Euripides

Sophocles

Aeschylus

A Bold, Iconoclastic New Look at One of the Great Works of Greek Tragedy In this innovative rendition of The Oresteia, the poet, translator, and essayist Anne Carson combines three different visions—Aischylos' Agamemnon, Sophokles' Elektra, and Euripides' Orestes—giving birth to a wholly new experience of the classic Greek triumvirate of vengeance. After the murder of her daughter Iphegenia by her husband Agamemnon, Klytaimestra exacts a mother's revenge, murdering Agamemnon and his mistress, Kassandra. Displeased with Klytaimestra's actions, Apollo calls on her son, Orestes, to avenge his father's death with the help of his sister Elektra. In the end, Orestes, driven mad by the Furies for his bloody betrayal of family, and Elektra are condemned to death by the people of Argos, and must justify their actions—signaling a call to change in society, a shift from the capricious governing of the gods to the rule of manmade law. Carson's accomplished rendering combines elements of contemporary vernacular with the traditional structures and rhetoric of Greek tragedy, opening up the plays to a modern audience. In addition to its accessibility, the wit and dazzling morbidity of her prose sheds new light on the saga for scholars. Anne Carson's Oresteia is a watershed translation, a death-dance of vengeance and passion not to be missed.

Agamemnon by Aiskhylos; Elektra by Sophokles; Orestes by Euripides

An Oresteia

Richard Rutherford

Translated by John Davie with an Introduction and Notes by Richard Rutherford.

Medea and Other Plays

Presents translations of four plays by Euripides that revolve around the themes of religious scepticism, the injustices suffered by women, and the folly of war.

The Bacchae and Other Plays

Four Plays by Euripides (New York Review Books Classics)

Grief Lessons

Kenneth J. (Professor of Classics Reckford, University of North Carolina Chapel Hill)

Interprets the poetic and dramatic features of "Electra" and establishes it as relevant to the readers of today. The volume contains a critical introduction, commentary on the text, full stage directions and a glossary of the mythical and geographical references used in the play.

Electra

Gilbert Murray

As bleak and agonizing a portrait of war as ever to appear on the stage, The Trojan Women is a masterpiece of pathos as well as a timeless and chilling indictment of war's brutality. Plays for Performance Series.

The Trojan Women

For much of Euripides life, the world was at war. The anguish and rage that resulted from a world given over to violence provoked the poet and playwright to create stunning tragedies, whose grief reverberates as accurately today as it did when democratic Athens succumbed to the Peloponnesian Wars. Following an acclaimed translation of Sappho's poems and fragments, If Not, Winter, the acclaimed poet and classicist Anne Carson now turns to the plays of Euripides, chronologically the latest and certainly the most troubled of the major Greek tragedians. One of the most versatile, accomplished, fertile, and plain astonishing writers of our day, Carson is a poet with the acumen of an essayist; and essayist with the lyric gift of a poet; a scholar who is as daring as she is erudite. Euripides, Carson says, is the most unpleasant of the tragedians, which is to say the most tragic, and her bold new translation of his chronicles of superstition and despair offers a new view of his discordant and unsparing art. The four plays included here are Alkestis, Hekuba, Herakles Mad, and Hippolitos. The book includes a general introduction by Carson, along with introductions to each of the plays, and a final "Address to Euripides."

Four Plays by Euripides

Agamemnon's sacrifice of his daughter in order to ensure the good fortune of his forces in the Trojan War is, despite its heroic background, in many respects a domestic tragedy. Mr. Rudall's new translation retains Euripides' poetic beauty while fashioning a playable dialogue.

