Caleb Azumah Nelson

Two young people meet at a pub in South East London. Both are Black British, both won scholarships to private schools where they struggled to belong, both are now artists - he a photographer, she a dancer - trying to make their mark in a city that by turns celebrates and rejects them. Tentatively, tenderly, they fall in love. But two people who seem destined to be together can still be torn apart by fear and violence.

Open Water

sofia mae

You think about holding onto this feeling for so long, holding it down, holding it in, because sometimes it’s easier to hide in your own darkness than to emerge, naked and vulnerable, blinking in your own light.

Indeed, what is a joint? What is a fracture? What is a break? Under what conditions does unconditional love become no more? 

You feel you have never been strangers. You do not want to leave each other, because to leave is to have the thing die in its current form and there is something, something in this that neither is willing to relinquish.

Ask: if flexing is being able to say the most in the fewest number of words, is there a greater flex than love? Nowhere to hide, nowhere to go. A direct gaze.

You would soon learn that love made you worry, but it also made you beautiful.

Arie P

Perhaps that is how we should frame this question forever; rather than asking what is your favourite work, let's ask, what continues to pull you back?

sofia 🪆

"The two of you, like headphone wires tangling, caught up in this something. A happy accident. A messy miracle."

“How wonderful are moments like these, where you don't have to hide? How wonderful to realize, amidst thrum of a bass drum, that sometimes it is a joy to be alive?”

“…Everything comes of something else. Which is to say from your solid ache comes a gentle joy.”

lara

You have known him by many names, but today he was Daniel.

You had another conversation with your grandma, long after she passed. She came to you in a night vision and told you the body has memories. Told you to wear the scars on new skin. Let the woman you love kiss you and allow yourself to be called pretty. Unfurl, stretch out a spine made crooked by keeping small. There's only freedom there.

(But can multiple truths not exist? Is anything definitive? Do you believe in permanence?) 

Here you sit on someone else's front steps, and you decide you believe in permanence. This definitive arrives when your best friend breaks the hot silence, cool and measured. She tells you she loves you and now you know that you don't have to be the sum of your traumas, that multiple truths exist, that you love her too.

There is no solace in the shade. Let yourself be heard and hear her words. Have faith. Suck at the snake's bite, spit out the venom at your feet. Gaze at the fading scar but do not dwell. Do not hide but do not dwell. There's no solace in the shade. Let yourself be heard and hear her words. Have faith.

The songs are full of nostalgia, which is to say they are full of mourning; one remembers that which came before, often with a fond sadness, a want to return, despite knowing to return to a memory is to morph it, to warp it. Every time you remember something, the memory weakens, as you're remembering the last recollection, rather than the memory itself. Nothing can remain intact. Still, it does not stop you from wanting, does not stop you longing.

And how strange a life it is to have to carve out small freedoms, to have to tell yourself that you can breathe. (...) How wonderful are moments like these, where you don't have to hide? How wonderful to realize, amidst thrum of a bass drum, that sometimes it is a joy to be alive?

You're looking forward to forgetting, albeit briefly, the existential dread which plagues you, which tightens your chest, which pains your left side. You're looking forward to forgetting that, leaving the house, you might not return intact. You're looking forward to freedom, even if it is short, even if it might not last.

In your kitchen, you wonder what your tears are for: the loss of him or the loss of yourself?

To be you is to apologize and often that apology comes in the form of suppression. That suppression is indiscriminate. That suppression knows not when it will spill.

What you're trying to say is that it's easier for you to hide in your own darkness, than emerge cloaked in your own vulnerability. Not better, but easier. However, the longer you hold it in, the more likely you are to suffocate.

You thought about the intention of being, and how that could be a protest. How you were all here, protesting; gathered together, living easy.

You are safe here, you said. You are seen here. You can live here. We are all hurting, you said. We are all trying to live, to breathe, and find ourselves stopped by that which is out of our control. We find ourselves unseen. We find ourselves unheard. We find ourselves mislabelled. We who are loud and angry, we who are bold and brash. We who are Black.

You worked twice as hard today, but that isn't important, not here, not now. All that matters is that you are here, that you are present, can't you hear? What does it sound like? Freedom?

