

I will say I thought the ending was a little abrupt, but most everything was resolved so I cannot fault the author too much. And, some of the writing style was a bit difficult at times for me, such as the lists of a particular trait or thought sequence. Sometimes reading is a struggle for me (with my post-COVID brain) and particular ways of writing are hard to follow. Writing like (this is just an example, not taken from the book) "and thoughtful and kind and sweet and loving" and so on, can be tricky for me, for whatever reason. I don't know if anyone else suffers from this road block, but it still didn't take away my enjoyment of this book.

Read. This. Book. I think I'm a little bit in love with Shakespeare now?

Amanda Larch 

4.5 stars 

Hamnet is a beautiful story about love and grief, about family and finding yourself. A lot is encompassed in this small book. It's so much more than a novel about the plague, yet of course that aspect does play a large part. The love story at the beginning was so sweet yet held so much tension--I loved it. The unnamed Latin tutor and Agnes are a great couple and I wish more scenes were included about their early romance. I absolutely adore Agnes and think she's one of my favorite female literary characters.

This book moved me. It really resonated with me, even more than some of my favorite books. I felt I related to (almost) every character at one point or another. Normally I prefer first person POVs throughout a book, but the varying POVs here were written so well I did not mind them at all.

I will say I thought the ending was a little abrupt, but most everything was resolved so I cannot fault the author too much. And, some of the writing style was a bit difficult at times for me, such as the lists of a particular trait or thought sequence. Sometimes reading is a struggle for me (with my post-COVID brain) and particular ways of writing are hard to follow. Writing like (this is just an example, not taken from the book) "and thoughtful and kind and sweet and loving" and so on, can be tricky for me, for whatever reason. I don't know if anyone else suffers from this road block, but it still didn't take away my enjoyment of this book.

Read. This. Book. I think I'm a little bit in love with Shakespeare now?

Joana da Silva

This was the second book that found me in the midst of a reading slump, which is weird because I loved this book from page one. What a beautiful story Maggie O'Farrel managed to create! The dynamics, the complexity of the family relationships, everything was just amazing and the writing was some of the best I've ever read. Thrilled that this book lived up to its hype.

Do I agree that it’s somehow gauche to name Shakespeare? Or does it annoy me?

Margo Koss

Jamieson

Everyone seems to love this but... not for me. Maybe take my opinion with a grain of salt since I'm notoriously picky with historical fiction, and especially ones which fictionalise real people and events. Maybe I just went into it with the wrong expectations given it's marketed as "the heart-stopping story behind Shakespeare's Hamlet" and it's .... really not that. 

The story never gripped me. it boasts itself as the illuminating story behind Shakespeare's Hamlet, but the links Maggie O'Farrell draws seem tenuous at best. Really, this story is about Agnes/Anne Hathaway, and her experience raising her children while her husband is away in London writing. 

I thought the portrayal of Agnes/Anne was cliche and boring. Another reviewer put it perfectly "I especially hated the portrayal of Agnes as one of those almost witchy 'wise women' who abound in historical fiction: fey, with preternatural senses, a herbalist as a code for 'female' power... it's very predictable, very common 

Some reviewers also praised the writing but I found it overwrought and tedious. I didn't feel I particularly got a great grip or sense of the time period or setting through the writing. 

All in all, I just didn't find this story gripping or interesting or illuminating. I went into it for it's Shakespeare connection but it's really more of a slice of life from Elizabethan England and despite moments of interest, like the chapter about the plague arriving in England, or the final chapters as Agnes watches a production of Hamlet, there was little here that excited me. But I'm quite disappointed because I had really high hopes for this!

Very well written. That’s really all I can say…the writing style and book as a whole are not for me.

Sam White

Carah Gedeon

Literally started full on clapping when I finished this book. Bravo, Maggie, bravo.

William Shakespeare was married to a woman eight years older than him. They had three children, and their son died at age 11. Not much else is known.

But in the hands of Maggie O’Farrell, Agnes, Shakespeare’s wife comes to life. This is her story of life, love, and grief. My only quibble is the decision to make her powerful by portraying her as almost witch-like. But make no mistake, this is a n exploration of grief, and it’s beautiful.

Cheri McElroy

⭐️⭐️⭐️⭐️💫 rounded up.

William Shakespeare was married to a woman eight years older than him. They had three children, and their son died at age 11. Not much else is known.

But in the hands of Maggie O’Farrell, Agnes, Shakespeare’s wife comes to life. This is her story of life, love, and grief. My only quibble is the decision to make her powerful by portraying her as almost witch-like. But make no mistake, this is a n exploration of grief, and it’s beautiful.

Fran Gutiérrez

Isin

I really liked the author’s writing style and descriptions. It made me feel like I was there while reading it. I think it’s a good idea imagining how was the life of Shakespeare's family especially his wife while he was away and how their son’s death affected the family. But I am not really a fan of how the writer handled this subject. And my biggest turn off was the portrayal of the main character, Agnes.
Little is known about Agnes (Anne) Hathaway, so the canvas was empty for the writer. I really don’t understand why she chose to write her as a witch-like woman who has superpowers. Maybe fictionalizing her as a witch is a way to portray her as a strong independent woman, but she could do it in a more grounded and realistic way without hitting supernatural powers. Frankly, I think it has fallen into the not like other girls trope as well. I also think that this way the book detaches itself from the emotion it wants to convey. Wouldn’t it be better if she understood how Shakespeare really felt from the closeness of their relationship, rather than that she understood he was unhappy because she smelled bad odors coming from her husband? Also, how do these special powers work? Why does she know when the man on the street will die, but not when their children will die?
I feel like this book could have been more powerful and affecting. It’s sad that it missed this opportunity.

3,5

I found this to be a very beautiful read, every description, every scene - I was right there with them and I felt lucky. 

