J.R.R. Tolkien

After discovering the true nature of the One Ring, Bilbo Baggins entrusts it to the care of his young cousin, Frodo, who is charged with bringing about its destruction and thus foiling the plans of the Dark Lord.

Being the First Part of the Lord of the Rings

The Fellowship of the Ring

The Hobbit

A new edition of Tolkien's collection of tales and legends chronicling the world's beginnings and the happenings of the First Age focuses on the theft of the Simarils--the three jewels crafted by Feanor--by Morgoth, first Dark Lord of Middle-earth, and has been revised and expanded to encompass forty-eight color paintings.

The Silmarillion

the tale of the children of Húrin

Narn i chîn Húrin

Unfinished Tales

Douglas Allen Anderson

Verlyn Flieger

J.R.R. Tolkien's "On Fairy-stories" is his most-studied and most-quoted essay, an exemplary personal statement of his views on the role of imagination in literature, and an intellectual tour de force vital for understanding Tolkien's achievement in the writing of The Lord of the Rings."On Fairy-stories" comprises about 18,000 words. What is little-known is that when Tolkien expanded the essay in 1943, he wrote many more pages of his views that were originally condensed into or cut from the published version. An estimate is difficult, but these unpublished passages perhaps amount to half again as much writing as the essay itself. Included in this new critical study of the work are:,*An introductory essay setting the stage for Tolkien's 1939 lecture (the origin of the essay) and placing it within a historical context.,*A history of the writing of 'On Fairy-stories', beginning with coverage of the original lecture as delivered, and continuing through to first publication in 1947.,*The essay proper as published in corrected form in Tree and Leaf (1964).,*Commentary on the allusions in the text, and notes about the revisions Tolkien made to the text as published in Tree and Leaf.,*Important material not included in the essay as published, with commentary by the editors.

Tolkien on Fairy-stories

Christopher Tolkien

The world first publication of a previously unknown work by J.R.R. Tolkien, which tells the extraordinary story of the final days of England s legendary hero, King Arthur. The Fall of Arthur, the only venture by J.R.R. Tolkien into the legends of Arthur King of Britain, may well be regarded as his finest and most skilful achievement in the use of the Old English alliterative metre, in which he brought to his transforming perceptions of the old narratives a pervasive sense of the grave and fateful nature of all that is told: of Arthur s expedition overseas into distant heathen lands, of Guinevere s flight from Camelot, of the great sea-battle on Arthur s return to Britain, in the portrait of the traitor Mordred, in the tormented doubts of Lancelot in his French castle. Unhappily, The Fall of Arthur was one of several long narrative poems that he abandoned in that period. In this case he evidently began it in the earlier nineteen-thirties, and it was sufficiently advanced for him to send it to a very perceptive friend who read it with great enthusiasm at the end of 1934 and urgently pressed him You simply must finish it! But in vain: he abandoned it, at some date unknown, though there is some evidence that it may have been in 1937, the year of the publication of The Hobbit and the first stirrings of The Lord of the Rings. Years later, in a letter of 1955, he said that he hoped to finish a long poem on The Fall of Arthur; but that day never came. Associated with the text of the poem, however, are many manuscript pages: a great quantity of drafting and experimentation in verse, in which the strange evolution of the poem s structure is revealed, together with narrative synopses and very significant if tantalising notes. In these latter can be discerned clear if mysterious associations of the Arthurian conclusion with The Silmarillion, and the bitter ending of the love of Lancelot and Guinevere, which was never written."

The Fall of Arthur

Baillie Tolkien

A collection of illustrated letters from Father Christmas recapping the activities of the preceding year at the North Pole. The letters were written and illustrated by the author to his children.

Letters from Father Christmas

A collection of early stories and original ideas by J.R.R. Tolkien, presented and analyzed by his son Christopher Tolkien. Each tale is accompanied by notes and commentary.