Pulled herself over all sorts of lines to get here. Drew this line from herself to him, her father, all by herself, just to be close. No, the line was there, is always there, will always be there, but she is trying to reinforce, to strengthen. Blood and bone across the water, across continents and borders. What is a joint? What is a fracture? What is a break? It's all very difficult. Language fails us, especially when he doesn't open his mouth.

deniz

You have always thought if you opened your mouth in open water you would drown, but if you didn't open your mouth you would suffocate. So here you are, drowning.

There's an anger you have. It is cool and blue, unshifting. You wish it was red so it would explode from your very being, explode and be done with but you are too used to cooling this anger, so it remains.

There's no solace in the shade. Let yourself be heard and hear her words. Have faith. Suck at the snake's bite, spit out the venom at your feet. Gaze at the fading scar but do not dwell. Do not hide but do not dwell. There's no solace in the shade.

You're looking forward to the safety in pleasure. You're looking forward to forgetting, albeit briefly, the existential dread which plagues you, which tightens your chest, which pains your left side. You're looking forward to forgetting that, leaving the house, you might not return intact. You're looking forward to freedom, even if it is short, even if it might not last.

Things unsaid don't often remain so. They take shape and form in ways one doesn't expect, manifesting in touches, glances, gazes, sighs. All you have wanted to do was hold each other in the darkness. Now, you have opened the box and left it unguarded in the night. You have both places faith in the other that you will wake up intact. You have acted on a feeling. You are in a memory of the present. You are tumbling through a fever dream, surfacing only to plunge once more.

I would love to put this book as a giant beautiful quote. So glad i picked it up. A lyrical masterrpiece. Every sentence is just so beautifully crafted. This book just had so much soul. So sad but so so good.

Celina Irena Kuhn

I would love to put this book as a giant beautiful quote. So glad i picked it up. A lyrical masterrpiece. Every sentence is just so beautifully crafted. This book just had so much soul. So sad but so so good.

To love and to lose.

Vulnerability is man’s greatest asset, sometimes we are our own worst limitation .

Seyi

Vulnerability is man’s greatest asset, sometimes we are our own worst limitation .

Beautiful 

taiba hanif

wow wow…… i feel like….. i need to fall in love in the summer….. i need to float somewhere with music & language & watch both of them fail…. im sooooooo…… going through it rn….. absolutely remarkable mashallah mashallah!

ito llyan

this was soo so beautiful. genuinely one of the best (if not the best) writing i have ever read. every page was riddled with metaphors, some speaking to me and impacting me in ways i really did not expect. the writing is lyrical, and rlly makes u fly thru this book. 

onto the plot. i’d say the one criticism i have (had to take .5 off for it 😿) is it did feel stretched at parts during the middle (and it’s quite crazy for a 150 page book to feel stretched). some pages dragged on, however this story is essentially told thru a collection of long poems, and it’s easy to chalk a bit of lag up to “this poem isn’t working for me.” 

i know this book has some criticism about the events (or more specifically, the lack thereof) but i personally found it beautiful. nothing rlly happens in this book, yet everything happens. the way racism is portrayed is subtle, yet it could not be more in ur face. i especially loved the working of the ‘open water’ metaphor throughout the whole book, it was applied to multiple different contexts and worked in every single one. i also felt the lack of plot, really shone a light on the writing, and the writing did not disappoint! 

satvi

this was soo so beautiful. genuinely one of the best (if not the best) writing i have ever read. every page was riddled with metaphors, some speaking to me and impacting me in ways i really did not expect. the writing is lyrical, and rlly makes u fly thru this book. 

onto the plot. i’d say the one criticism i have (had to take .5 off for it 😿) is it did feel stretched at parts during the middle (and it’s quite crazy for a 150 page book to feel stretched). some pages dragged on, however this story is essentially told thru a collection of long poems, and it’s easy to chalk a bit of lag up to “this poem isn’t working for me.” 

i know this book has some criticism about the events (or more specifically, the lack thereof) but i personally found it beautiful. nothing rlly happens in this book, yet everything happens. the way racism is portrayed is subtle, yet it could not be more in ur face. i especially loved the working of the ‘open water’ metaphor throughout the whole book, it was applied to multiple different contexts and worked in every single one. i also felt the lack of plot, really shone a light on the writing, and the writing did not disappoint! 

Incredibly vivid and heartfelt writing just felt so intimate, I enjoyed reading this thoroughly. 

