Deb Olin Unferth

An unforgettably exuberant and potent novel by a writer at the height of her powers Two auditors for the U.S. egg industry go rogue and conceive a plot to steal a million chickens in the middle of the night—an entire egg farm’s worth of animals. Janey and Cleveland—a spirited former runaway and the officious head of audits—assemble a precarious, quarrelsome team and descend on the farm on a dark spring evening. A series of catastrophes ensues. Deb Olin Unferth’s wildly inventive novel is a heist story of a very unusual sort. Swirling with a rich array of voices, Barn 8 takes readers into the minds of these renegades: a farmer’s daughter, a former director of undercover investigations, hundreds of activists, a forest ranger who suddenly comes upon forty thousand hens, and a security guard who is left on an empty farm for years. There are glimpses twenty thousand years into the future to see what chickens might evolve into on our contaminated planet. We hear what hens think happens when they die. In the end the cracked hearts of these indelible characters, their earnest efforts to heal themselves, and their radical actions will lead them to ruin or revelation. Funny, whimsical, philosophical, and heartbreaking, Barn 8 ultimately asks: What constitutes meaningful action in a world so in need of change? Unferth comes at this question with striking ingenuity, razor-sharp wit, and ferocious passion. Barn 8 is a rare comic-political drama, a tour de force for our time.

A Novel

Barn 8

“Deb Olin Unferth is one of the most daring and entertaining writers in America today.” —Sam Lipsyte For more than ten years, Deb Olin Unferth has been publishing startlingly askew, wickedly comic, cutting-edge fiction in magazines such as Granta, Harper’s Magazine, McSweeney’s, NOON, and The Paris Review. Her stories are revered by some of the best American writers of our day, but until now there has been no stand-alone collection of her short fiction. Wait Till You See Me Dance consists of several extraordinary longer stories as well as a selection of intoxicating very short stories. In the chilling “The First Full Thought of Her Life,” a shooter gets in position while a young girl climbs a sand dune. In “Voltaire Night,” students compete to tell a story about the worst thing that ever happened to them. In “Stay Where You Are,” two oblivious travelers in Central America are kidnapped by a gunman they assume to be an insurgent—but the gunman has his own problems. An Unferth story lures you in with a voice that seems amiable and lighthearted, but it swerves in sudden and surprising ways that reveal, in terrifying clarity, the rage, despair, and profound mournfulness that have taken up residence at the heart of the American dream. These stories often take place in an exaggerated or heightened reality, a quality that is reminiscent of the work of Donald Barthelme, Lorrie Moore, and George Saunders, but in Unferth’s unforgettable collection she carves out territory that is entirely her own.

Stories

Wait Till You See Me Dance

Dave Eggers

Sarah Manguso

Hard to Admit and Harder to Escape, How the Water Feels to the Fishes, and Minor Robberies

One Hundred and Forty Five Stories in a Small Box

Vacation

A man follows his wife. The wife follows a stranger. The stranger leaves town and the man goes after him, determined to settle the score. But the man is not the only one looking for the stranger, and the stranger has troubles of his own. Amid all this, the earth quakes, a boy leaps out a window, and a dolphin swims free. Of course people have adventures of this kind--of course! of course!--but we've never heard of it before. With deadpan humor and skewed wordplay, Deb Olin Unferth weaves a mystery of hope and heartbreak.

Bonnie Jo Campbell

Cat Warren

Beth Kephart

Diane Lefer

Carol Guess

Sybil Baker

Ethel Rohan

Kim Chinquee

Kathleen Rooney

Tama Janowitz

Kathi Appelt

Sherrie Flick

Victoria Redel

Robin Black

Kathy Fish

Molly Gaudry

Debra Di Blasi

Xu Xi

Ellen Meister

Jennifer Steil

Amina Gautier

Jo-Ann Mapson

Elaine Chiew

Tara Laskowski

Kristine Ong Muslim

Natasha Saje

Roberta Allen

Susanna Sonnenberg

Pamela Painter

Jillian Sullivan

Nancy Stohlman

Liza Gardner Walsh

Tara Campbell

Patricia McConnell

Lisa Kastner

Ellen Boscov

Kristin Burcham

Sara Chansarkar

Mare Chapman

Watsuki Harrington

Tara Masih

Robin OIivera

Alina Pleskova

Zalisa Rabin

Trisha Rodriguez

C. J. Spataro

Wendy Stetson

Chelsea Stickle

Julia Strayer

Girija Tripp

Fifty-two writers responded in exactly 100 words to the fine art photography of Meg Boscov to create an anthology of healing visions.

