Sweet Things

The still life series was photographed in a studio, captured on film, and printed in a color darkroom. Owing to their careful arrangements, the images take a stab at the unnerving sides of consumerism. The work picks and pulls at the embodied anxieties from insatiable capitalism, chewing over desire, bodies, and fetish objects. The pictures act as a sort of evidence of a logic distorted. They could be introduced in court as Exhibit A, Exhibit B, and so on, for a trial where no verdict is possible. The crime is indistinguishable from modern living and morality from consumer capitalism. There is a banality to evil, and it leaves a bad taste in my mouth.