Marz 

I admit, I was lost in the first few pages but then I started enjoying it. Every page has this poetic lines that I can't get out of my mind. A well-written book and amazing characters. I'm glad that the author gave us flawed characters. Additionally, it was such an easy read for me. 

3.5* 
The whole book was beautiful. Some metaphors and lyrical line spoke to me in ways I couldn’t imagine. Some didn’t. I don’t think I’m in the right space or have the right amount of patience to digest all the feelings in this book. I believe it might be a future reread

armoni mayes

This compelling novel has helped me out of a reading slump, so I cannot be more grateful.

 Open Water  is a beautiful narrative, almost convincingly sounding like a memoir, about the lives of two people who change each other for the better with their love. It is honestly hard to put into words how this novel was able to beautifully describe the relationship between two people with problems of their own and how they dealt with these problems together. 

It is written in the second person which took a little to get adjusted to so if you are worried about that, trust me you need to push through it. 

This novel also discusses black men’s mental health and issues that the black community faces i.e police brutality. 

My favorite quotes: 

 She has decided to submit to her tears rather than understand them. It’s been a year at this point, but she knows she will always cry for you.

Every time you remember something, the memory weakens , as you’re remembering the last right collection, rather than the memory itself. Nothing can remain intact. Still it does not stop you from wanting, does not stop you from longing.

You tell her she deserves to be loved in the way that you love her, and she starts to cry, quiet as rain.

isabelle

I absolutely loved how lyrical the writing of this book was and how the usage of the second person made the story feel more personal. It is a beautiful tribute to the the black - British experience and a compelling love story. Unfortunately despite the book being relatively short I found it really difficult to get through as the pacing was really slow.

lala

Okay this book was beautiful????!!!!!! The perspective that Nelson use in this book is kinda unique, it's like second-person perspective. This is a romance book that is executed very nicely. Aside from it being a romance book, it also delves into racial issues and how one deals with trauma. It's memorable, the dialogues and narrative are so beautiful I couldn't put the book down when I started to read it. The quote I put on the picture is one that I remember very vividly. I don't know how to describe this book other than it's immensely beautiful.

Anjorin Molayo 

my favorite part of the book is the fact that this book was so beautifully written and so poetic. I think i might have a thing for books like this. I also loved the music references 🥺.

gabby jusoy

envee

"that's what you're being framed as, a container, a vessel, a body, you have been made a body, all those years ago, before your lifetime, before anyone else who is currently in your lifetime, and now you are here, a body, you have been made a body, and sometimes this is hard, because you know you are so much more"

A story about love, intimacy, fear and trauma. I cannot quantify how much I love this book. It was written beautifully like a classic. I resonate with the main character so much and the author had a way of putting his complex emotions into words. This story is about the complexity of life and emotions due to trauma that one has experience. This story made me fall in love; teaching me about myself and about the black male experience. Absolute 10/10

Nabila Azahra

2nd person POV rarely ever worked well for me, this book was no exception despite the supposedly beautiful writing.

Before I delve into the substance of this book, I want to compliment its prose; how each sentence flowed in a rhythm, how each pattern filled me with awe, cracked me open. The author took a risk, delved in foreign waters and emerged masterfully. All of the book flowed like a song, like poetry, because it is poetry; it's music, it's art, it's cracking open one's soul and spilling all it's contents; it's being vulnerable, diving into open water, taking the reader for a swim.

Open Water tells several stories; one of being Black, constantly being afraid, searching for freedom, searching for a home; one of falling in love, with your best friend, with your soulmate, a love that makes you feel seen, known, and makes you feel the terror of it; and one of being vulnerable, broken open, finding yourself in lines of a song, in the flow of a rhythm, in distant shores, longing for the ocean, longing for a revelation, longing for freedom; it's the story of vulnerability, of being bigger than words in a world that condemns you to a life of smallness. 

It's a book that will remain etched in my mind and my soul for a long time, and a recommendation for anyone who loves music, loves poetry, and anyone who is seeking for a swim.

Before I delve into the substance of this book, I want to compliment its prose; how each sentence flowed in a rhythm, how each pattern filled me with awe, cracked me open. The author took a risk, delved in foreign waters and emerged masterfully. All of the book flowed like a song, like poetry, because it is poetry; it's music, it's art, it's cracking open one's soul and spilling all it's contents; it's being vulnerable, diving into open water, taking the reader for a swim.

