A Slip of the Keyboard

A Slip of the Keyboard Collected Nonfiction

A treasury of essays and other nonfiction writings by the best-selling creator of the Discworld series ranges from musings on mushrooms and speculations about Gandalf's love life to the delights of banana daiquiris and the importance of Alzheimer's research. 20,000 first printing.
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Reviews

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Sim@zerocool
4 stars
Feb 4, 2022

neil gaiman: "terry pratchett is not one to go gentle into any night, good or otherwise. he will rage, as he leaves, against so many things: stupidity, injustice, human foolishness and shortsightedness, not just the dying of the light, although that's here too. and, hand in hand with the anger, like an angel and demon walking hand in hand into the sunset, there is love: for human beings, in all our fallibility; for treasured objects; for stories; and ultimately and in all things, love for human dignity." reader, i wept

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Rose Stanley@roseofoulesfame
5 stars
Jan 4, 2022

I've long thought that Terry Pratchett is (I mean, was, sob) this century's Voltaire and this collection of his non-fiction writings (articles, lectures, speeches and so on) confirms it. Clever, phenomenally well-read, witty, funny, and, as far as I can tell, permanently gently, or not-so-gently simmering/seething at the injustices of the world (in this house we stan an angry SJW, especially one who also has a way with words), Pratchett has (I mean, had - sob sob) such a gift for observing and reporting on the world around him. There are insights here into his childhood, family, and various careers in addition to the fantasy novels that put him on the map and although I found the pieces on assisted dying hard to read, it was definitely worth it. The only thing I dislike about this book is the reminder that I never got to meet Pratchett and now it's too late (sob sob sob).

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High Fidelity@highfidelity
4 stars
Nov 23, 2023
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Julia A.@brizna
4 stars
Dec 13, 2021
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Alex@alex-salem
4 stars
Dec 3, 2021
Photo of Jesper Bylund
Jesper Bylund@Jesper
4 stars
Jun 29, 2021

Highlights

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High Fidelity@highfidelity

I’m all for assisted death. Of course there are people who are against it, but they come up with the wrong reasons, such as “God doesn’t like it” and so on. Personally, I really don’t think God is all that bothered, but I would like to think that my god would be more concerned about unnecessary suffering. Who knows.

POINT ME TO HEAVEN WHEN THE FINAL CHAPTER COMES

Mail on Sunday, 2 August 2009

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High Fidelity@highfidelity

It occurred to me that at one point it was like I had two diseases—one was Alzheimer’s and the other was knowing I had Alzheimer’s.

I’M SLIPPING AWAY A BIT AT A TIME … AND ALL I CAN DO IS WATCH IT HAPPEN

Daily Mail, 7 October 2008

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High Fidelity@highfidelity

For what it’s worth, I always preferred Batman. Most local kids did. If you ate up your broccoli and drank your milk you could theoretically be Batman when you grew up, whereas in order to be Superman you had to be born on another planet.

TALES OF WONDER AND OF PORN

Noreascon Four: WorldCon programme book, 2004

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High Fidelity@highfidelity

In any case, genre is just a flavouring. It’s not the whole meal. Don’t get confused by the scenery.

2001 CARNEGIE MEDAL AWARD SPEECH

2002

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High Fidelity@highfidelity

Do I still think, as I did then, that Tolkien was the greatest writer in the world? In the strict sense, no. You can think that at thirteen. If you still think it at fifty-three, something has gone wrong with your life. But sometimes things all come together at the right time in the right place—book, author, style, subject, and reader. The moment was magic.

CULT CLASSIC

From Meditations on Middle-earth, ed. Karen Haber, November 2001

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High Fidelity@highfidelity

Most crime novels are full of policemen, crimes, and criminals, and most cakes contain pretty much the same sort of ingredients. It’s the cookery that counts. Cook it right, with imagination and flair and a good pinch of luck, and you have that rare and valuable thing—a genre book that’s risen above the genre. And Harry Potter is beautifully cooked.

