Intimations
Clever
Thought provoking
Insightful

Intimations Six Essays

Zadie Smith2020
Deeply personal and powerfully moving, a short and timely series of essays on the experience of lock down, by one of the most clear-sighted and essential writers of our time "There will be many books written about the year 2020: historical, analytic, political and comprehensive accounts. This is not any of those -- the year isn't half-way done. What I've tried to do is organize some of the feelings and thoughts that events, so far, have provoked in me, in those scraps of time the year itself has allowed. These are above all personal essays: small by definition, short by necessity." Crafted with the sharp intelligence, wit and style that have won Zadie Smith millions of fans, and suffused with a profound intimacy and tenderness in response to these unprecedented times, Intimations is a vital work of art, a gesture of connection and an act of love -- an essential book in extraordinary times.
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Reviews

Photo of Alesha Clifford
Alesha Clifford@aleshadclifford
4 stars
Mar 7, 2025

A fantastic exploration of life both before and during the first 2 months of the UK lockdown. These are 6 beautiful essays on the contrasts between the two, along with a subtle will and longing to return to what was.

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Gelaine Trinidad@gelaine
4 stars
Jul 5, 2024

3.5/5 Intimations is a short and precious piece of non-fiction that captures life during quarantine in New York City. I like how she started this book by talking about a special intimate moment that happened before the lockdown started. She talks about how being a writer doesn’t ultimately equip her with the right skills to handle hardships in real life. As a writer, she has control on how she addresses thoughts and feelings; she can control how readers feel. That is perhaps why she decided to write this book—to keep that sense of control given such an unprecedented time. Zadie also reflects on her role as a “natural woman” trying to make sense of women’s biological control. Unlike flowers that embrace their growth and maturity through open submission, Zadie talks about avoiding the biological clock and refusing to let it control her. In another essay, Zadie Smith talks about Donald Trump's view of America and how often he falsely protects the country's pride and identity during the pandemic. Trump is not a good president and this pandemic showed that he should definitely not be elected for another presidential term. Zadie Smith also makes a claim that this pandemic showed the level of inequality in America including gaps in healthcare in relation to race and income. She hopes for America to demand for different values and priorities that puts the interest of the community and the public first before people's private needs. She justifies the thoughts many people have during this pandemic—the silver lining of having so much time in our hands while also being critical of the relationship between suffering and privilege. This book also includes snapshot stories about ordinary New Yorkers in the midst of a pandemic. Smith writes with compassion when sharing small glimpses of these people's lives. I believe the most impactful essay here is the one about contempt as a virus. I will not say more of this essay because it is so profound and I want people to read it without spoilers. Lastly, Zadie writes sweet tributes about loved ones and role models in her life as a dedication—shaping the woman she is today. This is a great short read I would recommend to anyone.

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Angelyn Francis@angelynsayshi
5 stars
Jul 4, 2024

What a way to revisit and think about 2020.

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Hannah Yoon@yoonreads
4 stars
Mar 23, 2024

I decided to read this after hearing a review of this book on NPR. I was intrigued to read someone's thoughts on pandemic and how we are all experiencing it. The essays were simple yet thought-provoking. It ends with powerfully and this will be a must-read for those in the future to have a glimpse into what we experienced in 2020. It does feel like she could have had more and kind of feels incomplete. Maybe there will be another set of essays. I had a hard time staying focused sometimes because I felt Smith went off on tangents or had side notes for what she was writing about. It could have been also that I was reading this before bed and it was hard to follow her train of thought. Still, I say 4.5/5 and would recommend everyone take a read. It'll take you one afternoon to finish it.

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Isabella @iscbella
3 stars
Mar 13, 2024

was in a reading slump so i wanted to read something fast-paced and this did the job! a collection of essays with varying topics. really enjoyed reading it! my fave essays were "something to do," "suffering like mel gibson," and "contempt as a virus."

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Elena Kuran@elenakatherine
5 stars
Feb 7, 2024

I especially enjoyed the essay comparing the epidemic of contempt to Covid. Zadie Smith always reminds me why/how much I love to read.

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Natalie@nyc
3 stars
Jan 25, 2024

A collection of interesting insights eloquently detailing the intial impact of the coronavirus pandemic, but understandably nothing more than that

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iamazoo@iamazoo
3 stars
Jan 6, 2024

probably some of the best writing about the covid years, perceptive yet compassionate. but i’m just so fatigued by any pandemic discourse at this point - not the author’s fault.

