J.R.R. Tolkien

I will begin this book by returning to the quotation that I used to open Beren and LÃºthien: a letter written by my father in 1964, in which he said that out of my head he wrote The Fall of Gondolin during sick-leave from the army in 1917, and the original version of Beren and LÃºthien in the same year.

The Fall of Gondolin

In the Tale of The Fall of Gondolin are two of the greatest powers in the world. There is Morgoth of the uttermost evil, unseen in this story but ruling over a vast military power from his fortress of Angband. Deeply opposed to Morgoth is Ulmo, second in might only to Manwë, chief of the Valar.

C. J. Daley 

The final book edited by Tolkien’s son, and the final of the great tales. Again, I’ll express my great respect for all of the scholarly work Christopher did with his father’s work. 

This one followed the same format as Beren and Lúthien, with there being a preface as well as additional notes from Christopher throughout, as well as the actual content from Tolkien. I again did the audio, which was done very well by Timothy and Samuel West—with one of them reading for Christopher, and the other for Tolkien. Sadly, missed out on the illustrations again though. 

This one was again a rather short narrative tale that Christopher put together. It was roughly an hour and 45 minutes out of an 8:18 audiobook. For me that just goes to show the historical or textbook style writing that Tolkien had employed with these, not to mention he never finished entirely anyway. That’s not to say they aren’t poetic, or lyrical, it’s just that it was giving the information in a textbook/history way, it gives important events and major characters, without deeper detail. That’s again not to say I did not enjoy, I love the way the stories are told, it was just short! 

The only thing I dislike about this formatting choice is that it once again takes away from the linear tale itself. Whereas The Children of Húrin was for the most part the entire book, Beren and Lúthien and The Fall of Gondolin are only a piece of the full book. It is true that Húrin has the most pieces anyway though. The Fall of Gondolin is a pretty dark tale of the might of Melko(r)/Morgoth, with balrogs, dragons, orcs, and men. He orchestrated the deaths of several named characters, as well as the overall downfall of the kingdom. I would love to see something done with this one day. 

A big thing I’d love to talk about with this book is that the fall of Gondolin features a Legolas Greenleaf! And seemingly not the fellowships Legolas, who was born in the second age?! It has been remarked that if Tolkien continued his work he would more than likely have changed this name entirely, as elf names were not typically reused. 

Another thing Christopher touched on that I really liked and wanted to highlight was that Tolkien considered TLotR to be one story, but in a referenced letter he had stated that he was fine with ANY of it being published for people to read, even calling it “this stuff.” So I am sorry Tolkien purists (I myself am kind of at least halfway in this camp…), but he was ultimately the approver of the trilogy it seems.

Jose Lito

Gondolin, de verborgen stad op Midden-Aarde wordt ernstig bedreigd. De kwaadaardige Morgoth doet er alles aan de stad te vinden maar de god Ulmo stuurt de man Tuor erop uit om de stad te vinden en te waarschuwen.

De val van Gondolin

Steffi'sBookShelve

Kimberly Burgess 

Cat Josephson

"An essential historical reference for Middle-earth fans," (Entertainment Weekly), the final work of J.R.R. Tolkien's Middle-earth fiction, completing Christopher Tolkien's life-long achievement as the editor and curator of his father's manuscripts.

Julian Sánchez Ostiz Lange

#1 NEW YORK TIMES BESTSELLER In the Tale of The Fall of Gondolin are two of the greatest powers in the world. There is Morgoth of the uttermost evil, unseen in this story but ruling over a vast military power from his fortress of Angband. Deeply opposed to Morgoth is Ulmo, second in might only to Manwë, chief of the Valar: he is called the Lord of Waters, of all seas, lakes, and rivers under the sky. But he works in secret in Middle-earth to support the Noldor, the kindred of the Elves among whom were numbered Húrin and Túrin Turambar. Central to this enmity of the gods is the city of Gondolin, beautiful but undiscoverable. It was built and peopled by Noldorin Elves who, when they dwelt in Valinor, the land of the gods, rebelled against their rule and fled to Middle-earth. Turgon King of Gondolin is hated and feared above all his enemies by Morgoth, who seeks in vain to discover the marvellously hidden city, while the gods in Valinor in heated debate largely refuse to intervene in support of Ulmo’s desires and designs. Into this world comes Tuor, cousin of Túrin, the instrument of Ulmo’s designs. Guided unseen by him Tuor sets out from the land of his birth on the fearful journey to Gondolin, and in one of the most arresting moments in the history of Middle-earth the sea-god himself appears to him, rising out of the ocean in the midst of a storm. In Gondolin he becomes great; he is wedded to Idril, Turgon’s daughter, and their son is Eärendel, whose birth and profound importance in days to come is foreseen by Ulmo. At last comes the terrible ending. Morgoth learns through an act of supreme treachery all that he needs to mount a devastating attack on the city, with Balrogs and dragons and numberless Orcs. After a minutely observed account of the fall of Gondolin, the tale ends with the escape of Túrin and Idril, with the child Eärendel, looking back from a cleft in the mountains as they flee southward, at the blazing wreckage of their city. They were journeying into a new story, the Tale of Eärendel, which Tolkien never wrote, but which is sketched out in this book from other sources. Following his presentation of Beren and Lúthien Christopher Tolkien has used the same ‘history in sequence’ mode in the writing of this edition of The Fall of Gondolin. In the words of J.R.R. Tolkien, it was ‘the first real story of this imaginary world’ and, together with Beren and Lúthien and The Children of Húrin, he regarded it as one of the three ‘Great Tales’ of the Elder Days.

The Fall of Gondolin

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