MAGIC KINGDOMS

Sunday Times, 4 July 1999

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High Fidelity@highfidelity

I also came across the word neoteny, which means “remaining young.” It’s something which we as humans have developed into a survival trait.

LET THERE BE DRAGONS

The Bookseller, 11 June 1993

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High Fidelity@highfidelity

As a suddenly thirsting reader I escaped first of all to what was then called Outer Space. I read a lot of science fiction, which as I have said is only a twentieth-century subset of fantasy. And a lot of it was, in strict literary terms, rubbish. But this was good rubbish. It was like an exercise bicycle for the mind—it doesn’t take you anywhere, but it certainly tones up the muscles.

LET THERE BE DRAGONS

The Bookseller, 11 June 1993

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High Fidelity@highfidelity

There’s a feeling that I think is only possible to get when you are a child and discover books: it’s a kind of fizz—you want to read everything that’s in print before it evaporates before your eyes.

LET THERE BE DRAGONS

The Bookseller, 11 June 1993

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High Fidelity@highfidelity

Sorceress? Just a better class of witch. Enchantress? Just a witch with good legs. The fantasy world, in fact, is overdue for a visit from the Equal Opportunities people because, in the fantasy world, magic done by women is usually of poor quality, third-rate, negative stuff, while the wizards are usually cerebral, clever, powerful, and wise.

Strangely enough, that’s also the case in this world. You don’t have to believe in magic to notice that.

WHY GANDALF NEVER MARRIED

Speech given at Novacon, 1985

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High Fidelity@highfidelity

I can’t stress that last point enough. Fantasy works best when you take it seriously (it can also become a lot funnier, but that’s another story). Taking it seriously means that there must be rules. If anything can happen, then there is no real suspense.

NOTES FROM A SUCCESSFUL FANTASY AUTHOR: KEEP IT REAL

Writers’ & Artists’ Yearbook, 2007

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High Fidelity@highfidelity

… well, when I was young, I wrote a letter to J. R. R. Tolkien, just as he was becoming extravagantly famous.

I just said I’d enjoyed the book very much. And he said thank you. For a moment, it achieved the most basic and treasured of human communications: you are real, and therefore so am I.

KEVINS

The Author, Winter 1993

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High Fidelity@highfidelity

And so I’ve been learning as I go, and I find it now rather embarrassing that people beginning the Discworld series start with The Colour of Magic and The Light Fantastic, which I don’t think are some of the best books to start with. This is the author saying this, folks. Do not start at the beginning with Discworld.

STRAIGHT FROM THE HEART, VIA THE GROIN

Speech given at Noreascon 2004, WorldCon

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High Fidelity@highfidelity

But horizontal wealth means not letting your increased income dictate your tastes. You like books and now you have money? Buy more books!

STRAIGHT FROM THE HEART, VIA THE GROIN

Speech given at Noreascon 2004, WorldCon

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High Fidelity@highfidelity

Where do the ideas come from? I do not know. But one of the things I did learn from my science fiction reading was that there were other things you could read besides science fiction.

STRAIGHT FROM THE HEART, VIA THE GROIN

Speech given at Noreascon 2004, WorldCon

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High Fidelity@highfidelity

People are magnificent research, almost the best there is.

PAPERBACK WRITER

The Guardian, 6 December 2003

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High Fidelity@highfidelity

Brewer’s Dictionary of Phrase and Fable is the first book to turn to when questions arise and the final desperate volume when the lesser reference books have failed. No bookshelf, no WORLD is complete without it. It’s as simple as that.

BREWER’S BOY

Foreword to Brewer’s Dictionary of Phrase and Fable Millennium Edition, 1999

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SUSURRATION

… from the Latin susurrus, “whisper” or “rustling,” which is exactly what it sounds like. It’s a hushed noise. But it hints of plots and secrets and people turning to one another in surprise. It’s the noise, in fact, made just after the sword is withdrawn from the stone and just before the cheering starts.

THE CHOICE WORD

Contribution for The Word, London’s Festival of Literature, 2000