Alex Ross

The scandal over modern music has not died--while paintings by Picasso and Pollock sell for millions of dollars, works from Stravinsky's Rite of Spring onward still send ripples of unease through audiences. Yet the influence of modern music can be felt ev

Listening to the Twentieth Century

The Rest Is Noise

Mark Waid

Todd Klein

Kingdom Come-the critically acclaimed Elseworlds saga by Mark Waid and Alex Ross- has been collected into a single-volume hardcover, produced by DC Comics and Graphitti Designs. With the addition of 12 new pages of story and art, previously available only in the deluxe slipcase edition, the hardcover edition offers reader's the complete version of the DC Universe's ultimate battle. An extensive 18 page design section includes some of Ross's exhaustive preliminary character illustrations, cover legends, a key to cameo appearances, trading-card art and art originally designed for promotional use.

Kingdom Come

Alex Ross, renowned New Yorker music critic and author of the international bestseller and Pulitzer Prize finalist The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics—an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence. For better or worse, Wagner is the most widely influential figure in the history of music. Around 1900, the phenomenon known as Wagnerism saturated European and American culture. Such colossal creations as The Ring of the Nibelung, Tristan und Isolde, and Parsifal were models of formal daring, mythmaking, erotic freedom, and mystical speculation. A mighty procession of artists, including Virginia Woolf, Thomas Mann, Paul Cézanne, Isadora Duncan, and Luis Buñuel, felt his impact. Anarchists, occultists, feminists, and gay-rights pioneers saw him as a kindred spirit. Then Adolf Hitler incorporated Wagner into the soundtrack of Nazi Germany, and the composer came to be defined by his ferocious antisemitism. His name is now almost synonymous with artistic evil. In Wagnerism, Alex Ross restores the magnificent confusion of what it means to be a Wagnerian. A pandemonium of geniuses, madmen, charlatans, and prophets do battle over Wagner’s many-sided legacy. As readers of his brilliant articles for The New Yorker have come to expect, Ross ranges thrillingly across artistic disciplines, from the architecture of Louis Sullivan to the novels of Philip K. Dick, from the Zionist writings of Theodor Herzl to the civil-rights essays of W.E.B. Du Bois, from O Pioneers! to Apocalypse Now. In many ways, Wagnerism tells a tragic tale. An artist who might have rivaled Shakespeare in universal reach is undone by an ideology of hate. Still, his shadow lingers over twenty-first century culture, his mythic motifs coursing through superhero films and fantasy fiction. Neither apologia nor condemnation, Wagnerism is a work of passionate discovery, urging us toward a more honest idea of how art acts in the world.

Art and Politics in the Shadow of Music

Wagnerism

Jim Krueger

Doug Braithwaite

Justice, Vol. 1

One of The Telegraph's Best Music Books 2011 Alex Ross's award-winning international bestseller, The Rest Is Noise: Listening to the Twentieth Century, has become a contemporary classic, establishing Ross as one of our most popular and acclaimed cultural historians. Listen to This, which takes its title from a beloved 2004 essay in which Ross describes his late-blooming discovery of pop music, showcases the best of his writing from more than a decade at The New Yorker. These pieces, dedicated to classical and popular artists alike, are at once erudite and lively. In a previously unpublished essay, Ross brilliantly retells hundreds of years of music history-from Renaissance dances to Led Zeppelin-through a few iconic bass lines of celebration and lament. He vibrantly sketches canonical composers such as Schubert, Verdi, and Brahms; gives us in-depth interviews with modern pop masters such as Björk and Radiohead; and introduces us to music students at a Newark high school and indie-rock hipsters in Beijing. Whether his subject is Mozart or Bob Dylan, Ross shows how music expresses the full complexity of the human condition. Witty, passionate, and brimming with insight, Listen to This teaches us how to listen more closely.

Listen to This

Celebrates the talents of DC Comics artist Alex Ross in a collection of his drawings, never-before-seen sketches, limited edition prints, and other artwork, all reproduced in full color, accompanied by a study of Ross's creative process, a new Superman-Batman story, and a new Robin origin story. Reprint. 50,000 first printing.

The Dc Comics Art Of Alex Ross

Mythology

John Paul Leon

A terrible experiment has left ordinary humans living on Earth X with super powers and super heroes such as Spider Man, Captain America, and the Incredible Hulk trying to differentiate themselves from the new breed of super humans. Original.

