Richard Stern

What Is What Was, Richard Stern's fifth "orderly miscellany," is the first to meaningfully combine his fiction and nonfiction. Stories, such as the already well-known "My Ex, the Moral Philosopher," appear among portraits (of the sort Hugh Kenner praised as "almost the invention of a new genre"): Auden, Pound, Ellison, Terkel, W. C. Fields, Bertrand Russell, Walter Benjamin (in both essay and story), Jung and Freud, Hannah Arendt and Martin Heidegger. In the book's seven sections are analyses of the Wimbledon tennis tournament as an Anglification machine, of Silicon Valley at its shaky peak, of James and Dante as travel writers, a Lucretian look at today's cosmology, American fiction in detail and depth, a "thought experiment" for Clarence Thomas, a salvation scheme for Ross Perot, a semi-confession of the writer. The book contains but isn't philosophy, criticism, opinion, reportage, or autobiography (although the author says it is as much of this as he plans to write). There is a recurrent theme, the ways in which actuality is made and remade in description, argument and narration, fictional and nonfictional, but above all, What Is What Was is a provocative entertainment by a writer who, as Philip Roth once said, "knows as much as anyone writing American prose about family mischief, intellectual shenanigans, love blunders—and about writing American prose."

What Is What Was

Le figlie degli altri

A prolific, popular writer takes on everything from the 1940s to E. L. Doctorow to blogging

Still on Call

Wendy Doniger

The classic novel of a middle-aged man's affair with a worldly younger woman.

Other Men's Daughters

David J. Briggs

Pip Forer

Lars Järup

Geographical Information Systems (GIS) have developed rapidly in recent years and now provide powerful tools for the capture, manipulation, integration, interrogation, modelling, analysis and visualisation of data - tools that are already used for policy support in a wide range of areas at almost all geographic and administrative levels. This holds especially for emergency preparedness and health risk reduction, which are all essentially spatial problems. To date, however, many initiatives have remained disconnected and uncoordinated, leading to less powerful, less compatible and less widely implemented systems than might otherwise have been the case. The important matters discussed here include the probabilistic nature of most environmental hazards and the semi-random factors that influence interactions between these and human exposures; the effects of temporal and spatial scales on hazard assessment and imputed risk; the effects of measurement error in risk estimation and the stratification of risks and their impacts according to socioeconomic characteristics; and the quantification of socioeconomic differences in vulnerability and susceptibility to environmental hazards.

GIS for Emergency Preparedness and Health Risk Reduction

«A su feliz pequeña escala, Las hijas de otros hombres fue a la década de los sesenta lo que El gran Gatsby a los años veinte o Las uvas de la ira a los treinta. Hay mucho que admirar en ella: la precisión, el tacto, la humanidad del sentimiento, su tremendo encanto... Es como si Chéjov hubiese escrito Lolita». Philip Roth «Hasta el día en que el señor Merriwether se marchó de casa —un mes después de su divorcio—, los Merriwether parecían una familia serena e ideal». Estamos en verano, a finales de la década de 1960. Las calles de Cambridge, Massachusetts, están llenas de hippies de pelo largo y coloridas prendas, pero el doctor Robert Merriwether, que enseña en Harvard y lleva mucho tiempo casado, no repara lo más mínimo en toda esa vida bullendo a su alrededor. Cultivado, reflexivo, animal de costumbres... Merriwether es todo menos un hombre impulsivo. Por eso es tan extraño, tan deslumbrante e inesperado, que mientras su esposa Sarah está de vacaciones conozca a Cynthia Ryder, y que en poco tiempo profesor y alumna empiecen un intenso romance. La novela de Richard Stern —discreto clásico moderno de la literatura norteamericana— es un elegante examen de la pasión amorosa, de su epicentro y sus réplicas, de sus devastadoras consecuencias. «Amor», piensa el doctor Merriwether. «Cuántos millares de sentimientos escondía aquella palabra famosa y petrificada, el origen de tanta historia y desorden».