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Lila R E@lilaklara
5 stars
Dec 18, 2023

2021 Reading Challenge? Completed it mate ;) This was a good book to "end" the year with; being a collection of essays, it was something a bit different to what I would usually read, it was introspective and made me think and is obviously written by the one and only Zadie Smith <3 It's set the tone really well for next year too; I definitely want to start reading more purposefully - that is to say, choosing books I actually want to read/want to get something out of and taking the time to properly reflect on what I've read and what I've learnt from my reading. Therefore, in the case of 'Intimations', I definitely feel inspired to write like Smith did during the first lockdown (I believe) - she includes these beautiful little snapshots of people in her life before quarantine and even though the subjects of her essays may seem (at face value) mundane, there's something really poetic about everyday life in each of them. This is a super easy read and only 80 pages in total so I would definitely recommend it to anyone who wouldn't mind a bit of self-reflection at the end of another long year. I'm going to be looking for more essay-based literature to read in 2022!

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parker@parkerparks
5 stars
Sep 10, 2023

really enjoyed these essays!

so much charisma and honesty in this special series

+4
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Isabella@isabellareads
3 stars
May 17, 2023

nice quick read about the lockdown! read one essay at a time to rly savor each one fav essays: suffering like mel gibson, the american exception

Photo of Katie Chua
Katie Chua@kchua
3 stars
Aug 13, 2022

i probably should have read this when it came out because my mind was not where she was at anymore

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Trever@kewlpinguino
3 stars
Jul 2, 2022

(3.5) I have mixed thoughts about this, because on one hand I think Smith's observations are worth reading. But I'm not sure this needed to be a book—these could just as easily have been blog posts or Substack pieces. That doesn't make them bad, but if I hadn't gotten this at a thrift store for $1, I might've felt a little cheated. In other words: worth reading, not buying new.

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p.@softrosemint
4 stars
Jun 19, 2022

while many seem to dispute the literary value of this short collection of essays, i think we all need to admit it is valuable at least as a record of the first 6 months of the pandemic. yes, to many people zadie smith seems to not be saying a lot they have not heard before but i'd argue that she manages to channel those thoughts in a much more eloquent and erudite manner than anyone on blue-check twitter ever could. and with every essay, i can't stop thinking "she's right, she's right, she's right". cw suicide mention a personally impactful essay was 'suffering like mel gibson'. the story of the teenage girl who took her own life 3 weeks into lockdown because she couldn't see her friends on its own might have not been a revelation to me; but zadie smith's telling of it was. the realisation that - even if this girl might have been relatively privileged - some suffering is just insurmountable for us, i felt, was so deeply empathetic. cw end. i wish more of us could relay other people's inner lives like smith does in this essay. overall, i felt it was a good little record of the time. it takes great pains, i think, to describe different experiences - sometimes subtly, sometimes more explicitly - and for that, it is valuable. (side note: the amount of reviews that take issue with the damn dog. guys, come on.)

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Fraser Simons@frasersimons
3 stars
Jun 9, 2022

No doubt more impactful than reading it in the year of our lord 2022. Most of the meditations here are sort of perfunctory now, or self evident. And to some degree there is a factor of me not being as interested in the stray thoughts of the author; see: the Anthropocene Review, where I just don’t care to hear every passing thought compiled as a book. Now, this is better by far than that, as it’s rooted in social Justice and identity. But it still falls into the “this is fine” area of my mind. And I am certainly I will remember little to none of this in a few days time.

Photo of Samantha Alukas
Samantha Alukas @samalukas
5 stars
Feb 5, 2022

The best and only quarantine art I need: Taylor Swift’s Folklore/Evermore, Bo Burnham’s Inside, and Zadie Smith’s Intimations.

Photo of Julia Briganti
Julia Briganti@bookedwithjulia
4 stars
Jan 16, 2022

Genius

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Shelby Doherty@dohertys17
3.5 stars
Jan 11, 2022

Likes: - Some really nice quotes, especially like her thoughts grappling with her feminity and the virus of "contempt" - Some really great thoughts not only about the pandemic, but about mental health, the US and UK, and black lives. Dislikes: - The writing is a bit too difficult and labor-intensive for my liking - normally I steer away from pandemic books but was somehow interested in this one. For some reason, this one did not feel like there was enough pandemic in it for me.

