Coraline A Closer Look at Studio Laikas Stop Motion Witchcraft

Introduction: Coraline: a twitchy, witchy girl in stop-motion land / Mihaela Mihailova (University of Michigan, USA) -- Part 1. Historical contexts and perspectives. Chapter 1. Drawing Coraline : illustration, adaptation, and visuality / Malcolm Cook (University of Southampton, UK) ; Chapter 2. Mixing it up: Coraline and LAIKA's Hybrid World / Miriam Harris (Auckland University of Technology, New Zealand) ; Chapter 3. Armatures in the closet: Coraline and the history of stop motion / Mihaela Mihailova (University of Michigan, USA) ; Chapter 4. The surprising migrations of 2 1/2 D: the background to Coraline / Norman M. Klein (California Institute of the Arts, USA) -- Part 2. Stop-motion technology, process, and spectatorship. Chapter 5. Replacing Coraline / Dan Torre (RMIT University, Australia) ; Chapter 6. Coraline's 'Other world': the animated camera in stop-motion feature film / Jane Shadbolt (The University of Newcastle, Australia) ; Chapter 7. A world within reach: a neuroanimatic perspective on themes of threat in the miniature world of Coraline / Ann Owen (Falmouth University, UK) ; Chapter 8. Darkness and delight: the reception of Coraline in the USA and UK / Rayna Denison (University of East Anglia, UK) -- Part 3. Puppet politics: ideology, identity, representation. Chapter 9. Becoming-puppet: failed interpellation and the uncanny subjection in Coraline / Eric Herhuth (Tulane University, USA) ; Chapter 10. Fa(r)ther figures: locating the author father in Coraline / Nicholas Andrew Miller (Loyola University Maryland, USA) ; Chapter 11. The wandering child and the family in crisis in Henry Selick's Coraline / Jane Batkin (University of Lincoln, UK) ; Chapter 12. The other maiden, Mother, Crone(s): witchcraft, queer identity, and political resistance in LAIKA's Coraline / Mx. Kodi Maier (University of Hull, UK) -- Index.