Iphigenia in Aulis

Richard Hamilton

Euripides Hippolytus

At once a vigorous translation of one of Euripides' most subtle and witty plays, and a wholly fresh interpretation, this version reveals for the first time the extraordinary formal beauty and thematic concentration of the Alcestis.William Arrowsmith, eminent classical scholar, translator, and General Editor of this highly praised series, rejects the standard view of the Alcestis as a psychological study of the egotist Admetos and his naive but devoted wife. His translation, instead, presents the play as a drama of humanexistence--in keeping with the tradition of Greek tragedy--with recognizably human characters who also represent masked embodiments of human conditions. The Alcestis thus becomes a metaphysical tragicomedy in which Admetos, who has heretofore led a life without limitations, learns to "think mortalthoughts." He acquires the knowledge of limits--the acceptance of death as well as the duty to live--which, according to Euripides, makes people meaningfully human and capable of both courage and compassion. This new interpretation compellingly argues that, for Euripides, suffering humanizes, thatexemption makes a man selfish and childish, and that only the courage to accept both life and death leads to the realization of one's humanity, and, in the case of Alcestis, to heroism.

Alcestis

Based on the conviction that only translators who write poetry themselves can properly recreate the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, The Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. Under the editorship of Herbert Golder and the late William Arrowsmith, each volume includes a critical introduction, commentary on the text, full stage directions, and a glossary of the mythical and geographical references in the plays. Produced more frequently on the ancient stage than any other tragedy, Orestes retells with striking innovations the story of the young man who kills his mother to avenge her murder of his father. Though eventually exonerated, Orestes becomes a fugitive from the Furies (avenging spirits) of his mother's blood. On the brink of destruction, he is saved in the end by Apollo, who had commanded the matricide. Powerful and gripping, Orestes sweeps us along with a momentum that starting slowly, builds inevitably to one of the most spectacular climaxes in all Greek tragedy.

Orestes

Two book set: individual Commentary and Text. Bryn Mawr Commentaries have been admired and used by Greek and Latin teachers at every level for twenty years. They provide clear, concise, accurate, and consistent support for students making the transition from introductory and intermediate texts to the direct experience of ancient literature. They assume that the student will know the basics of grammar and vocabulary and then provide the specific grammatical and lexical notes that a student requires to begin the task of interpretation. The volumes in the series are modestly priced and remain in print indefinitely. The text in each volume is in either the original Greek or Latin, with grammatical and lexical commentary in English.

Euripides' Hippolytus

Sofocles

Medea

Hecuba (Euripides) (Euripides)

Andromache takes place in the aftermath of the Trojan War. Andromache has become a concubine to Achilles' son, Neoptolemus, bearing him a child, Molossus. The captive Andromache is haunted by memories of her former life and by her love for Hector and their son Astyanax, both slain by the Greeks who are now her masters.

Andromache

Ten extraordinary dramatic works by the ancient Greek playwright offer a satirical and insightful view of classical Athenian society in such works as Medea, The Trojan Women, Electra, and Iphegenia at Aulis, among others. Reissue.

Ten Plays

Provides translations of five Greek dramas by Euripides.

Electra and Other Plays

I am Iphigenia, daughter of the daughter of Tyndareus My father killed me Few contemporary poets elicit such powerful responses from readers and critics as Anne Carson. The New York Times Book Review calls her work “personal, necessary, and important,” while Publishers Weekly says she is “nothing less than brilliant.” Her poetry—enigmatic yet approachable, deeply personal yet universal in scope, wildly mutable yet always recognizable as her distinct voice—invests contemporary concerns with the epic resonance and power of the Greek classics that she has studied, taught, and translated for decades. Iphigenia among the Taurians is the latest in Carson’s series of translations of the plays of Euripides. Originally published as part of the third edition of Chicago’s Complete Greek Tragedies, it is published here as a stand-alone volume for the first time. In Carson’s stunning translation, Euripides’s play—full of mistaken identities, dangerous misunderstandings, and unexpected interventions by gods and men—is as fierce and fresh as any contemporary drama. Carson has accomplished one of the rarest feats of translation: maintaining fidelity to a writer’s words even as she inflects them with her own unique poetic voice. Destined to become the standard translation of the play, Iphigenia among the Taurians is a remarkable accomplishment, and an unforgettable work of poetic drama.

Euripides

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