An Anthology of Micro Writing and Fine Art Photography

Healing Visions

Minor Robberies

The author discusses her time with Sandinista revolutionaries in Nicaragua, describing her romantic affair with a Christian idealist, their inability to find people who welcomed them, and their struggles with disillusionment.

the year I fell in love and went to join the war

Revolution

Capannone n. 8

"[Unferth's] language is sly and bitterly funny, matched in mood by Haidle’s monochromatic, inkwash–style artwork, which plays up the story’s whimsy as well as its sadness." —The New York Times Book Review Daphne is willing to risk everything to get her son back. Surreal, funny and deeply affecting, I, Parrot is the tale of mother, a son, forty–two endangered parrots, and a fierce search for redemption and a "freer world." When Daphne loses custody of her son, she is willing to do whatever it takes to get him back—even if it means enlisting the help of the wayward love of her life, a trio of housepainters, a flock of passenger pigeons, a landlady from hell, a super–sized bag of mite–killing powder, and more parrots than she knows what to do with. I, Parrot, by acclaimed author Deb Olin Unferth with stunning illustrations by artist Elizabeth Haidle, dips into the surreal with poignancy and humor. In this riveting, funny, and tragic graphic novel, Daphne must risk everything. Her quest is ultimately a tale about civilization’s decline, the heartbreak of extinction, and the redemption found in individual revolution. “A lovingly crafted world of gray, at once complex and weightless.” —Roman Muradov, author of Lost and Found

A Graphic Novel

I, Parrot

A collection of the short-short fiction form.

A PEN Translates Award-winning collection of short stories about life in North Korea under Kim Jong-Il, written in secret by a dissident author. The Accusation is a revelatory work of fiction that exposes the truth of the North Korean regime. Set during the period of Kim Jong-Il’s leadership, the seven stories that make up The Accusation throw light on different aspects of life in this most bizarre and horrifying of dictatorships. One story, “Life of a Swift Seed,” tells of a war hero and former ardent Communist who plants an elm tree in his back garden to commemorate one of his brothers-in-arms. When the tree is to be cut down to make way for a power line, the man is ready to defend it with his life, leaving a family friend to decide whether to intercede. In another story, “City of Specters,” a Pyongyang mother’s young son misbehaves during a party rally, crying out when he sees a portrait of Karl Marx, whom he thinks is a monster of Korean myth known as the Eobi. In one other story, a mother attempts to feed her husband during the worst years of North Korea’s famine, and in another, a woman in a perilous situation meets the Dear Leader himself. As a whole, The Accusation is a vivid and frightening portrait of what it means to live in a completely closed-off society, and a heartbreaking yet hopeful portrayal of the humanity that persists even in such dire circumstances. “Searing fiction by an anonymous dissident . . . A fierce indictment of life in the totalitarian North.”—New York Times

Hailed as a "virtuosic one-woman show" (Time Out New York) this New York Times Book Review Editor's Choice pick tells the funny and poignant story of the year the author ran away from college with her idealistic boyfriend and followed him to Nicaragua to join the Sandinistas. Despite their earnest commitment to a myriad of revolutionary causes and to each other, Deb and her boyfriend find themselves unwanted, unhelpful, and unprepared as they bop around Central America, looking for "revolution jobs." The year is 1987, a turning point in the Cold War, although the world doesn't know it yet, especially not Unferth and her fiancé (he proposes on a roadside in El Salvador). The months wear on and cracks begin to form in their relationship: they get fired, they get sick, they run out of money, they grow disillusioned with the revolution and each other. But years later the trip remains fixed in her mind and she finally goes back to Nicaragua to try to make sense of it all. Unferth's heartbreaking and hilarious memoir perfectly captures the youthful search for meaning, and is an absorbing rumination on what happens to a country and its people after the revolution is over.

The Year I Fell in Love and Went to Join the Sandinistas

Rising literary star Deb Olin Unferth offers a new twist on the coming-of-age memoir in this utterly unique and captivating story of the year she ran away from college with her Christian boyfriend and followed him to Nicaragua to join the Sandinistas. Despite their earnest commitment to a myriad of revolutionary causes and to each other, the couple find themselves unwanted, unhelpful, and unprepared as they bop around Central America, looking for "revolution jobs." The year is 1987, a turning point in the Cold War. The East-West balance has begun to tip, although the world doesn't know it yet, especially not Unferth and her fiancé (he proposes on a roadside in El Salvador). The months wear on and cracks begin to form in their relationship: they get fired, they get sick, they run out of money, they grow disillusioned with the revolution and each other. But years later the trip remains fixed in her mind and she finally goes back to Nicaragua to try to make sense of it all. Unferth's heartbreaking and hilarious memoir perfectly captures the youthful search for meaning, and is an absorbing rumination on what happens to a country and its people after the revolution is over.

The Year I Fell in Love and Went to Join the War

Deb Olin Unferth

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