Las hijas de otros hombres

Nella sua opera d’esordio originale e tagliente, che rivaleggia con Il giorno della locusta come uno dei romanzi piu profetici che siano mai stati scritti sull’industria dell’intrattenimento americano, Richard Stern suggerisce in chiave tragicomica un probabile scenario per il futuro della televisione. «È un romanzo ricco e magnificamente cesellato, scritto da un uomo di profonda intelligenza.» Norman Mailer «Sembra Roth e invece no: è il suo maestro.» Livia Manera – La Lettura (Corriere della Sera) Nell’America della metà del Novecento, che si rilassa davanti ai teleschermi dopo aver vinto la guerra europea, un uomo venuto dal nulla crea un programma che conquista milioni di spettatori, dandogli un potere quasi sconfinato. È la prima Candid Camera della storia, e il nome del suo inventore, Golk, entra nel lessico di ogni famiglia. Golk, aggettivo, verbo, nome proprio e comune. Golk, golkare, golkismo. Ma anche «golk» come l’inverso di «god»: dio. E proprio come un dio, lui, Golk, sopra ogni cosa; deciso a colpire i potenti e a soddisfare la propria sfrenata ambizione. Completano una sconsacrata trinità i suoi due principali collaboratori: Hondorp, uno smidollato flâneur newyorkese vittima del fascino di Golk che illudendosi di prenderne il posto sarà coinvolto nella sua rovina; e Hendricks, una giovane donna assetata di esperienza che dopo i successi della crudele macchina golkiana tornerà al dorato ovile di un marito miliardario. Nella sua profetica opera d’esordio, Richard Stern propone in chiave tragicomica molti dei temi di cui si è discusso per decenni e che continuano ancor oggi ad animare libri, giornali e talk show televisivi.

Golk

The Books in Fred Hampton's Apartment

The Invention of the Real

Selections from narratives by such authors as Henry James, Yeats and Nabokov.

Pleasures and Powers of Narrative

Honey and Wax

Elizabeth Murphy

Donald Justice

The Early Correspondence, 1946-1957

Donald Justice and Richard Stern

What Must the Student of Music Know of Berlin

A Sistermony, by Richard Stern, is a memoir exploring the intimate bond between a brother and his sister - a relationship which, in Richard Stern's case, became meaningful in a special way when his sister was struck with a fatal illness. A revealing personal story exploring one of the deepest bonds of all, that between a brother and a sister, A Sistermony suggests that although the calendar year does not contain a "sister's day" or a "brother's day, " perhaps it should. A Sistermony is a work to be given and treasured throughout the year.

A Sistermony

Ez Keneret and Wendell Spear watch their Hollywood careers fade away.

Pacific Tremors

From the love problems of a young soldier in Operation Desert Storm to the struggle of a young artist to emerge from her father's shadow, Richard Stern brings new eloquence to the form of short fiction. In four stories, a novella, and a novel, all collected here for the first time, Stern strips bare the thorny path of human relationships with uncommon grace.