This review contains a spoiler
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Bec@becandbooks
4 stars
Oct 10, 2021

Trigger warnings: (view spoiler)[pandemic/COVID-19, suicide, racism, police brutality (hide spoiler)] Zadie Smith has a way of writing (and narrating) that makes you pause and think. She makes you consider the world as it is, the people who are in it, and your own place within. This small collection of essays, touching of various going-ons in the year 2020 is no different. I absolutely adored the place that my mind went when listening to Smith's essays. I also have the greatest desire to get a physical copy so I can annotate and entwine my own thoughts with her musings. Thank you to Libro.FM for providing me a copy of the audio book. This does not impact my opinions, whatsoever.

Photo of Hazel Evans
Hazel Evans@hzlvns
5 stars
Aug 12, 2021

Zadie Smith is (almost) impossible to fault. I greatly enjoyed these essays and am left with the feeling that there is nothing more to say because she's already said it all and with more precision than I ever could (a feeling I am often left with after reading Zadie Smith's work, and perhaps the only fault I can find in it: she's never wrong).

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Laura Kim@Lauracate

A cogent use of the virus and pandemic as a larger societal metaphor.

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Allegrachatterjee@allegra
3.5 stars
Nov 3, 2024
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Ali Angco@aliangco
3.5 stars
May 25, 2024
Photo of Helen
Helen @helensbookshelf
4 stars
Jul 23, 2023
+5

Highlights

Photo of Helen
Helen @helensbookshelf

That I met a human whose love has allowed me not to apply for love too often through my work even when we've hurt each other desperately. That my children know the truth about me but still tolerate me, so far. That my physical and moral cowardice have never really been tested, until now.

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Helen @helensbookshelf

To consider yourself lucky, even in situations which almost anybody else would consider ex- tremely difficult and unfair. To think, reflexively, of whoever suffers. To forgive anyone who has wounded you, no matter how badly, especially if there is any sign whatsoever that a person has, in wounding you, also wounded themselves. To make no hierarchical distinction between people. To tell any story just as it happened, only exaggerating for humour, but never lying, and never trying to give yourself the flattering role.

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Helen @helensbookshelf

That prejudice is most dangerous not when it resides in individual hearts and minds but when it is preserved in systems. For example: an educational system that proves unable to see a boy as a child, seeing him only as a potential threat. That any child who enters such a prejudiced system will be in grave danger. Be he ever so beautiful and talented, inspired and inspirational, loving and loved he can still be broken.

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Helen @helensbookshelf

Watching this manic desire to make or grow or do 'something’, that now seems to be consuming everybody, I do feel comforted to discover I'm not the only person on this earth who has no idea what life is for, nor what is to be done with all this time, aside from filling it.

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Helen @helensbookshelf

Love is not something to do, but something to be experienced, and something to go through - that must be why it frightens so many of us and why we so often approach it indirectly. Here is this novel, made with love. Here is this banana bread, made with love. If it wasn't for this habit ofindirection, of course, there would be no culture in this world, and very little meaningful pleasure for any of us.

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Helen @helensbookshelf

I am not a scientist or sociologist. I am a novelist. Who can admit, late in the day, during this strange and overwhelming season of death that collides, outside my window, with the emergence of dandelions, that spring SOmetimes rises in me, too, and the moon may occasionally tug at my moods, and if I hear a strange baby cry some part of me still leaps to attention to submission. And once in a while a vulgar strain of spring flower will circumvent a long-trained and self-consciously strict downtown aesthetic. Just before an unprecedented April arrives and makes a nonsense ot every line.

Photo of Shelby Doherty
Shelby Doherty@dohertys17

"Early on in the crisis, I read a news story concerning a young woman of only seventeen, who had killed herself three weeks into lockdown, because she 'couldn't go out and see her friends.' She was not a nurse, with inadequate PPE and a long commute, arriving at a ward of terrified people, bracing herself for a long day of death. But her suffering, like all suffering, was an absolute in her own mind, and applied itself to her body and mind as if uniquely shaped for her, and she could not overcome it and so she died."

Page 34
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Shelby Doherty@dohertys17

"I can't rid myself of the need to do 'something,' to make 'something,' to feel that this new expanse of time hasn't been 'wasted.'"

Page 27
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Shelby Doherty@dohertys17

"There is no great difference between novels and banana bread. They are both just something to do. They are no substitute for love."

