Jesmyn Ward

"A searing and profound Southern odyssey through Mississippi's past and present"--

A Novel

Sing, Unburied, Sing

"Ward takes James Baldwin's 1963 examination of race in America, The Fire Next Time, as a jumping off point for this ... collection of essays and poems about race from ... voices of her generation and our time"--

A New Generation Speaks about Race

The Fire This Time

From Jesmyn Ward—the two-time National Book Award winner, youngest winner of the Library of Congress Prize for Fiction, and MacArthur Fellow—comes a haunting masterpiece, sure to be an instant classic, about an enslaved girl in the years before the Civil War. “Let us descend, and enter his blind world.” —Dante’s Inferno Let Us Descend is a reimagining of American slavery, as beautifully rendered as it is heart-wrenching. Searching, harrowing, replete with transcendent love, the novel is a journey from the rice fields of the Carolinas to the slave markets of New Orleans and into the fearsome heart of a Louisiana sugar plantation. Annis, sold south by the white enslaver who fathered her, is the reader’s guide through this hellscape. As she struggles through the miles-long march, Annis turns inward, seeking comfort from memories of her mother and stories of her African warrior grandmother. Throughout, she opens herself to a world beyond this world, one teeming with spirits: of earth and water, of myth and history; spirits who nurture and give, and those who manipulate and take. While Ward leads readers through the descent, this, her fourth novel, is ultimately a story of rebirth and reclamation. From one of the most singularly brilliant and beloved writers of her generation, this miracle of a novel inscribes Black American grief and joy into the very land—the rich but unforgiving forests, swamps, and rivers of the American South. Let Us Descend is Jesmyn Ward’s most magnificent novel yet, a masterwork for the ages.

Let Us Descend

Meg Wolitzer

Jonathan Lethem

Dave Eggers

William Finnegan

Neil Gaiman

Anthony Doerr

Salman Rushdie

Lauren Groff

Marlon James

Andrew Sean Greer

Ann Patchett

Brit Bennett

Yaa Gyasi

Sergio De La Pava

Aleksandar Hemon

George Saunders

Rabih Alameddine

Michael Cunningham

Jennifer Egan

Louise Erdrich

Morgan Parker

Jacqueline Woodson

Steven Okazaki

Geraldine Brooks

Viet Thanh Nguyen

Scott Turow

Timothy Egan

Victor Lavalle

Moses Sumney

Moriel Rothman-Zecher

Adrian Nicole LeBlanc

Hector Tobar

Li Yiyun

Elizabeth Strout

C.J. Anders

Brenda J. Childs

David Handler

To mark its 100-year anniversary, the American Civil Liberties Union partners with award-winning authors Michael Chabon and Ayelet Waldman to bring together many of our greatest living writers, each contributing an original piece inspired by a historic ACLU case. On January 19, 1920, a small group of idealists and visionaries, including Helen Keller, Jane Addams, Roger Baldwin, and Crystal Eastman, founded the American Civil Liberties Union. A century after its creation, the ACLU remains the nation’s premier defender of the rights and freedoms guaranteed by the Constitution. In collaboration with the ACLU, authors Michael Chabon and Ayelet Waldman have curated an anthology of essays about landmark cases in the organization’s one-hundred-year history. Fight of the Century takes you inside the trials and the stories that have shaped modern life. Some of the most prominent cases that the ACLU has been involved in—Brown v. Board of Education, Roe v. Wade, Miranda v. Arizona—need little introduction. Others you may never even have heard of, yet their outcomes quietly defined the world we live in now. Familiar or little-known, each case springs to vivid life in the hands of the acclaimed writers who dive into the history, narrate their personal experiences, and debate the questions at the heart of each issue. Hector Tobar introduces us to Ernesto Miranda, the felon whose wrongful conviction inspired the now-iconic Miranda rights—which the police would later read to the man suspected of killing him. Yaa Gyasi confronts the legacy of Brown v. Board of Education, in which the ACLU submitted a friend of- the-court brief questioning why a nation that has sent men to the moon still has public schools so unequal that they may as well be on different planets. True to the ACLU’s spirit of principled dissent, Scott Turow offers a blistering critique of the ACLU’s stance on campaign finance. These powerful stories, along with essays from Neil Gaiman, Meg Wolitzer, Salman Rushdie, Ann Patchett, Viet Thanh Nguyen, Louise Erdrich, George Saunders, and many more, remind us that the issues the ACLU has engaged over the past one hundred years remain as vital as ever today, and that we can never take our liberties for granted. Chabon and Waldman are donating their advance to the ACLU and the contributors are forgoing payment.

