The album assembled here is an archive of the exorbitant, a dream ook for existing otherwise. By attending to these lives, a very unex-sected story of the twentieth century emerges, one that offers an intimate chronicle of black radicalism, an aesthetical and riotous history of colored girls and their experiments with freedom--a revolution before Gatsby. For the most part, the history and the potentiality of their life-world has remained unthought because no one could conceive of young black women as social visionaries and innovators in the world in which these acts took place. The decades between 1890 and 1935 were decisive in determining the course of black futures.

A revolution in a minor key unfolded in the city and young black women were the vehicle. This upheaval or transformation of black intimate life was the consequence of economic exclusion, material deprivation, racial enclosure, and social dispossession; yet it, too, was fueled by the vision of a future world and what might be.

The wild idea that animates this book is that young black women were radical thinkers who tirelessly imagined other ways to live and never failed to consider how the world might be otherwise.

Great dangers awaited those who lived in the lexical gap between black female and woman. This category crisis defined the afterlife of slavery.

the beauty of the black ordinary, the beauty that resides in and animates the determination to live free, the beauty that propels the experiments in living otherwise. It encompasses the extraordinary and the mundane, art and everyday use. Beauty is not a luxury; rather it is a way of creating possibility in the space of enclosure, a radical art of subsistence, an embrace of our terribleness, a transfiguration of the given. It is a will to adorn, a proclivity for the baroque, and the love of too much.