Page 26
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Photo of Shelby Doherty
Shelby Doherty@dohertys17

"Now there are essential workers - who do not need to seek out something to do; whose task is vital and unrelenting - and there are the rest of us, all with a certain amount of time on our hands."

Page 21
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Photo of Shelby Doherty
Shelby Doherty@dohertys17

"Why did you bake that banana bread? It was something to do. Why did you make a fort in your living room? Well, it's something to do. Why dress the dog as a cat? It's something to do, isn't it. Fills the time."

Page 20
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Shelby Doherty@dohertys17

"Death comes to all - but in America it has long been considered reasonable to offer the best chance of delay to the highest bidder."

Page 16
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Photo of Shelby Doherty
Shelby Doherty@dohertys17

"War transforms its participants. What was once necessary appears inessential; what was taken for granted, unappreciated and abused now reveals itself to be central to our existence. Strange inversions proliferate. People find themselves applauding a national health service that their own government criminally underfunded and neglected these past ten years. People thank God for "essential" worked they once considered lowly, who not so long ago they despised for wanting fifteen bucks an hour."

Page 15
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Photo of Shelby Doherty
Shelby Doherty@dohertys17

"But now, as he so rightly points out, we are great with death - we are mighty with it. There is a fear, when all of this is said and done, that America will lead the world in it."

Page 13

In reference to the Trump quote about the economy and death in America

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Photo of Shelby Doherty
Shelby Doherty@dohertys17

"Writing is routinely described as 'creative' - this has never struck me as the correct word. Planting tulips is creative. To plant a bulb (I imagine, I've never done it) is to participate in some small way in the cyclic miracle of creation. Writing is control..."

Page 5
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Shelby Doherty@dohertys17

"'(You Make Me Feel Like) A Natural Woman' - I used to listen to that song and try to imagine its counterpart. You could make someone feel like a 'real' man - no doubt its own kind of cage - but never a natural one. A man was a man was a man. He bent nature to his will. He did not submit to it, except in death. Submission to nature was to be my realm..."

Page 3
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Photo of Shelby Doherty
Shelby Doherty@dohertys17

" At the time, the cage of my circumstance, in my mind, was my gender. Not its actuality - I liked my body well enough. What I didn't like was what I thought it signified: that I was tied to my "nature," to my animal body - to the whole simian realm of instinct - and far more elementally so than, say, my brothers. I had "cycles." They did not. I was to pay attention to "clocks." They needn't. There were special words for me, lurking on the horizon, prepackaged to mark the possible future stages of my existence. I might become a spinster. I might become a crone. I might be a babe or a MILF or "childless". My brothers, no matter what else might befall them, would remain men."

Page 3
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Photo of Shelby Doherty
Shelby Doherty@dohertys17

"It sounded like a decent "wartime" wish, war being the analogy he's chosen to use. But no one in 1945 wished to return to the "old life," to return to 1939 - except to resurrect the dead. Disaster demanded a new dawn. Only new thinking can lead to a new dawn. We know that. Yet as he said it - "I wish we could have our old life back" - he caught his audience in a moment of weakness: in their dressing gowns, weeping, or on a work call, or with a baby on their hip and a work call, or putting on a homemade hazmat suit to brave the subway, on the way to work that cannot be done at home, while millions of bored children climbed the walls from coast to coast. And, yes, in that brief context, "the old life" had a comforting sound, if only rhetorically, like "once upon a time" or "but I love him!"

Page 11

A reflection on Trump's quote "I wish we could have our old life back. We had the greatest economy that we've ever had, and didn't have death."

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Shelby Doherty@dohertys17

"We had dead people. We had casualties and we had victims. We had more or less innocent bystanders. We had body counts and sometimes even photos in the newspapers of body bag, though many felt it was wrong to show them. We had "unequal health outcomes." But, in America, all of these involved some culpability on the part of the dead. Wrong place, wrong time. Wrong skin color. Wrong side of the tracks. Wrong Zip Code, wrong beliefs, wrong city. Wrong position of hands when asked to exit the vehicle. Wrong health insurance - or non. Wrong attitude to the police officer.

Page 12
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Shelby Doherty@dohertys17

"America would no longer be that thrilling place of unbelievable oppositions and spetacular violence that makes more equitable countries appear so tame and uneventful in comparisson."

Page 80
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Photo of Shelby Doherty
Shelby Doherty@dohertys17

"A long preserved isolation - even if it has been forced upon you - is painful to emerge from"

Page 80
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