Writers Reflect on 100 Years of Landmark ACLU Cases

Fight of the Century

A revelatory, uplifting, and gorgeously illustrated meditation on dedication, hard work, and the power of perseverance from the beloved, New York Times bestselling, and two-time National Book Award–winning Jesmyn Ward. For Tulane University’s 2018 commencement, Jesmyn Ward delivered a stirring speech about the value of hard work and the importance of respect for oneself and others. Speaking about the challenges she and her family overcame, Ward inspired everyone in the audience with her meditation on tenacity in the face of hardship. Ward’s moving words will inspire readers as they prepare for the next chapter in their lives, whether, like Ward, they are the first in their families to graduate from college or are preceded by generations, or whether they are embarking on a different kind of journey later in life. Beautifully illustrated in full color by Gina Triplett, this gorgeous and profound book will charm a generation of students—and their parents. Ward’s inimitable voice shines through as she shares her experience as a Southern black woman and addresses the themes of grit, adversity, and the importance of family bonds. Navigate Your Stars is a perfect gift for anyone in need of inspiration from the author of Salvage the Bones, Men We Reaped, and Sing, Unburied, Sing.

Navigate Your Stars

"Twin brothers struggle with the responsibilities of adulthood and family in the post-Katrina Mississippi Gulf coast"--Provided by publisher.

Where the Line Bleeds

'...And then we heard the rain falling, and that was the drops of blood falling; and when we came to get the crops, it was dead men that we reaped.' Harriet TubmanIn five years, Jesmyn Ward lost five men in her life, to drugs, accidents, suicide, and the bad luck that can follow people who live in poverty, particularly black men. Dealing with these losses, one after another, made Jesmyn ask the question: why? And as she began to write about the experience of living through all the dying, she realized the truth--and it took her breath away. Her brother and her friends all died because of who they were and where they were from, because they lived with a history of racism and economic struggle that fostered drug addiction and the dissolution of family and relationships. Jesmyn says the answer was so obvious she felt stupid for not seeing it. But it nagged at her until she knew she had to write about her community, to write their stories and her own. Jesmyn grew up in poverty in rural Mississippi. She writes powerfully about the pressures this brings, on the men who can do no right and the women who stand in for family in a society where the men are often absent. She bravely tells her story, revisiting the agonizing losses of her only brother and her friends. As the sole member of her family to leave home and pursue high education, she writes about this parallel American universe with the objectivity distance provides and the intimacy of utter familiarity.

A Memoir

Men We Reaped

Named one of the Best Books of the Century by New York Magazine Two-time National Book Award winner Jesmyn Ward (Salvage the Bones, Sing, Unburied, Sing) contends with the deaths of five young men dear to her, and the risk of being a black man in the rural South. “We saw the lightning and that was the guns; and then we heard the thunder and that was the big guns; and then we heard the rain falling and that was the blood falling; and when we came to get in the crops, it was dead men that we reaped.” -Harriet Tubman In five years, Jesmyn Ward lost five young men in her life-to drugs, accidents, suicide, and the bad luck that can follow people who live in poverty, particularly black men. Dealing with these losses, one after another, made Jesmyn ask the question: Why? And as she began to write about the experience of living through all the dying, she realized the truth-and it took her breath away. Her brother and her friends all died because of who they were and where they were from, because they lived with a history of racism and economic struggle that fostered drug addiction and the dissolution of family and relationships. Jesmyn says the answer was so obvious she felt stupid for not seeing it. But it nagged at her until she knew she had to write about her community, to write their stories and her own. Jesmyn grew up in poverty in rural Mississippi. She writes powerfully about the pressures this brings, on the men who can do no right and the women who stand in for family in a society where the men are often absent. She bravely tells her story, revisiting the agonizing losses of her only brother and her friends. As the sole member of her family to leave home and pursue higher education, she writes about this parallel American universe with the objectivity distance provides and the intimacy of utter familiarity. A brutal world rendered beautifully, Jesmyn Ward's memoir will sit comfortably alongside Edwidge Danticat's Brother, I'm Dying, Tobias Wolff's This Boy's Life, and Maya Angelou's I Know Why the Caged Bird Sings.

Enduring a hardscrabble existence as the children of alcoholic and absent parents, four siblings from a coastal Mississippi town prepare their meager stores for the arrival of Hurricane Katrina while struggling with such challenges as teen pregnancy and a dying litter of prize pups.