Part I

The Book of Lost Tales

Painstakingly restored from Tolkien's manuscripts and presented for the first time as a continuous and standalone story, the epic tale of Beren and L�thien will reunite fans of The Hobbit and The Lord of the Rings with Elves and Men, Dwarves and Orcs and the rich landscape and creatures unique to Tolkien's Middle-earth. The tale of Beren and L�thien was, or became, an essential element in the evolution of The Silmarillion, the myths and legends of the First Age of the World conceived by J.R.R. Tolkien. Returning from France and the battle of the Somme at the end of 1916, he wrote the tale in the following year. Essential to the story, and never changed, is the fate that shadowed the love of Beren and L�thien: for Beren was a mortal man, but L�thien was an immortal Elf. Her father, a great Elvish lord, in deep opposition to Beren, imposed on him an impossible task that he must perform before he might wed L�thien. This is the kernel of the legend; and it leads to the supremely heroic attempt of Beren and L�thien together to rob the greatest of all evil beings, Melkor, called Morgoth, the Black Enemy, of a Silmaril. In this book Christopher Tolkien has attempted to extract the story of Beren and L�thien from the comprehensive work in which it was embedded; but that story was itself changing as it developed new associations within the larger history. To show something of the process whereby this legend of Middle-earth evolved over the years, he has told the story in his father's own words by giving, first, its original form, and then passages in prose and verse from later texts that illustrate the narrative as it changed. Presented together for the first time, they reveal aspects of the story, both in event and in narrative immediacy, that were afterwards lost.

Beren and Lúthien

Building on the story begun in The Hobbit and The Fellowship of the Ring this is the second part of Tolkien’s epic masterpiece, The Lord of the Rings, featuring a striking black cover based on Tolkien’s own design, the definitive text, and a detailed map of Middle-earth.

Frodo and the Companions of the Ring have been beset by danger during their quest to prevent the Ruling Ring from falling into the hands of the Dark Lord by destroying it in the Cracks of Doom. They have lost the wizard, Gandalf, in the battle with an evil spirit in the Mines of Moria; and at the Falls of Rauros, Boromir, seduced by the power of the Ring, tried to seize it by force. While Frodo and Sam made their escape the rest of the company were attacked by Orcs.

Now they continue their journey alone down the great River Anduin – alone, that is, save for the mysterious creeping figure that follows wherever they go.

The Two Towers 

Continuing the story begun in The Hobbit, this is the first part of Tolkien’s epic masterpiece, The Lord of the Rings, featuring a striking black cover based on Tolkien’s own design, the definitive text, and a detailed map of Middle-earth.

Sauron, the Dark Lord, has gathered to him all the Rings of Power – the means by which he intends to rule Middle-earth. All he lacks in his plans for dominion is the One Ring – the ring that rules them all – which has fallen into the hands of the hobbit, Bilbo Baggins.

In a sleepy village in the Shire, young Frodo Baggins finds himself faced with an immense task, as his elderly cousin Bilbo entrusts the Ring to his care. Frodo must leave his home and make a perilous journey across Middle-earth to the Cracks of Doom, there to destroy the Ring and foil the Dark Lord in his evil purpose.

The Fellowship of The Ring

#1 NEW YORK TIMES BESTSELLER In the Tale of The Fall of Gondolin are two of the greatest powers in the world. There is Morgoth of the uttermost evil, unseen in this story but ruling over a vast military power from his fortress of Angband. Deeply opposed to Morgoth is Ulmo, second in might only to Manwë, chief of the Valar: he is called the Lord of Waters, of all seas, lakes, and rivers under the sky. But he works in secret in Middle-earth to support the Noldor, the kindred of the Elves among whom were numbered Húrin and Túrin Turambar. Central to this enmity of the gods is the city of Gondolin, beautiful but undiscoverable. It was built and peopled by Noldorin Elves who, when they dwelt in Valinor, the land of the gods, rebelled against their rule and fled to Middle-earth. Turgon King of Gondolin is hated and feared above all his enemies by Morgoth, who seeks in vain to discover the marvellously hidden city, while the gods in Valinor in heated debate largely refuse to intervene in support of Ulmo’s desires and designs. Into this world comes Tuor, cousin of Túrin, the instrument of Ulmo’s designs. Guided unseen by him Tuor sets out from the land of his birth on the fearful journey to Gondolin, and in one of the most arresting moments in the history of Middle-earth the sea-god himself appears to him, rising out of the ocean in the midst of a storm. In Gondolin he becomes great; he is wedded to Idril, Turgon’s daughter, and their son is Eärendel, whose birth and profound importance in days to come is foreseen by Ulmo. At last comes the terrible ending. Morgoth learns through an act of supreme treachery all that he needs to mount a devastating attack on the city, with Balrogs and dragons and numberless Orcs. After a minutely observed account of the fall of Gondolin, the tale ends with the escape of Túrin and Idril, with the child Eärendel, looking back from a cleft in the mountains as they flee southward, at the blazing wreckage of their city. They were journeying into a new story, the Tale of Eärendel, which Tolkien never wrote, but which is sketched out in this book from other sources. Following his presentation of Beren and Lúthien Christopher Tolkien has used the same ‘history in sequence’ mode in the writing of this edition of The Fall of Gondolin. In the words of J.R.R. Tolkien, it was ‘the first real story of this imaginary world’ and, together with Beren and Lúthien and The Children of Húrin, he regarded it as one of the three ‘Great Tales’ of the Elder Days.

