Universal Harvester
Cerebral
Inventive
Original

Universal Harvester A Novel

Life in a small town takes a dark turn when mysterious footage begins appearing on VHS cassettes at the local Video Hut Jeremy works at the Video Hut in Nevada, Iowa—a small town in the center of the state, the first “a” in Nevada pronounced “ay.” This is the late 1990s, and while the Hollywood Video in Ames poses an existential threat to Video Hut, there are still regular customers, a rush in the late afternoon. It’s good enough for Jeremy: It’s a job, quiet and predictable, and it gets him out of the house, where he lives with his dad and where they both try to avoid missing Mom, who died six years ago in a car wreck. But when a local schoolteacher comes in to return her copy of Targets—an old movie, starring Boris Karloff, one Jeremy himself had ordered for the store—she has an odd complaint: “There’s something on it,” she says, but doesn’t elaborate. Two days later, a different customer returns She’s All That, a new release, and complains that there’s something wrong with it: “There’s another movie on this tape.” Jeremy doesn’t want to be curious. But he takes a look and, indeed, in the middle of the movie the screen blinks dark for a moment and She’s All That is replaced by a black-and-white scene, shot in a barn, with only the faint sounds of someone breathing. Four minutes later, She’s All That is back. But there is something profoundly unsettling about that scene; Jeremy’s compelled to watch it three or four times. The scenes recorded onto Targets are similar, undoubtedly created by the same hand. Creepy. And the barn looks much like a barn just outside of town. There will be no ignoring the disturbing scenes on the videos. And all of a sudden, what had once been the placid, regular old Iowa fields and farmhouses now feels haunted and threatening, imbued with loss and instability and profound foreboding. For Jeremy, and all those around him, life will never be the same . . .
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Reviews

Photo of Patrick Book
Patrick Book@patrickb
4 stars
Jul 5, 2024

I'd give it 3.5 if I could. I thought "Wolf in White Van" was literally perfect, so my expectations were probably high. Also, the suggestion this was a "horror novel" was woefully inaccurate. Without the expectation of horror I might have enjoyed it more, I suppose. Darnielle's writing is just as phenomenal, but the plot is so chopped up and disjointed, jarringly so, as it shifts parts especially, and I'm still not totally sure what happened. It demands a second read, though I'm only partially confident I'll come away with a better understanding of what happens between the covers. *UPDATE* After second read...still tricky to stitch it all together. But it's taught and concise and intriguing.

Photo of rin 🐇
rin 🐇@chahakyn

had some good spooky vibes at the start that reeled me in, but i was ultimately left very unsatisfied between the lackluster ending and pov switches. it's a disservice to this book to advertise it as horror, i would have been more forgiving if i hadn't expected more due to the label

Photo of Geoffrey Froggatt
Geoffrey Froggatt@geofroggatt
1 star
Nov 29, 2023

I fully admit that I read this book solely because I loved the cover art and style. It tells the story of a video store clerk in Iowa who finds strange and disturbing clips recorded over the store's VHS tapes. I loved the initial premise of this book because it reminded me of The Ring franchise and movies like Broadcast Signal Interruption and Censor. Unfortunately, I didn’t connect with this story or any of the characters. I was bored during the majority of this book. It feels like this story meanders after the initial introduction of the disturbing VHS tapes and then it explores random fragments from the lives of the characters. This story meditates on ideas about grief and moving on from tragedies, but I was so distracted by what this story could have been (with the disturbing VHS tapes) that I wasn’t able to appreciate or care about what it actually was. Being disappointed after a promising start, I wanted to see what readers who loved this book have said. Most readers who love this book say things like “you need to understand the author as a musician to fully understand the story” or “I love fragmented storytelling, plots are overrated”, and those are all valid opinions, but I personally feel like a story has to stand on its own legs independent of the author’s identity and needs to be marketed properly in order to be loved for what it is. I feel like this book wanted to be as surreal and mysterious as Twin Peaks, but fell short. I only rate books one star if I truly hate and despise them, and while I don’t feel that strongly about this book, I do feel like it should be rated lesser than books I previously have rated two stars. I would have preferred if this book made me feel strongly in a negative way, but this book didn’t make me feel anything at all. I don’t know who to recommend this book to or who the target audience is. This is the kind of book that I’ll forget about within a day and never think about again.

Photo of Gavin
Gavin@gl
3 stars
Mar 9, 2023

A horror story without antagonist. Honouring and questioning rural homeliness and human twistedness. Haunting, in a toothache-on-the-brain style, and with his characteristic eye for detail, but not operating at the heights of ravaged beauty we know he can reach. In the movies, people almost never talked about the towns they spent their lives in; they ran around having adventures and never stopped to get their bearings. It was weird, when you thought about it. They only remembered where they were from if they wanted to complain about how awful it was there, or, later, to remember it as a place of infinite promise, a place whose light had been hidden from them until it became unrecoverable, at which point its gleam would become impossible to resist. There are perhaps too many passages that drift off from a concrete event into abstraction, and which then finish on a short, suggestive raised-eyebrow sort of sentence. Like: He had lost a lot of blood. His eyes were half-open, and he seemed to recognize that somebody he knew was with him, but he said nothing. He drew great, deep breaths at intervals. The sky above was showing early afternoon flashes of orange, its constant variations flooding the horizon in changing color bars like on the title screen from that weird Charles Bronson movie, the one where he steals a sword from Toshiro Mifune on a train. Red Sun." Nerd haiku. Master of Reality is still his best fiction; his lyrics 1991 - 2009 are still his best words.

