Ursula K. Le Guin

Ursula K. Le Guin generously shares the accumulated wisdom of a lifetime's work.

Exercises and Discussions on Story Writing for the Lone Navigator Or the Mutinous Crew

Steering the Craft

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Some people see art as a matter of control. I see it mostly as a matter of self-control. It’s like this: in me there’s a story that wants to be told. It is my end; I am its means. If I can keep myself, my ego, my wishes and opinions, my mental junk, out of the way and find the focus of the story, and follow the movement of the story, the story will tell itself.

A story that has nothing but action and plot is a pretty poor affair; and some great stories have neither. To my mind, plot is merely one way of telling a story, by connecting the happenings tightly, usually through causal chains. Plot is a marvelous device. But it’s not superior to story, and not even necessary to it. As for action, indeed a story must move, something must happen; but the action can be nothing more than a letter sent that doesn’t arrive, a thought unspoken, the passage of a summer day. Unceasing violent action is usually a sign that in fact no story is being told.

“Rules” about keeping paragraphs and sentences short often come from the kind of writer who boasts, “If I write a sentence that sounds literary, I throw it out,” but who writes his mysteries or thrillers in the stripped-down, tight-lipped, macho style—a self-consciously literary mannerism if there ever was one.

Jessica 

A revised and updated guide to the essentials of a writer's craft, presented by a brilliant practitioner of the art Completely revised and rewritten to address the challenges and opportunities of the modern era, this handbook is a short, deceptively simple guide to the craft of writing. Le Guin lays out ten chapters that address the most fundamental components of narrative, from the sound of language to sentence construction to point of view. Each chapter combines illustrative examples from the global canon with Le Guin's own witty commentary and an exercise that the writer can do solo or in a group. She also offers a comprehensive guide to working in writing groups, both actual and online. Masterly and concise, Steering the Craft deserves a place on every writer's shelf.

A Twenty-First-Century Guide to Sailing the Sea of Story

this was illuminating & answered some of the problems i had while writing urban loneliness - particularly the pov, pov change, tenses, the discussion about plot & story & its overinflation with conflict (!), & ESPECIALLY crowding & leaping. sooo good. i haven't had the chance to do the exercises but i'll 100% be looking back and doing so.

madina

PaulinaLanko

Andrew Louis

Caterina P.

Sarah Hudson

Jenna T.

Avani Pandya

A revised and updated guide to the essentials of a writer’s craft, presented by a brilliant practitioner of the art Completely revised and rewritten to address the challenges and opportunities of the modern era, this handbook is a short, deceptively simple guide to the craft of writing. Le Guin lays out ten chapters that address the most fundamental components of narrative, from the sound of language to sentence construction to point of view. Each chapter combines illustrative examples from the global canon with Le Guin’s own witty commentary and an exercise that the writer can do solo or in a group. She also offers a comprehensive guide to working in writing groups, both actual and online. Masterly and concise, Steering the Craft deserves a place on every writer's shelf.

Steering the Craft Exercises and Discussions on Story Writing for the Lone Navigator Or the Mutinous Crew

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