Rebecca Solnit

A companion to A Field Guide for Getting Lost explores the ways that people construct lives from stories and connect to each other through empathy, narrative and imagination, sharing illustrative anecdotes about historical figures and members of her own family. By the National Book Critics Circle Award-winning author of River of Shadows.

The Faraway Nearby

Amy Thibodeau

Chasity Mayo

** spoiler alert **
           Rebecca Solnit’s writing is immaculate. She has the ability to not only break mental constructs and push boundaries, but play with words to drastically change your perspective on the way you perceive mundane things. She forms connections between seemingly arbitrary objects and themes, such as hot/cold, far/near, blue/red, etc. but applies the connections to real narratives & emphasizes the connectedness of all life. She also writes about the beauty of darkness, of emptiness, and how it contributes to our ways of thinking. She mentions things such as Iceland, apricots, and bears, but somehow manages to weave together a beautiful spiderweb of stories. She does a wonderful job at uncovering the familiar; she shows you the similar aspects that exist within different sectors and tales all whilst embracing the differences. I feel after reading this book that I have a hole in my heart that is somehow overflowing. If you want to become completely encapsulated with beauty or the lack thereof, read this!

Brittney Wilson

This was lovely.
“Who drinks your tears, who has your wings, who hears your story?”

One summer, Rebecca Solnit was bequeathed a hundred pounds of apricots - the fruit came from a tree that her mother, gradually succumbing to memory loss, could no longer tend to. From this unexpected inheritance came stories, spun like those of Scheherazade who used her gifts as a storyteller to prolong her life and weave her way into the heart of a king. So too came adventure; in a library of water in Iceland, in the basin of the Grand Canyon, and in the emptiness of the Arctic. As she looks back on the year of apricots and emergencies, Solnit draws together the threads of her life with the lives of others.

Rose Stanley

Why did it take me so long to get round to reading Solnit's work? She writes so well!

Difficult to categorise this - I don't think you can call it a collection of short stories...it's as much about the art of (and need for) connecting through storytelling as it is about the tales themselves. 

The unifying thread, from a narrative perspective, is Solnit's account of a period in her life when she was forced to confront mortality and transience (partly through witnessing her mother's Alzheimer's and partly through having a brush with breast cancer herself), but there are so many (fascinating) detours into other people's stories that calling it an autobiography seems too narrow.

Instantly reminded me of Cloud Atlas because of its structure and the interconnections between each of the sections. Everything is beautifully and skilfully woven together, and the bonus story running along the bottom of each page is the icing on the cake (yes yes I know I'm mixing my metaphors).

In case it's not clear...I adored this. Will definitely be rereading.

Miguel

Juliana

From the author of the memoir Recollections of My Nonexistence, a personal, lyrical narrative about storytelling and empathy – a fitting companion to Solnit’s A Field Guide to Getting Lost A finalist for the National Book Critics Circle Award In this exquisitely written book by the author of A Paradise Built in Hell, Rebecca Solnit explores the ways we make our lives out of stories, and how we are connected by empathy, by narrative, by imagination. In the course of unpacking some of her own stories—of her mother and her decline from memory loss, of a trip to Iceland, of an illness—Solnit revisits fairytales and entertains other stories: about arctic explorers, Che Guevara among the leper colonies, and Mary Shelley’s Dr. Frankenstein, about warmth and coldness, pain and kindness, decay and transformation, making art and making self. Woven together, these stories create a map which charts the boundaries and territories of storytelling, reframing who each of us is and how we might tell our story.

The Faraway Nearby

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