The Fall of Gondolin

Wayne G. Hammond

Christina Scull

While on holiday in 1925, Tolkien's four-year-old son lost his beloved toy dog. To console him, his father improvised a story about a real dog who is magically transformed into a toy and is forced to seek out the wizard who wronged him to be returned to normal. This novella tells the tale.

Roverandom

The Book of Lost Tales was the first major work of imagination by J.R.R. Tolkien, begun in 1916, when he was twenty-five years old, and left incomplete several years later. It stands at the beginning of the entire conception of Middle-earth and Valinor, for the Lost Tales were the first form of the myths and legends that came to be called The Silmarillion. Embedded in English legend and association, they are set in the narrative frame of the great westward voyage of a mariner named Eriel (or AElfwine). His destination is Tol Eressea, the Lonely Isle where Elves dwell; from them he learns their true history, the Lost Tales of Elfinesse. The Tales include the earliest accounts of Gods and Elves, Dwarves, Balrogs, and Orcs; of the Silmarils and the Two Trees of Valinor; of Nargothrond and Gondolin; of the geography and cosmography of their invented world. The Book of Lost Tales is published in two volumes. The first contains the Tales of Valinor; and this second part includes Beren and Luthien, Turin and the Dragon, and the only full narratives of the Necklace of the Dwarves and the Fall of Gondolin. Each tale is followed by a commentary, together with associated poems, and each volume contains extensive information on names and vocabulary of the earliest Elvish languages. Additional books in this series will extend the history of Middle-earth as it was refined and enlarged in later years and will include the long Lays of Beleriand, the Ambarkanta or Shape of the World, the Lhammas or Account of Tongues, annals, maps, and many other previously unpublished writings of J.R.R. Tolkien.

Part Two

The Book of Lost Tales, Part Two

Brian Sibley

Michael Bakewell

Michael Hordern

Ian Holm

The second instalment of Tolkien's epic tale, adapted from the original BBC Radio 4 full-cast dramatisation. Having fled the Shire in their escape from Sauron's Dark Riders, Frodo and the Fellowship of the Ring have journeyed to Rivendell and beyond. Their mission is to reach the Mountain of Fire in Mordor, where the Ruling Ring can be destroyed, but already their campaign is in jeopardy. Gandalf has fallen into an abyss, and Boromir has fatally succumbed to the power of the Ring. The others are besieged by an army of orcs - save for Frodo and Sam, whose journey down the River Anduin is being watched by a dark and shadowy figure... Widely regarded as a broadcasting classic, the BBC Radio dramatisation of 'The Lord of the Rings' stars Ian Holm, Michael Hordern, Robert Stephens, John Le Mesurier and Peter Woodthorpe.

The Lord of the Rings

World-first publication of a previously unknown work by J.R.R. Tolkien. It tells the story of the Norse hero, Sigurd, the dragon-slayer and the revenge of his wife, Gudrun, upon those who betrayed him.

The Legend of Sigurd and Gudrún

Pauline Baynes

The hobbit Bilbo Baggins bids farewell to his friends and to the world of Middle-earth as he sets forth on his last journey.

At the Grey Havens

Bilbo's Last Song

Never before published in a single volume, Tolkien's four novellas ("Farmer Giles of Ham, Leaf by Niggle, Smith of Wootton Major," and "Roverandom") and one book of poems ("The Adventures of Tom Bombadil") are gathered together in a fully illustrated set.

J.R.R. Tolkien

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