Recitatif
Audiobook
Extraordinary
Contemplative
Witty

Recitatif A Story

Toni Morrison2022
A beautiful, arresting story about race and the relationships that shape us through life by the legendary Toni Morrison, in a stand-alone Knopf hardcover for the first time, with an introduction by Zadie Smith. In this 1983 short story--the only short story Morrison ever wrote--we meet Twyla and Roberta, who have known each other since they were eight years old and spent four months together as roommates in St. Bonaventure shelter. Inseparable then, they lose touch as they grow older, only later to find each other again at a diner, a grocery store, and again at a protest. Seemingly at opposite ends of every problem, and at each other's throats each time they meet, the two women still cannot deny the deep bond their shared experience has forged between them. Another work of genius by this masterly writer, Recitatif keeps Twyla's and Roberta's races ambiguous throughout the story. Morrison herself described Recitatif, a story which will keep readers thinking and discussing for years to come, as "an experiment in the removal of all racial codes from a narrative about two characters of different races for whom racial identity is crucial." We know that one is white and one is Black, but which is which? And who is right about the race of the woman the girls tormented at the orphanage? A remarkable look into what keeps us together and what keeps us apart, and how perceptions are made tangible by reality, Recitatif is a gift to readers in these changing times.
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Reviews

Photo of Ester Waclavova
Ester Waclavova@esterka
4 stars
Dec 10, 2024

Very cute short story, I feel like it has a quite accurate description of female friendships

+3
Photo of Maureen
Maureen@bluereen
4 stars
Jul 27, 2024

"A pretty mother on earth is better than a beautiful dead one in the sky even if she did leave you all alone to go dancing." *** Constructions of beauty, violence, and identity in Recitatif: Despite Morrison’s deliberate decision to keep the races of her two female characters ambiguous, this short story is worth examining, for it touches upon the similar burden of conformity to the Eurocentric ideal. Twyla and Roberta’ are eight-year-old girls who form a close bond at the shelter based on their absent mothers. The two are bullied by the older “gar girls” (Morrison 253), who are said to wear “lipstick and eyebrow pencil ... while [watching] TV" (244). Such description implies the girls’ conformity to the beauty ideals promoted in mass media. However, despite their menacing demeanors, Twyla recalls them being runaways. Morris explains this was all a facade—being victims themselves, the gar girls enacted violence on Twyla and Roberta to reclaim their lost agency (166). Some years later, when Twyla and Roberta met again, the former was shocked to discover the latter’s radical change in appearance, describing how “her huge hair was sleek now” (Morrison 252), and her fancy outfit and makeup “made the big girls look like nuns” (249). Through her fiction, Morrison sheds light on the marginalization of Black women in contemporary American society. She effectively problematizes the everyday reality of beauty standards that women face by going one step further to argue that the women of her community are more vulnerable to the advertisements disseminated through mass media as they cultivate feelings of inferiority due to their inability to conform to the Eurocentric ideal. The shared trauma of her female characters proves how such feelings eventually culminate in self-hatred following the disillusionment with the imposition of these far-fetched white beauty standards. Unfortunately, this lived reality is something African American women still contend with to this day. Seemingly, Roberta had fallen into the rabbit hole of consumerism in attempts to alter her appearance to fit the conventional ideal as she grew older. Comparably, Twyla’s preoccupation with beauty and keeping up appearances reflects in her sharp observations of other women’s outfits; however, a solid example is when she professes early on that “a pretty mother on earth is better than a beautiful dead one in the sky even if she did leave you all alone to go dancing” (Morrison 247). It implies that Twyla could make peace with a repeatedly absent mother so long as the latter showed up during moments that mattered, i.e., public events, like a chapel visit where the other girls would see her beautiful mother. Collectively, the women in “Recitatif” failed to ignore the beauty standards perpetuated by mass media—which, in turn, caused them to express disapproval at those who depart from conventional norms.

Photo of violeta
violeta@boynextdoor
4 stars
Mar 20, 2024

perfect short story. toni morrison does it again.

+5
Photo of farah farooq
farah farooq@farahjww
3 stars
Jan 7, 2024

shoutout to my Eng 113 Rainbows of Voices, Caucasian cis Professor for including this in the reading list

Photo of Charlsy Sekyere
Charlsy Sekyere@charlsy_s
3 stars
Jun 30, 2023

⭐️3 An enjoyable short story that had me captivated throughout. Loved the execution of the short story which is described as "an experiment in the removal of all racial codes from a narrative about two characters of different races for whom racial identity is crucial". My rating is mostly based on how short the short story itself is. Honestly, I would have liked just a couple of more pages since I didn't particularly like the ambiguous ending. Even so, I look forward to reading more from Toni Morrison in the near future.

Photo of Ingelin
Ingelin@ingelin
5 stars
Feb 7, 2023

i have now recommended this to everyone i know

Photo of rain/anagha
rain/anagha@bookseoksoon
4 stars
Jan 31, 2025
Photo of maggie petersen
maggie petersen@maggiepetersen
4.5 stars
Oct 15, 2024
+2
Photo of Hannah Troy
Hannah Troy@hebaldwin1016
4.5 stars
Oct 12, 2024
Photo of Leila
Leila@emailme
4 stars
Aug 28, 2024
Photo of zoe
zoe@zzozo
4.5 stars
May 16, 2024
Photo of Paige Wanner
Paige Wanner@turntopaige22
3.5 stars
Feb 13, 2024
Photo of Haritlak Thawikasikam
Haritlak Thawikasikam@haritread
4.5 stars
Feb 5, 2024
+3
Photo of Hannah VG
Hannah VG@haenschen_klein
4 stars
Jul 17, 2023
Photo of Suzanne
Suzanne@macaronouioui
5 stars
Jan 24, 2023
+3
Photo of Catherine Nicolai
Catherine Nicolai@cnic
3.5 stars
Jan 8, 2023
Photo of Marion
Marion@mariorugu
5 stars
Jul 26, 2022
Photo of Fatin Allen
Fatin Allen@fatinallen
3.5 stars
Jul 13, 2022
+2
Photo of Kelsey Wong
Kelsey Wong@kelseywong
5 stars
Jun 2, 2022
+2
Photo of Lindsay
Lindsay@schnurln
5 stars
Feb 20, 2022
+3
Photo of Lea Rummel
Lea Rummel@lifemeetsliterature
5 stars
Feb 3, 2022
+2
Photo of Emily Burns
Emily Burns@emilymelissabee
5 stars
Jul 3, 2024
Photo of ineke
ineke@ineke
5 stars
May 7, 2024
Photo of Lindy
Lindy@lindyb
4 stars
Apr 2, 2024

Highlights

Photo of Hannah VG
Hannah VG@haenschen_klein

Das Leben ist komplex, es wird begriffich von binären Strukturen dominiert, kann aber nie zur Gänze von ihnen erfasst werden.

Page 84

Aus dem Nachwort von Zadie Smith

Photo of Hannah VG
Hannah VG@haenschen_klein

Wir müssen Differenz nicht immerzu bewerten, kategorisieren oder kriminalisieren. Wir brauchen sie auch nicht persönlich zu nehmen. Wir können sie einfach stehen lassen. Oder ein tiefgreifendes Interesse an ihr entwickeln.

Page 77

Aus dem Nachwort von Zadie Smith