Open Water tells several stories; one of being Black, constantly being afraid, searching for freedom, searching for a home; one of falling in love, with your best friend, with your soulmate, a love that makes you feel seen, known, and makes you feel the terror of it; and one of being vulnerable, broken open, finding yourself in lines of a song, in the flow of a rhythm, in distant shores, longing for the ocean, longing for a revelation, longing for freedom; it's the story of vulnerability, of being bigger than words in a world that condemns you to a life of smallness. 

It's a book that will remain etched in my mind and my soul for a long time, and a recommendation for anyone who loves music, loves poetry, and anyone who is seeking for a swim.

'A tender and touching love story, beautifully told' Observer 10 Best Debut Novelists of 2021 'A beautiful and powerful novel about the true and sometimes painful depths of love' Candice Carty-Williams, bestselling author of QUEENIE 'An unforgettable debut... it's Sally Rooney meets Michaela Coel meets Teju Cole' New York Times 'A love song to Black art and thought' Yaa Gyasi, bestselling author of HOMEGOING and TRANSCENDENT KINGDOM Two young people meet at a pub in South East London. Both are Black British, both won scholarships to private schools where they struggled to belong, both are now artists - he a photographer, she a dancer - trying to make their mark in a city that by turns celebrates and rejects them. Tentatively, tenderly, they fall in love. But two people who seem destined to be together can still be torn apart by fear and violence. At once an achingly beautiful love story and a potent insight into race and masculinity, Open Water asks what it means to be a person in a world that sees you only as a Black body, to be vulnerable when you are only respected for strength, to find safety in love, only to lose it. With gorgeous, soulful intensity, Caleb Azumah Nelson has written the most essential British debut of recent years. 'An amazing debut novel. You should read this book. Let's hear it for Caleb Azumah Nelson, also known as the future' Benjamin Zephaniah 'A very touching and heartfelt book' Diana Evans, award-winning author of ORDINARY PEOPLE 'A lyrical modern love story, brilliant on music and art, race and London life, I enjoyed it hugely' David Nicholls, author of ONE DAY and SWEET SORROW 'Caleb is a star in the making' Nikesh Shukla, editor of THE GOOD IMMIGRANT and BROWN BABY 'A stunning piece of art' Bolu Babalola, bestselling author of LOVE IN COLOUR 'For those that are missing the tentative depiction of love in Normal People, Caleb Azumah Nelson's Open Water is set to become one of 2021's unmissable books. Utterly transporting, it'll leave you weeping and in awe.' Stylist 'An exhilarating new voice in British fiction' Vogue 'A poetic novel about Black identity and first love in the capital from one of Britain's most exciting young voices' Harper's Bazaar 'An intense, elegant debut' Guardian

i thought this book would pair nicely with congratulations by mac miller or just to keep you satisfied by marvin gaye

donna 

every bit of dialogue and every bit prose so meticulously pieced together.. 🤲

jess

I struggled to enter into this book. I felt that there were maybe 25 pages in which something was actually happening. Otherwise, most of the book is centred around long descriptions of feelings, thoughts or things. I sometimes felt that the book was trying too much to be deep instead of making the story develop. Also not a fan of the style of narration that I found confusing. It is a beautiful and sensible book, maybe too sensible for me though.

Stephanie 

rhea 

confusing narrative style and the overly descriptive prose makes it hard to follow the story, but otherwise an interesting read

This is art. It is a home for literature, music, film, photography, dance. It is the eyes for which the importance of seeing can be emphasized. It is tender; Nelson allows love to brew, be poured, and cool. Repetition and literary callbacks make for a deep and impactful read. Nelson writes of real people, he celebrates life when life is difficult to endure. He eternalizes butterflies, awkward glances, true love, true heartbreak, vulnerability, and forgiveness.

"What you’re trying to say is that it’s easier for you to hide in your own darkness, than emerge cloaked in your own vulnerability. Not better, but easier. However, the longer you hold it in, the more likely you are to suffocate. At some point, you must breathe."



i was too stunned after know this maasterpiece it's a debut novel. i am so mesmerised how the author pouring all of his soul into this book.....at first i was uncomfortable reading this book, because of 2nd pov. I rarely like the book that use 2nd person but this book blow my mind. how the author stringing the story is so poetically. this book is art, how did all the arts (photography, music specializing rap, dance, painting) told in this book make me believe that this book really is a museum of art.

Open Water

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