- Edition
- ISBN 9780446691437
Reviews

I found this book so-so. Not really for me. You have to cut through a lot of fluff to get to the practical. The author makes a lot of oversimplified, grandiose, overromanticized statements right from the get-go, some of which put me off and made me want to put the book down. He made some ignorant statements about mental illness, cancer and pharmaceuticals I found incredibly inappropriate for a book about creativity. Encouraging people to go off their psych medications is irresponsible and reprehensible. Claiming that cancer patients go into remission by defeating resistance is similarly ill-placed. If you can get past the bad medical claims and the more airy, woo woo ideas about muses and angels and whatnot, you'll find some valuable ideas about transforming your amateur mindset to that of a pro. There might be other books that frame these ideas better for my tastes.

inspirational!

By all accounts, I'm not an artist, but I still found some useful insights to take from this.

What I enjoyed most about this book was how the core arguements felt so familiar, as I'd had them with myself. It edges over from artistic personal trainer motivation into profound meaning of life examples. As a chronic procrastinator this book was an electric slap pn the ass. If like me you're an atheist and sceptic and concerned about the supposed, dreaded 'religous overtones' don't be worried. Pressfield chooses, and freely states he chooses and if you want to extrapolate your own conclusion go for it, that imagination is driven by something metaphysical. Robert Mckee's level headed preface is also a great primer for the book itself.

Must read about the creative process. Can be slightly foo-foo, but the practical takeaway treating yourself as a professional is a game changer.

This book is aimed at creatives but it is good for anyone who struggles to make new habits or try something new. Chapters are usually short (some are only half a page) and can be read in small pieces.

"Are you a writer who doesn't write, a painter who doesn't paint, an entrepreneur who never starts a venture?" If there are things you want to do but don't, chances are you are in the main audience of this book like everybody else… "The War of Art" is one of the best nonfiction books. It's a classic. It's different, life-changing, original, insightful, and for sure, special. There are more chapters and sections than pages. It's the kind of book written with conviction that can make it look less serious than well-researched nonfiction books. Some sentences will raise your eyebrows. I recommend that you take the time to read, pause, and reflect (a lot!). Every idea presented in this book cannot be more serious, if you dare to reformulate using your own beliefs, especially in the last part, where our angels, our Muse, or God integrate the story. I understand why authors like Ryan Holiday reread this book before any major creative work. This book will benefit everybody struggling to favor long-term growth in preference of immediate gratification. To be honest, I expected a lot more based on its popularity but that doesn't mean I will not reread it in the future. I will.

Must read for any one who struggles with getting started on their projects, artistic or otherwise

Of this and "Do The Work" I prefer Do The Work because it's shorter, more concise and it's the sort of book that will jolt you further towards your goals. The War of Art is a bit more detailed, but also I feel a bit less...energizing. It might be because I read the other first that I felt this way about it, but I don't think you need both, as a lot of the same themes are picked up in both so it'll seem redundant.

He lost me at, cancer happens when we’re not living our creative potential and often will go into remission if we do the work. I am just philosophically opposed to this book. Not for me.

If you ignore the stuff sbout god, and divinity and so on, you can learn a quite a few useful things from this book. I would recommend it, if you can overlook the references to god and divinity.

Hands down the best wake up read so far. Some parts are highly spiritual and can sound nonsensical, but done with such passion that I can't help but respect the author's belief, even though I don't subscribe to all of what he's preaching. Nevertheless, something to reread time and time again when the temptation to procrastinate or get uselessly busy pops up.

We have the right to our labor but not to the fruits of our labor. Unique perspective on the amount and the many forms of resistance we face in life. We must conquer resistance and pursue our most creative selves.

Definitely a short read, just a couple days really. I loved the entire concept of RESISTANCE and I'll probably keep using that term and concept as I fight to create moving forward. For that reason alone I think this book is a great book to recommend to anyone interested in producing something that isn't cookie-cutter. I loved 2 things about the book and disliked 2 others. I loved what Pressfield calls *Book 1 *because it made me cringe in agreement with all the symptoms of RESISTANCE that I give in to on a weekly (more like daily) basis. I loved *Book 2 *even more because it provided hope and solutions for overcoming RESISTANCE and completing what I have set out to do. I disliked the audible book formation of chapters. There seemed to be no rhyme or reason for when they started and when they stopped. The various *Book* segments would typically start in the middle of an audible chapter - what's up with that Audible? The second thing I disliked was *Book 3*, as some have stated in other reviews as well. I really disliked the spiritual discussion and pretty much dismissed it all. Pressfield pulls from religious books of all backgrounds and forms his own view of how things are. I'm glad he doesn't shy away from spirituality, but his arguments are not convincing.

a nice reminder of the importance of just sitting down and trying day after day after day

Great read for artists, creators, entrepreneurs and everyone who's creative and sometimes struggling. Quick 2h47m read. and tons of inspiration. Will definitely open it up again once in a while. Recommended!

