The Abundance
Eloquent
Inspirational
Profound

The Abundance Narrative Essays Old and New

Annie Dillard2016
In recognition of the Pulitzer Prize-winning author’s long and lauded career as a master essayist, a landmark collection, including her most beloved pieces and some rarely seen work, rigorously curated by the author herself. “A writer who never seems tired, who has never plodded her way through a page or sentence, Dillard can only be enjoyed by a wide-awake reader,” warns Geoff Dyer in his introduction to this stellar collection. Carefully culled from her past work, The Abundance is quintessential Annie Dillard, delivered in her fierce and undeniably singular voice, filled with fascinating detail and metaphysical fact. The pieces within will exhilarate both admiring fans and a new generation of readers, having been “re-framed and re-hung,” with fresh editing and reordering by the author, to situate these now seminal works within her larger canon. The Abundance reminds us that Dillard’s brand of “novelized nonfiction” pioneered the form long before it came to be widely appreciated. Intense, vivid, and fearless, her work endows the true and seemingly ordinary aspects of life—a commuter chases snowball-throwing children through neighborhood streets, a teenager memorizes Rimbaud’s poetry—with beauty and irony, inviting readers onto sweeping landscapes, to join her in exploring the complexities of time and death, with a sense of humor: on one page, an eagle falls from the sky with a weasel attached to its throat; on another, a man walks into a bar. Reminding us of the indelible contributions of this formative figure in contemporary nonfiction, The Abundance exquisitely showcases Annie Dillard’s enigmatic, enduring genius, as Dillard herself wishes it to be marked.
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Reviews

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madina@humaintain
5 stars
Feb 26, 2022

loved the qur'an references, loved the writing, love annie dillard writing about space my only beef with this book is that section in newborn and salted argh. still :/ it's a good book

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erin alise @thehollowvalley
4 stars
May 26, 2023
+4
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Rowan Hitchcock@rowanhitchcock
5 stars
Apr 18, 2023
Photo of Grady Scott Weston
Grady Scott Weston@gradyweston
4 stars
Jul 26, 2021

Highlights

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erin alise @thehollowvalley

It was hot, so hot the mirror felt warm. I washed before the mirror in a daze, my twisted summer sleep still hung about me like sea kelp.

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erin alise @thehollowvalley

Mountains are giant, restful, absorbent. You can heave your spirit into a mountain and the mountain will keep it, folded, and not throw it back as some creeks will. The creeks are the world with all its stimulus and beauty; I live there. But the mountains are home.

Page 135
This highlight contains a spoiler
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erin alise @thehollowvalley

The answer must be, I think, that beauty and grace are performed whether or not we will or sense them. The least we can do is try to be there.

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erin alise @thehollowvalley

But there is another kind of seeing that involves a letting go. When I see this way I sway, transfixed and emptied. The difference between the two ways of seeing is the difference between walking with and without a camera. When I walk with a camera I walk from shot to shot, reading the light on a calibrated meter. When I walk without a camera, my own shutter opens, and opens, and the moment's light prints on my own silver gut. When I see this second way I am above all an unscrupulous observer.

Page 168
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erin alise @thehollowvalley

This is how you spend this afternoon, and tomorrow morning, and tomorrow afternoon. Spend the afternoon. You can't take it with you.

Page 185
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erin alise @thehollowvalley

You do not have to sit outside in the dark. If, however, you want to look at the stars, you will find that darkness is necessary. But the stars themselves neither require nor demand it.

Page 245
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erin alise @thehollowvalley

The world's spiritual geniuses seem to discover universally that the mind's muddy river, this ceaseless flow of trivia and trash, cannot be dammed, and that trying to dam it is a waste of effort that might lead to madness. Instead you must allow the muddy river to flow unheeded in the dim channels of consciousness; you raise your sights; you look along it, mildly, acknowledging its presence without interest and gazing beyond it into the realm of the real where subjects and objects act and rest purely, without utterance. "Launch into the deep, says Jacques Ellul, "and you shall see."

Page 170
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erin alise @thehollowvalley

The answer must be, I think, that beauty and grace are performed whether or not we will or sense them. The least we can do is try to be there.

Page 143
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erin alise @thehollowvalley

Now I was in my own way; I myself was a dark object I could not ignore. I couldn't remember how to forget myself.

Page 88
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erin alise @thehollowvalley

I was what they called a live wire. I was shooting out sparks that were digging a pit all around me, and I was sinking into that pit.

Page 87
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erin alise @thehollowvalley

I think it would be well, and proper, and obedient, and pure, to grasp your one necessity and not let it go, to live, dangle from it limp wherever it takes you. Then even death, where you're going no matter how you live, cannot you part. Seize it and let it seize you up aloft even, till your eyes burn out and let your very bones unhinge and scatter, loosened over fields, over fields and woods, lightly, thoughtless, from any height at all, from as high as eagles.

Page 38
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erin alise @thehollowvalley

The thing is to stalk your calling in a certain skilled and supple way, to locate the most tender and live spot and plug into that pulse. This is yielding, not fighting.

Page 38