WINNER OF THE 2020 WOMEN'S PRIZE FOR FICTION - THE NO. 1 BESTSELLER
'Richly sensuous... something special' The Sunday Times
'A thing of shimmering wonder' David Mitchell

TWO EXTRAORDINARY PEOPLE. A LOVE THAT DRAWS THEM TOGETHER. A LOSS THAT THREATENS TO TEAR THEM APART.

On a summer's day in 1596, a young girl in Stratford-upon-Avon takes to her bed with a sudden fever. Her twin brother, Hamnet, searches everywhere for help. Why is nobody at home?

Their mother, Agnes, is over a mile away, in the garden where she grows medicinal herbs. Their father is working in London.

Neither parent knows that Hamnet will not survive the week.

Hamnet is a novel inspired by the son of a famous playwright: a boy whose life has been all but forgotten, but whose name was given to one of the most celebrated plays ever written.

yeah so I actually sobbed through the last quarter of this book.

Francesca

Emily Pauls

i knew what was going to happen in this and yet it still destroyed me. be prepared to cry. beautiful writing tho

Fleur van Ravesteijn 

I wanted to love this book, and kept thinking I would, by the end. Alas, I did not. It was okay. Sure, it’s an interesting take on how “the husband’s” personal life might have driven him to create what is arguably one of his most famous tragedies. But. Agnes the woods-witch? No. The narration, however original, bored me to no end. It was too sequential, too repetitive and too slow. The way the story is told, the only person we truly get to know, funnily enough isn’t Hamnet at all, but Agnes. The others felt shallow. Like we only skimmed the surface of who they were. The indirect speech was not only unappealing, it added a difficulty to the lines, without adding anything to the message. Lastly, I understand and respect omitting the playwright’s name, but… IT’S WILLIAM.

Spencer McWilliams

Agnes is so beautifully written that I wish there was more that was written about her in the histories. The book felt a bit slow at first but then it quickly drew me in and I couldn’t stop!

(๑˃ᴗ˂)ﻭ

Maia Wijohn

Exquisite. Beautiful imagery. It is a work of art, I love the writing style. I get completely lost in the pages of this book, transported to another time and place. I felt this book described grief and other emotions very well. It was really enjoyable to read.

Nelson Zagalo

"Hamnet" (2020) dificilmente não se tornará num clássico. Escrito num modo que dificilmente conseguimos separar da trilogia Cromwell de Hillary Mantel, pelo uso distinto dos verbos presente, e também futuro do presente, que cosem a descrição com estranheza e, tal como em Cromwell, contribuem para criar a peculiar atmosfera do século XVI. Maggie O'Farrell usa, muito habilmente, este espaço atmosférico como espaço imaginário para alargar aquilo que conhecemos da História. Sabendo nós pouco, quase nada, sobre a vida privada de Shakespeare, O'Farrell consegue a proeza de nos transportar no tempo e dar a ver, num tom imensamente credível, como poderá ter sido essa. Se o título se foca sobre o filho perdido aos 11 anos, Hamnet, fazendo por vezes recordar a tensão mágica de Lincoln e o seu também defunto filho Willie, imaginado por George Saunders, o foco é na verdade a mulher, Agnes Hathaway. É este foco que revitaliza o nosso imaginário sobre Shakespeare, sendo-nos oferecido numa descrição feminina e poderosa, mágica mesmo, do seu mundo privado desconhecido. Shakespeare nunca é nomeado, mas o livro não é sobre ele, o artista, é sobre as relações de uma família, a sua.

(Ler com links no blog: https://virtual-illusion.blogspot.com...)

A nossa experiência decorre de uma escrita não-linear que intensifica o suspense e faz com que tenhamos dificuldade em pousar o livro. Sentimos aquele mundo, detalhadamente elaborado por O'Farrell, continuamente a clamar por nós quando não o temos na nossa frente. As páginas viram-se sozinhas, mas não raras vezes, dou por mim a parar para admirar frases ou parágrafos. Não é só o detalhe, que surpreende a cinco séculos de distância, é a criatividade, verdadeira invenção, de O'Farrell na construção, tecedura e cosedura, de partes daquele mundo naquele tempo com partes de potenciais pessoas / personagens para nos oferecer um desenrolar de conflitos que produzem ações profundamente credíveis.

(imagem)
A capa portuguesa da RdA é bela, mas a capa original, usada na maior parte das traduções, é mais fiel ao mundo representado.

Porque O'Farrell, como Mantel, também não se limita a seguir os cânones históricos. Agnes, como Cromwell, faz parte do lote de figuras históricas negativas. Tinha 26 anos e Shakespeare 18, estava grávida quando casaram, por isso a História tende a oferecer a ideia de casamento forçado, e mesmo de falta de amor entre ambos. Isso explicaria o ter vivido sozinho em Londres a maior parte da sua vida, e oferece lastro ao imaginário para criar aventuras amorosas extra-conjugais como a apresentada num dos filmes, de maior sucesso, sobre o autor, "Shakespeare in Love" (1998). Mas O'Farrell oferece-nos uma visão distinta, uma Agnes admirável, capaz de ombrear com as qualidades de Shakespeare, tornando todo o mundo apresentado muito mais instigante.


Publicado no VI: https://virtual-illusion.blogspot.com...

Catelyn Evans

illya

I really likes the wringing style of this book. The alternating POVs were very fun to follow. I enjoyed this book, and I think that is in part because I wasn’t expecting a historically accurate/historically centric story. The book didn’t focus much on Shakespeare or his plays, it told a story that happened to be set in a historical setting. 

Brigid McGlone 

Eva Bailey

4.5 stars. This book was beautifully written. My first Maggie O'Farrell but definitely not my last.

Hamnet

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