Gustave Flaubert

Mark Overstall

Margaret Mauldon

One of the acknowledged masterpieces of 19th century realism, Madame Bovary is revered by writers and readers around the world, a mandatory stop on any pilgrimage through modern literature. Flaubert's legendary style, his intense care over the selection of words and the shaping of sentences, his unmatched ability to convey a mental world through the careful selection of telling details, shine on every page of this marvelous work. Now the award-winning translator Margaret Mauldon has produced a modern translation of this classic novel, one that perfectly captures the tone that makes Flaubert's style so distinct and admired. Madame Bovary scandalized its readers when it was first published in 1857. And the story itself remains as fresh today as when it was first written, a work that remains unsurpassed in its unveiling of character and society. It tells the tragic story of the romantic but empty-headed Emma Rouault. When Emma marries Charles Bovary, she imagines she will pass into the life of luxury and passion that she reads about in sentimental novels and women's magazines. But Charles is an ordinary country doctor, and provincial life is very different from the romantic excitement for which she yearns. In her quest to realize her dreams she takes a lover, Rodolphe, and begins a devastating spiral into deceit and despair. And Flaubert captures every step of this catastrophe with sharp-eyed detail and a wonderfully subtle understanding of human emotions. Malcolm Bowie, a leading authority on French literature, explores Flaubert's genius in his masterly introduction to this must-have book for all lovers of great literature.

Provincial Manners

Madame Bovary

Illustrierte Schmuckausgabe

Penguin Classics Madame Bovary

A Simple Heart moved me to tears.--Russell Baker

A Simple Heart

Translated by Hugh Tredennick and Harold Tarrant. Introduction and Notes by Harold Tarrant."

Salammbo

Mark Polizzotti

Considered Gustave Flaubert's masterpiece, Bouvard and Pecuchet opens with two middle-aged copy-clerks who become fast friends after meeting on a city bench and discovering their shared habit of writing their names in their hats: "I should say so! Someone could walk off with mine at the office!" When a small inheritance allows Bouvard and Pecuchet to retire early and move to the country, they use their newfound leisure time to satisfy their curiosity about all the things they'd been too busy to study in the city. Flaubert shows his unlikely protagonists diving disastrously into everything from farming and politics to literature and love, and coming up empty-handed each time - until, finally, their obsessive pursuit of knowledge becomes an end in itself. Bouvard and Pecuchet unravels the novel's realist tradition, and sets the stage for the modernist innovations of Kafka, Joyce, and Beckett. Although Flaubert died before completing it, this new translation contains the fullest and most accurate version of the text, as well as his "Dictionary of Accepted Ideas" and the previously untranslated "Catalogue of Fashionable Ideas."

Bouvard and Pecuchet

Bibliyomani

Lanfranco Binni

Madame Bovary (1856) is the French writer Gustave Flaubert's debut novel. The story focuses on a doctor's wife, Emma Bovary, who has adulterous affairs and lives beyond her means in order to escape the banalities and emptiness of provincial life.When the novel was first serialized in La Revue de Paris between 1 October 1856 and 15 December 1856, public prosecutors attacked the novel for obscenity. The resulting trial in January 1857 made the story notorious. After Flaubert's acquittal on 7 February 1857, Madame Bovary became a bestseller in April 1857 when it was published as a single volume.

The Temptation of St. Antony

Saf Bir Yürek

An intense, passionate, and profoundly moving work, Flaubert's November explores the notions of desire and longing to most remarkable effect. Wrestling with the agony of loneliness, a young man withdraws deeper into himself, believing he has now reached the autumn of his life. His increasing hopelessness gives way to a yearning for romance--surely the love of a woman can deliver him the purpose he so craves? Convinced of the truth of this, he visits Marie, a kindhearted prostitute--yet Marie, too, is starved of love and longs for acceptance. Together, they form a tragic portrait of personal anguish, heralding the extraordinary outpouring of romantic longing found in Flaubert’s later novels. Most famous for Madame Bovary and Sentimental Education: The Story of a Young Man, Gustave Flaubert is one of the undisputed masters of 19th-century fiction.

Fragments in a Nondescript Style

November

L'educazione sentimentale

Pani Bovary. Z obyczajów prowincji

Sentimental Education

D. T. Sarafoff

Ioan Pânzaru

Doamna Bovary

Jacques Barzun's masterful translation proves that Flaubert's Dictionary of Accepted Ideas--an acid catalogue of the clichés of 19th-century France--is as relevant today as ever.

Dictionary of Accepted Ideas

The Christian hermit St. Anthony spends a night in the desert beset by doubts regarding his vocation, his faith, and the concept of God, "meeting" an array of historical figures including Buddha and the Queen of Sheba.

The Temptation of Saint Anthony

A Tale

Bibliomania

A Educação Sentimental, considerada por muitos – dentre os quais Kafka – o principal romance de Gustave Flaubert, tem merecido o mesmo destaque e importância de Madame Bovary. O romance teve duas versões: a primeira, escrita sob o prisma romântico e idealista, por um Flaubert aos 25 anos, e esta que ora se edita, em que observamos a ironia e o sarcasmo característicos do autor, um homem maduro que viu ruírem suas ilusões amorosas e seus ideais de juventude. O painel social dos agitados anos da Monarquia de Julho de Luís Filipe, que culminaram na revolução de 1848, é o pano de fundo do drama que reflete o temperamento romântico da juventude burguesa da época, uma juventude sempre frustrada por almejar o inacessível. A educação sentimental, marco do realismo literário, é, portanto, o romance da desilusão. Ao estudar o protagonista, Frédéric Moreau, o crítico Édouard Maynial, na introdução deste livro, observa: "A vida de Frédéric Moreau malogrou porque as circunstâncias exteriores são adversas ao sonho, e porque Frédéric se evade sempre, em vez de viver. Mas, Flaubert, o Flaubert de 1860, que conclusão tirou ele desta evasão falhada? 'O desprezo pelas tentações do mundo e o refúgio na arte'."

Gustave Flaubert

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