Rick and Morty

Rick and Morty

The eighth trade paperback volume based on the widely popular [adult swim]™ show collects issues #36-40. The hit comic book series based on Dan Harmon and Justin Roiland’s hilarious [adult swim]™ animated show RICK AND MORTY™ continues in all-new stories not seen on TV! Catch up on the adventures of degenerate genius scientist Rick Sanchez as he drags his inherently timid grandson Morty Smith on dangerous adventures across the universe! This volume features Eisner-nominated writer Kyle Starks (Sexcastle) and series artist Marc Ellerby in collaboration with all-star talent like Tini Howard (Rick and Morty: Pocket Like You Stole It), Josh Trujillo (Love is Love), Rii Abrego (Adventure Time), and Sarah Stern (Zodiac Starforce). Witness the sheer depths of sadness in "A Jerry Bad Day"! Glory in the gothic vampire-killing madness of "Let the Rick One In"! See Rick turn into a bunch of different objects (it's not just pickles anymore, bro!) in "Battle Rickale"! All that and more in this collection of Rick and Morty™ comics! Collects issues #36-40.
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Reviews

Photo of Emmett
Emmett@rookbones
5 stars
May 30, 2022

Always excited to see what is in store in every issue, given that this universe has a potentially infinite number of stories. The writers have used that concept for all it is worth.

Photo of Emmett
Emmett@rookbones
4 stars
May 30, 2022

After the superb previous volume, this one was a mixed bag. Many of the stories aren't particularly worthy of being called 'stories' so much as they are just vignettes or scattered episodic moments that aren't worked up to anything significant or distinctive RnM in quality, which gives this volume a rather haphazard, scrapbook-like feel. Interdimensional Cable III doesn't work in the same amusing way as the animated series, medium-wise (advertisements, after all, are meant for tv), and the jokes weren't especially funny. 'The HurRICKcane' in my opinion was just awful - a kidnap plot framing what was basically a fairly superficial film buff argument. There was no build up, no effective punchline. The good stories in Issue #29-30 (coyly toying with the philosophical questions of fascism and possibly murdering Hitler) seem to have better art, to my untrained eye, and compensated for the less impressive ones.