
Flint and Mirror
Reviews

In this historical fantasy, the Irish earl Hugh O’Neill struggles with dual obligations to his ancestral land and to Queen Elizabeth I, who communicates with him through a black mirror crafted by the legendary magician John Dee.
This novel expands a story by the same name that appears in Crowley’s collection AND GO LIKE THIS (which I read—and loved—last year), beginning with Hugh’s early encounters with Dee’s magic and the Sidhe of his native Ulster and ending with his death in exile.
It was interesting to read FLINT in close succession to THE CRYSTAL CAVE. Whereas CAVE historicizes myth, FLINT mythologizes history—and they end up in a similar place, though in FLINT's case, I think I could have done with more myth and less history.
While FLINT certainly contains the real-world/fairy-world tensions that characterize so much of Crowley's work, the scope of this story necessarily requires more time spent on things like troop movements than on the esoteric weird shit I love so much.
That said, Crowley manages to filter a decades-long political conflict through a personal lens, the tensions between Ireland and England embodied by a real, fallible man. It's an impeccably written, evocative book—though now I mostly want to go back and re-read THE SOLITUDES.