Kingsley Amis

Maurice Allington, landlord of the Green Man Inn, is the sole witness to the ghostly existence of Dr. Thomas Underhill, a notorious seventeenth-century sexual deviant and practitioner of the black arts. A desire to vindicate his sanity leads Allington to uncover the key to Underhill’s satanic secrets.

The Green Man

Like all good coaching inns, The Green Man is said to boast a resident ghost: Dr Thomas Underhill, a notorious seventeenth-century practitioner of black arts and sexual deviancy. However, the landlord, Maurice Allington, is the sole witness to the renaissance of the malevolent Underhill. Led by an anxious desire to vindicate his sanity, Allington strives to uncover the key to Underhill's satanic powers. All while the skeletons in Allington's own cupboard rattle to get out.

Mari-Claire Parrin

Giovanni Garcia-Fenech 

Jenna Kathleen

Maurice Allington has reached middle age and is haunted by death. As he says, “I honestly can't see why everybody who isn't a child, everybody who's theoretically old enough to have understood what death means, doesn't spend all his time thinking about it. It's a pretty arresting thought.” He also happens to own and run a country inn that is haunted. The Green Man opens as Maurice's father drops dead (had he seen something in the room?) and continues as friends and family convene for the funeral. Maurice's problems are many and increasing: How to deal with his own declining health? How to reach out to a teenage daughter who watches TV all the time? How to get his best friend's wife in the sack? How to find another drink? (And another.) And then there is always death. The Green Man is a ghost story that hits a live nerve, a very black comedy with an uncannily happy ending: in other words, Kingsley Amis at his best.

The Green Man

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