Photo of Tylar M
Tylar M@queenserenity
2 stars
Jan 9, 2023

Not at all what I expected or wanted.

Photo of Caterina P.
Caterina P.@ourbookishnotes
4 stars
Oct 15, 2022

“In the movies, people almost never talked about the towns they spent their lives in; they ran around having adventures and never stopped to get their bearings. It was weird, when you thought about it. They only remembered where they were from if they wanted to complain about how awful it was there, or, later, to remember it as a place of infinite promise, a place whose light had been hidden from them until it became unrecoverable, at which point its gleam would become impossible to resist.” ― John Darnielle, Universal Harvester

Photo of Jason
Jason @jmp
2 stars
Sep 15, 2021

Well that was a fine mess. The basic premise as it's set out in the opening is interesting, touches of the Ring and In Cold Blood. But, the atmosphere never really fits. Darnielle spins the occasional poetic passage, but a mood this does not make. The perspective jumps around in really disorienting ways. And honestly, for me the story really lacked a gravitas and direction. I persisted only because I hoped the core premise/mystery would be resolved.

Photo of Leafling
Leafling@leaflinglearns
3 stars
Sep 1, 2021

[3.5]

Photo of Laura
Laura@lastblues13
4 stars
Aug 28, 2021

Well, that was weird. I hadn't read Darnielle's other book, Wolf in White Van, and I had little interest in picking it up- synopsis just didn't really appeal to me. Maybe if I had I would have been less pleasantly surprised by just how bizarre this story was. I mean, I did expect some weirdness, as I did read the summary on the flap, but I didn't know I get some David Lynch horror here. More specifically, I kept thinking of the first episode of the Twin Peaks revival, with the glass box that had all the cameras trained on it and the constant atmospheric humming. And the shadowy demon that ate the horny couple's faces off, but mostly the first part. I also want to take this moment to say that I really liked that it took place in Iowa, especially because prior to reading this the only other book I read that ever took place in Iowa was The Life and Times of the Thunderbolt Kid by Bill Bryson, and this book could not be more different than that one (though I highly, highly recommend the latter). Subject matter-wise, this book isn't exactly the creepiest book in the world. But the atmosphere is where the most of the horror elements come in. I was impressed by this to say the least- most authors focus solely on plot when writing horror, simply because that is the easiest and most effect way to write horror books, much in same way that horror directors do. But if Darnielle had focused purely on plot, this, in my opinion, wouldn't be a horror novel. It would be a mystery-thriller with some horror elements, but not a horror book the way we think of horror. Instead, Darnielle focuses on the setting and atmosphere of the book, allowing that to add the creepiness needed. In that respect, he reminds me yet again of David Lynch and how Lynch works with cinematography and especially sound to make a shot as unnerving as possible. The nonlinear storyline made this book a bit hard to follow, at first, but at the same time, I wasn't too bothered by it. My favorite part was part three, I believe, that followed Lisa's family and explained, somewhat, the reason for the tapes- though it took me a while to figure that out- but I also kind of liked all of the parts. I was surprisingly unbothered by the lack of development in the characters. Perhaps because in this book, it's clear that these characters are pawns for telling the story and not meant to be well-developed any more than a few backstories or a dead mother here or there. I did, however, want more of the cult, but that's just me. I'm interested in cults, but the two books I've read about them- Awake, which I admittedly didn't read for an actual realistic take on cults, and The Sacred Lies of Minnow Bly, which only was okay because I ended up not liking any of the characters and thinking the author seemed awfully proud of herself for writing that book. So that part of this novel was interesting to me. Continue reading this review on my blog here: https://bookwormbasics.blogspot.com/2...

Photo of Succowski
Succowski@succowski
3 stars
Dec 21, 2024
Photo of Lesley McNeil
Lesley McNeil@lesleymcneil
3 stars
Mar 1, 2022
+3
Photo of Landen Angeline
Landen Angeline@landen
3 stars
Feb 28, 2022
Photo of Angelica W.
Angelica W.@angelichallucination
3 stars
Jul 28, 2024
Photo of Ryan Mateyk
Ryan Mateyk@the_rybrary
3 stars
Jul 4, 2024
Photo of Colton Ray
Colton Ray@coltonmray
4 stars
Apr 16, 2024
Photo of Kyle Curry
Kyle Curry@kcurry24
5 stars
Nov 22, 2023
Photo of Dennis Jacob Rosenfeld
Dennis Jacob Rosenfeld@rosenfeld
3 stars
Aug 18, 2023
Photo of Marcus Rosen
Marcus Rosen@hummingbird
4 stars
Apr 1, 2023
Photo of Fabian
Fabian@fabians
2 stars
Mar 1, 2023
Photo of Simon Lund Larsen
Simon Lund Larsen@marsnielson
5 stars
Feb 6, 2023
Photo of Patrick Cartelli
Patrick Cartelli@patcartelli
4 stars
Jan 26, 2023
Photo of Tiffany
Tiffany@scientiffic
1 star
Sep 26, 2022
Photo of Jasmine
Jasmine@jasmeaniethebookish
3 stars
Sep 16, 2022
Photo of Jonah Ollman
Jonah Ollman@jonahollman
1 star
Aug 16, 2022

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