Sages sorcières? révision de la mauvaise mère dans Beloved (Toni Morrison), Praisesong for the Widow (Paule Marshall), et Moi, Tituba, sorcière noire de Salem (Maryse Condé)

The comparative study, Sages Sorcieres?, brings together Afro-Caribbean and Afro-American female writing. Gyssels approaches francophone literature and anglophone literature as two separate entities, rather than simply grouping them together as postcolonial literature. By doing so, she opens new dimensions in (traditional) comparative literature studies: until now, geographical and linguistic barriers have torn apart female writing of the Black Diaspora. (TEXT IN FRENCH)