Deborah Levy

Taking George Orwell's famous essay, 'Why I Write', as a jumping-off point, Deborah Levy offers her own indispensable reflections of the writing life. With wit, clarity and calm brilliance, she considers how the writer must stake claim to that contested territory and shape it to her need. Itis a work of dazzling insight and deep psychological succour, from one of our most vital contemporary writers. This first volume of the trilogy focuses on the writer as a young woman - the confusion and turbulence of youth, and the uncertainties of carving an identity as a writer. The second volume, The Cost of Living, speaks to the challenges of middle age as a writer and a woman - motherhood, separation, bereavement.

Things I Don't Want to Know

'Perhaps when Orwell described sheer egoism as a necessary quality for a writer, he was not thinking about the sheer egoism of a female writer. Even the most arrogant female writer has to work over time to build an ego that is robust enough to get her through January, never mind all the way to December.' Deborah Levy

A Response to George Orwell's 1946 Essay 'Why I Write'

Things i Don't Want to Know

Mara D Alo Fonseca

When she kissed me on my cheek I could feel her heart beating under her coat, fierce and roaring.

Sarah Christine Gill

I love how Levy portrays her journey on this one

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kept drawing parallels to my own experiences with privilege that continues to be  juxtaposed against the caste system at all times, like the south african apartheid recalled here. it is a difficult perspective to explain the pain of witnessing from a position that is inside hegemony but without power, and Levy does it with delicacy, wit and warmth. i can't wait to read more.

pranya

'Unmissable. Like chancing upon an oasis, you want to drink it slowly... Subtle, unpredictable, surprising' Guardian Things I Don't Want to Know is the first in Deborah Levy's essential three-part 'Living Autobiography' on writing and womanhood. Taking George Orwell's famous essay, 'Why I Write', as a jumping-off point, Deborah Levy offers her own indispensable reflections of the writing life. With wit, clarity and calm brilliance, she considers how the writer must stake claim to that contested territory as a young woman and shape it to her need. Things I Don't Want to Know is a work of dazzling insight and deep psychological succour, from one of our most vital contemporary writers. 'Superb sharpness and originality of imagination. An inspiring work of writing' Marina Warner

was so captivated by this i got the most viscous sunburn while reading on the beach. deborah levy the woman that u are 😩🤍

i wish i bought the whole series at the same time bc now i’m in rural victoria with no books to read 💔

kayley

was so captivated by this i got the most viscous sunburn while reading on the beach. deborah levy the woman that u are 😩🤍

i wish i bought the whole series at the same time bc now i’m in rural victoria with no books to read 💔

First in a trilogy of memoirs, also the first book I’ve read of Deborah Levy’s. As good a place to start as any, keen for the next 🤗 

Molly Bridge

It was short and she is funny and wise and it had a lot in it in a short amount of time... Very good book! Altho ngl I kinda wish it wasn't a memoir bc I'd like to follow the character of both marias and their lives too...

Nina 

Angbeen Abbas

(3.5/4)

deborah im begging you please hang out with me pleaseeee i need you to be maternal figure to me soooo bad.

Jas Wang

Once again, I shall owe my appreciation for this book to the timing. 
Of course, the writing itself is delicately woven as always, but I can see myself (or others) reading this and nit-picking bits, but whilst I picked up the book, it almost felt like it was calling to me, with the answers I seek. And it has definitely shown me my socket, that I just need to reach for.

Clara Jo

A slim first book of Levy's three part living autobiography establishing her writing presence and the quotidian realities of her childhood in apartheid South Africa, particularly those lived experiences that have been catalysts to her becoming a writer. What gives magnitude to our voices, what does it mean to be a woman, what should I do with all the things I don't want to know?— I am compelled to read on in her second book.

Things I Don't Want to Know

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