I’m utterly blown away by this book. It explains way better than I ever could the exact philosophy I wrote about drunkenly to my now wife back when I was coming to understand my alcoholism and my relationship to my higher power.

Utterly transformational. Steven Pressfield writes in such a poetic yet straightforward manner. This is a huge must-read for anyone that wants to make a real change in their lives and the lives of those around them.

It had some valid points, but overall REALLY overrated.

Like every other book on this topic, just get started to defeat procrastination. -1 for the religious overtones.

While there is some inspiration to be found in the story of creativity as a war against resistance I found it to be a bit overblown in its telling. It takes up absolute points of view on some very squishy concepts and indulges in too much shaming at times. It’s worth a listen/read for the big picture but I wouldn’t spend too much effort focusing on the details.

I read this again for the second time idk man was just trash tbh

I read this in two sittings. Not as dramatic as saying I read it in one sitting, but nonetheless a testament of how enthralled by it I was. There were passages that I had to stop and let sink in. I may have teared up once. I'm not sure why, but I was moved.

Strong start, weak finish. Had some great takeaways though and loved the personification of resistance!
Highlights

The supreme emotion is love. Union and mutual assistance are the imperatives of life. We are all in this together.

The Ego doesn't want us to evolve. The Ego runs the show right now. It likes things just the way they are. The instinct that pulls us toward art is the impulse to evolve, to learn, to heighten and elevate our consciousness. The Ego hates this. Because the more awake we become, the less we need the Ego. [...] The Ego hates it because it knows that these souls are awakening to a call, and that that call comes from a plane nobler than the material one and from a source deeper and more powerful than the physical.

Fear of being selfish, of being rotten wives or disloyal husbands; fear of failing to support our families, of sacrificing their dreams for ours. [...] Fear of being ridiculous.
The fear of being ridiculous is a good sign. I'm leaving my comfort zone, which can never hurt.

Fear That We Will Succeed. That we can access the powers we secretly know we possess. That we can become the person we sense in our hearts we truly are. We fear discovering that we are more than we think we are. This is the most terrifying prospect a human being can face, because it ejects him at one go (he imagines) from all the tribal inclusions his psyche is wired for and has been for fifty million years. We fear discovering that we are more than we think we are. More than our parents/children/teachers think we are.

If we were born to overthrow the order of ignorance and injustice of the world, it's our job to realize it and get down to business.

We humans seem to have been wired by our evolutionary past to function most comfortably in a tribe of twenty to, say, eight hundred. [...] But at some point it maxes out. Our brains can't file that many faces. We thrash around, flashing our badges of status and wondering why nobody gives a shit.
Excessive tribe thinking no bueno.

The hack is like the politician who consults the polls before he takes a position. He's a demagogue. He panders.
The hack tells a story, not for the sake of telling a good story that benefits the listeners, but for his own sake and gain.

There's a three-legged coyote who lives up the hill from me. All the garbage cans in the neighborhood belong to him. It's his territory. Every now and then some four-legged intruder tries to take over. They can't do it. On his home turf, even a peg-leg critter is invincible. [...] 1) A territory provides sustenance. [...] 2) A territory sustains us without any external input. [...] 3) A territory can only be claimed alone. [...] 4) A territory can only be claimed by work. [...] 5) A territory returns exactly what you put in. [...]
The territorial orientation is the most valuable lesson of this book in my opinion. To do good work, you must make it your territory, you must feel at home with it. Whatever it may be. You will only find out through trying.

When the artist acts hierarchically, she short-circuits the Muse. She insults her and pisses her off.

Of any activity you do, ask yourself: If I were the last person on earth, would I still do it? If you're all alone on the planet, a hierarchical orientation makes no sense. There's no one to impress. So, if you'd still pursue that activity, congratulations. You're doing it territorially.

We must do our work for its own sake, not for fortune or attention or applause.

It may help to think of it this way. If you were meant to cure cancer or write a symphony or crack cold fusion and you don't do it, you not only hurt yourself, even destroy yourself. You hurt your children. You hurt me. You hurt the planet. [...] Creative work is not a selfish act or a bid for attention on the part of the actor. It's a gift to the world and every being in it. Don't cheat us of your contribution. Give us what you got.
Doing it is the only way to find out.