James Baldwin

First published in 1957, this book attempts to tackle the conflict between homosexual and heterosexual love. It tells of David, a young man awakening to his true homosexual nature, through a relationship with a barman named Giovanni, as he awaits his fiancee's arrival from Spain.

Giovanni's Room

The powerful evocation of a childhood in Harlem that helped to galvanize the early days of the civil rights movement examines the deep consequences of racial injustice to both the individual and the body politic. Reissue. 20,000 first printing.

The Fire Next Time

When a pregnant Tish's boyfriend Fonny, a sculptor, is wrongfully jailed for the rape of a Puerto Rican woman, their families unite to prove the charge false. Reprint. 10,000 first printing.

A Novel

If Beale Street Could Talk

Published in 1962, this is an emotionally intense novel of love, hatred, race and liberal America in the 1960s. Set in Greenwhich Village, Harlem and France, ANOTHER COUNTRY tells the story of the suicide of jazz-musician Rufus Scott and the friends who search for an understanding of his life and death, discovering uncomfortable truths about themselves along the way.

Another Country

Since its original publication in 1955, this first nonfiction collection of essays by James Baldwin remains an American classic. His impassioned essays on life in Harlem, the protest novel, movies, and African Americans abroad are as powerful today as when they were first written.

--back cover

Notes of a Native Son

Raoul Peck

Transcript of the documentary film I am not your Negro, composed of unpublished and published writings, interviews, and letters by James Baldwin on the subject of racism in America.

A Major Motion Picture Directed by Raoul Peck

I Am Not Your Negro

Giovanni’s Room

Leo Proudhammer, an African American actor, reminisces about his past life and loves, while lying in the hospital, recovering from a heart attack

Tell Me how Long the Train's Been Gone

This novel of Black life in America is written with an impartial attitude

Go Tell It on the Mountain

Originally published in 1955, James Baldwin's first nonfiction book has become a classic. These searing essays on life in Harlem, the protest novel, movies, and Americans abroad remain as powerful today as when they were written. "He named for me the things you feel but couldn't utter. . . . Jimmy's essays articulated for the first time to white America what it meant to be American and a black American at the same time." -Henry Louis Gates, Jr.

I read about it in the paper, in the subway, on my way to work. I read it, and I couldn't believe it, and I read it again' A story exploring racism and artistic expression, set in the jazz clubs of Greenwich Village.

Dark Days

George Kirby

HRSG. V. GEORGE KIRBY

SONNY S BLUES

The famed author of If Beale Street Could Talk reveals his personal response to American racism and offers a new statement on the present racial crises in Africa and the United States, in a candid, insightful portrait of his own life, set against the turbulent backdrop of the 1960s and early 1970s. Reprint.

No Name in the Street

Essays discuss race relations, segregation, the role of the writer in society, and the work of Andre Gide, Richard Wright, and Norman Mailer.

More Notes of a Native Son

Nobody Knows My Name

Contains eight short fiction stories about men and women who are struggling in their own ways to survive the traumas of life.

Going to Meet the Man

James Baldwin was a uniquely prophetic voice in American letters. His brilliant and provocative essays made him the literary voice of the Civil Rights Era, and they continue to speak with powerful urgency to us today, whether in the swirling debate over the Black Lives Matter movement or in the words of Raoul Peck's documentary "I Am Not Your Negro." Edited by Nobel laureate Toni Morrison, the Library of America's Collected Essays is the most comprehensive gathering of Baldwin's nonfiction ever published. With burning passion and jabbing, epigrammatic wit, Baldwin fearlessly articulated issues of race and democracy and American identity in such famous essays as "The Harlem Ghetto," "Everybody's Protest Novel," "Many Thousands Gone," and "Stranger in the Village." Here are the complete texts of his early landmark collections, Notes of a Native Son (1955) and Nobody Knows My Name (1961), which established him as an essential intellectual voice of his time, fusing in unique fashion the personal, the literary, and the political. "One writes," he stated, "out of one thing only—one's own experience. Everything depends on how relentlessly one forces from this experience the last drop, sweet or bitter, it can possibly give." With singular eloquence and unblinking sharpness of observation he lived up to his credo: "I want to be an honest man and a good writer." The classic The Fire Next Time (1963), perhaps the most influential of his writings, is his most penetrating analysis of America's racial divide and an impassioned call to "end the racial nightmare...and change the history of the world." The later volumes No Name in the Street (1972) and The Devil Finds Work (1976) chart his continuing response to the social and political turbulence of his era and include his remarkable works of film criticism. A further 36 essays—nine of them previously uncollected—include some of Baldwin's earliest published writings, as well as revealing later insights into the language of Shakespeare, the poetry of Langston Hughes, and the music of Earl Hines. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Notes of a Native Son / Nobody Knows My Name / The Fire Next Time / No Name in the Street / The Devil Finds Work

James Baldwin: Collected Essays (LOA #98)

Love and courage bind three extraordinary people--a former child evangelist, a famous gospel singer, and the latter's manager-brother--as they shape and are shaped by the events of the past three decades.

Just Above My Head

The Devil Finds Work

James Baldwin's critique of American society at the height of the civil rights movement brings his prescient thoughts on social isolation, race, and police brutality to a new generation of readers. Available for the first time in a stand-alone edition, Nothing Personal is Baldwin's deep probe into the American condition. Considering the Black Lives Matter protests in the summer of 2020 - which were met with tear gas and rubber bullets the same year white supremacists entered the US Capitol with little resistance, openly toting flags of the Confederacy - Baldwin's documentation of his own troubled times cuts to the core of where we find ourselves today. Baldwin's thoughts move through an interconnected range of questions, from America's fixation on eternal youth, to its refusal to recognize the past, its addiction to consumerism, and the lovelessness that fuels it in its cities and popular culture. He recounts his own encounter with police in a scene disturbingly similar to those we see today documented with ever increasing immediacy. This edition also includes a new foreword from interdisciplinary scholar Imani Perry and an afterword from noted Baldwin scholar Eddie S. Glaude Jr. Both explore and situate the essay within the broader context of Baldwin's work, the Movement for Black Lives, the COVID-19 pandemic, and the presidency of Donald Trump. Nothing Personal is both a eulogy and a declaration of will. In bringing this work into the twenty-first century, readers new and old will take away fundamental and recurring truths about life in the US. It is both a call to action, and an appeal to love and to life.

Nothing Personal

Quincy Troupe

'I was not born to be what someone said I was. I was not born to be defined by someone else, but by myself, and myself only.' James Baldwin lived by that creed. When, in the fall of 1987, the poet Quincy Troupe travelled to the south of France to interview a critically ill James Baldwin, they knew it was his last chance to speak at length about his life and work. The result is one of the most eloquent and revelatory interviews of Baldwin's career, ranging widely over his youth in Harlem, his friendship with Miles Davis and Toni Morrison and his thoughts on race.

James Baldwin

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