Collecting Earth X Issues 0, 1-12, & X

Earth X

William Moulton Marston

Paul Dini

Working as an ambassador to the human world, Amazon princess Diana, a.k.a. Wonder Woman, is dismayed and hurt when her offers of aid are rejected due to her appearance, causing her to request the advice of Clark Kent.

Spirit of Truth

Wonder Woman

After Batman meets a young boy whose parents were murdered, he reflects on his own life and examines the nature of crime in Gotham City.

War on Crime

Batman

It’s a rainy night in Manhattan, and not a creature is stirring except for . . . Ben Grimm. When an intruder suddenly appears inside the Baxter Building, the Fantastic Four—Mister Fantastic (Reed Richards), the Invisible Woman (Susan Storm Richards), the Human Torch (Johnny Storm), and the Thing (Ben Grimm)—find themselves surrounded by a swarm of invading parasites. These carrion creatures composed of Negative Energy come to Earth using a human host as a delivery system. But for what purpose? And who is behind this untimely invasion? The Fantastic Four have no choice but to journey into the Negative Zone, an alien universe composed entirely of anti-matter, risking not just their own lives but the fate of the cosmos! Fantastic Four: Full Circle is the first longform work written and illustrated by acclaimed artist Alex Ross, who revisits a classic Stan Lee–Jack Kirby story from the 1960s and introduces the storyline for a new generation of readers. With bold, vivid colors and his trademark visual storytelling, Ross takes Marvel’s first team of super heroes to places only he can illustrate. Welcome to the Negative Zone and MarvelArts—a new collaborative line of books between Marvel Comics and Abrams ComicArts—where nothing is impossible and anything can happen!

Fantastic Four: Full Circle

Justice, Vol. 2

Neil Gaiman

Clive Barker

Selections from Clive Barker's Hellraiser, published by Epic Comics.

Clive Barker's Collected Best Hellraiser

Elliot S. Maggin

Batman, Superman, and Wonder Woman confront a new, more dangerous generation of villains and a world spinning out of control as the planet hurtles toward the final apocalypse at the turn of the twenty-first century, in a chilling novel that explores what it means to be a hero. Reprint.

The scandal over modern music has not died--while paintings by Picasso and Pollock sell for millions of dollars, works from Stravinsky's Rite of Spring onward still send ripples of unease through audiences. Yet the influence of modern music can be felt everywhere. Avant-garde sounds populate the soundtracks of Hollywood thrillers. Minimalist music has had a huge effect on rock, pop, and dance music from the Velvet Underground onward. Music critic Alex Ross shines a bright light on this secret world, taking us from Vienna before the First World War to Paris in the twenties, from Hitler's Germany and Stalin's Russia to New York in the sixties and seventies. We follow the rise of mass culture and mass politics, of new technologies, of hot and cold wars, of experiments, revolutions, and riots. The end result is not so much a history of twentieth-century music as a history of the twentieth century through its music.--From publisher description.

listening to the twentieth century

The rest is noise

Kurt Busiek

Written by KURT BUSIEK Art by BRENT ANDERSON Wraparound cover by ALEX ROSS In the concluding volume of THE DARK AGE, collecting BOOK 3 #1-4 and BOOK 4 #1-4, two brothers, one good and one evil, must deal with family secrets and social upheaval, involving heroes from Jack-In-the-Box to the Blue Knight and the unsettling events leading to the final fate of the mysterious Silver Agent. Find out why this era was so troubled through the eyes of two men who survived the its depths! On sale OCTOBER 20 - 240 pg, FC, $29.99 US

The Dark Age

Astro City

"The spectactular 12-issue series by Alex Ross, Jim Krueger and Doug Braithwaite is collected in this amazing, oversized, slipcased Absolute edition. The members of the Justice League of America are about to learn they aren't the only ones who can band together toward a common goal. "--Publisher's website.

Absolute Justice

’An absolutely masterly work’ Stephen Fry Alex Ross, renowned author of the international bestseller The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics—an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence.

Wagnerism: Art and Politics in the Shadow of Music

Joe Shuster

Jerry Siegel

Superman attempts to end world hunger, but realizes the problem is even too big for him to fix

Peace on Earth

Superman

In the final volume of the series, the Justice League must storm the stronghold of their greatest foes in order to free the world from their grasp.

Alex Ross

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