Shares and Other Fictions

UN CLÁSICO SECRETO DE LA LITERATURA NORTEAMERICANA Del autor de Las hijas de otros hombres «La fluidez del libro es excelente: una escritura llena de gracia, que comunica de inmediato una gran cantidad de sentimientos y significados. Stitch es algo muy bueno». Saul Bellow «Stitch es brillante. Nadie que yo conozca ha retratado a los expatriados estadounidenses con semejante franqueza y vivacidad». John Cheever «Stitch dice la verdad, y, por supuesto, mucho más que la verdad. La emoción está ahí, plenamente. Es el mejor libro de Richard Stern». Bernard Malamud «Siempre he admirado la elegante ficción de Richard Stern por su lenguaje impecable, su refinada erudición y, sobre todo, su brillante ingenio». Thomas Berger «Las obras de Richard Stern poseen el rasgo distintivo de la gran literatura: hacer habitable un mundo cuyo significado se nos escapa, pero cuya belleza no deja de deslumbrarnos». Rafael Narbona, El Cultural En busca de la gloria literaria, Edward Gunther deja su trabajo como redactor publicitario, vende todo lo que posee y se muda con su esposa y sus tres hijos de Chicago a Venecia. Pero el éxito no llega sin dolor ni tan rápido como esperaba. Durante su primer mes en Italia, Edward lucha por publicar sus ensayos, discute con su esposa sobre las finanzas familiares y se embarca en un inestable romance con la poeta Nina Callahan. Justo cuando parece que sus sueños nunca se harán realidad, descubre que Nina ha trabado amistad con el famoso Thaddeus Stitch, indiscutiblemente uno de los mejores escultores del siglo XX. Si alguien tiene la chispa de la genialidad ese es Stitch, y quizá algo de su energía creativa se contagie a Edward, para quien el aliento de semejante luminaria lo significaría todo. Pero también el maestro se encuentra en un impasse vital. Anciano e incapaz de aceptar que el mundo pueda seguir adelante sin él, el artista siente que su tiempo se agota y que su obra maestra —un conjunto escultórico levantado en una isla en la laguna— terminará también desapareciendo bajo las crecientes aguas del Adriático. Publicada en 1965, poco después de conocer a Ezra Pound —inspiración directa de la figura de Stitch—, Richard Stern firmó, sobre el trasfondo de un invierno neblinoso en una de las más bellas ciudades del mundo, una de sus grandes novelas.

Stitch

A high-flying journalist comes to ground in this brilliant and bittersweet novel about coming to terms with the traumas of life Fred Wursup has an enviable existence. Paid to travel around the world “harvesting the annual crop of stars and villains,” he has a beautiful geophysicist girlfriend and a friendly relationship with his ex-wife, Susannah, whose living room he can see into from the roof of his Lexington Avenue apartment. His latest book, a collective portrait of brilliant but flawed leaders called Down the American Drain, had the good fortune to be published at the height of the Watergate scandal, sending it to the top of the bestseller lists. A new assignment, however, threatens to bring an end to Wursup’s recent string of successes. Asked to write an article on dying—still “undiscovered country,” according to his editor—he becomes unsettled by the seemingly random course of his life, the nature of his work, and the mortality that surrounds him. A troubled playwright he once profiled commits suicide. His elderly father, a retired meter reader who writes poetry about the last years of famous old men, seems to be on the verge of something drastic. Cicia, a young woman dying of cancer at St. Vincent’s Hospital, is gorgeous, vibrant, and doomed, and Wursup just might be falling in love with her. A charming and richly intelligent story about the disasters, major and minor, that are bound to happen to us all, Natural Shocks showcases the fine craftsmanship and depth of feeling that have established Richard Stern as one of America’s most admired authors.

A Novel

Natural Shocks

A tale of the battles between a father and son by an author whose novels are “robustly intelligent, very funny, and beguilingly humane” (Philip Roth). Cy Riemer is the patriarch of a successful and loving Chicago family. But not all is copacetic in Cy’s world. The scientific newsletter he publishes is foundering financially, his ex-wife still relies on him for money and intimacy, and he can never seem to find the time or the wherewithal to relax. Much of Cy’s stress is caused by the trouble he has with his brilliant and duplicitous son, Jack. With a mixture of humor, grief, and astonishment, Cy becomes our tour guide to the Riemer family’s museum of triumphs and tragedies. A comic and clear-eyed portrait of the quintessential worried father and the son who lives to torture him, A Father’s Words is packed with Richard Stern’s trademark wit, compassion, and insight.

A Father's Words

Stern's stories-witty, moving, charged with narrative energy-never sacrifice storytelling to mere elegance or bursts of essayistic wisdom. This collection demonstrates Stern's remarkable ability to portray people's flawed relationships to ideas, their sometimes bizarre relationships with lovers and friends, their often brilliant, if skewed, appraisals of themselves. The stories reflect Stern's compassion for his characters, whoever they are and whatever their origins. Book jacket.

Richard Stern

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