Salvage the Bones

Heidi Pitlor

A collection of the year's best stories selected by celebrated two-time National Book Award winner Jesmyn Ward In her introduction to The Best American Short Stories 2021, guest editor JesmynWard says that the best fiction offers the reader a "sense of repair."The stories in this year's collection accomplish just that, immersing the reader in powerfully imagined worlds and allowing them to bring some of that power into their own lives. From a stirring portrait of Rodney King's final days to a surreal video game set in the Middle East, with real consequences, to an indigenous boy's gripping escape from his captors, this collection renders profoundly empathetic depictions of the variety of human experience. These stories are poignant reminders of the possibilities of fiction: as you sink into world after world, become character after character, as Ward writes, you"forget yourself, and then, upon surfacing, know yourself and others anew. The Best American Short Stories 2021 includes GABRIEL BUMP - BRANDON HOBSON - DAVID MEANS- JANE PEK - TRACEY ROSE PEYTON - GEORGE SAUNDERS - BRYAN WASHINGTON - KEVIN WILSON - C PAM ZHANG and others

The Best American Short Stories 2021

Salvare le ossa. Trilogia di Bois Sauvage

WINNER of the NATIONAL BOOK AWARD and A NEW YORK TIMES TOP 10 BEST BOOK OF THE YEAR A finalist for the Kirkus Prize and Andrew Carnegie Medal, and a New York Times bestseller, this majestic, stirring, and widely praised novel from two-time National Book Award winner Jesmyn Ward, the story of a family on a journey through rural Mississippi, is a "tour de force" (O, the Oprah Magazine) and a timeless work of fiction that is destined to become a classic. Jesmyn Ward's historic second National Book Award-winner is "perfectly poised for the moment" (The New York Times), an intimate portrait of three generations of a family and an epic tale of hope and struggle. "Ward's writing throbs with life, grief, and love... this book is the kind that makes you ache to return to it" (Buzzfeed). Jojo is thirteen years old and trying to understand what it means to be a man. He doesn't lack in fathers to study, chief among them his Black grandfather, Pop. But there are other men who complicate his understanding: his absent White father, Michael, who is being released from prison; his absent White grandfather, Big Joseph, who won't acknowledge his existence; and the memories of his dead uncle, Given, who died as a teenager. His mother, Leonie, is an inconsistent presence in his and his toddler sister's lives. She is an imperfect mother in constant conflict with herself and those around her. She is Black and her children's father is White. She wants to be a better mother but can't put her children above her own needs, especially her drug use. Simultaneously tormented and comforted by visions of her dead brother, which only come to her when she's high, Leonie is embattled in ways that reflect the brutal reality of her circumstances. When the children's father is released from prison, Leonie packs her kids and a friend into her car and drives north to the heart of Mississippi and Parchman Farm, the State Penitentiary. At Parchman, there is another thirteen-year-old boy, the ghost of a dead inmate who carries all of the ugly history of the South with him in his wandering. He too has something to teach Jojo about fathers and sons, about legacies, about violence, about love. Rich with Ward's distinctive, lyrical language, Sing, Unburied, Sing is a majestic and unforgettable family story and "an odyssey through rural Mississippi's past and present" (The Philadelphia Inquirer).

Jak wygląda życie w sytuacji, gdy los rzuca Ci kłody pod nogi z każdej strony? Czy normalne funkcjonowanie w takim przypadku jest w ogóle możliwe? Gdy wali się świat, niesamowicie trudno jest się odbić od dna i stawić czoła problemom - szczególnie, gdy ma się zaledwie kilkanaście lat i żadnego autorytetu u boku. Północna Ameryka. Nad Zatoką Meksykańską właśnie rozpoczyna się kolejne piekło stworzone przez Matkę Naturę. Huragan, który jeszcze wygląda niepozornie, już niedługo stanie się powodem zmartwień mieszkańców tamtejszych krajów. Żywioł sieje panikę także w rodzinie Esch. Czternastoletnia dziewczynka musi sprostać sytuacji, w której z pewnością nikt nigdy nie chciałby się znaleźć. Huragan, który wkrótce ma strawić wszystko, co napotka na swojej drodze, nie jest największym problemem nastolatki. Wraz z trzema młodszymi braćmi musi zadbać o przetrwanie swojej rodziny - rodziny, która nigdy nie była symbolem bezpieczeństwa. Jak więc ma poradzić sobie dziecko, które nigdy wcześniej nie doświadczyło spokojnego życia? Nastoletnia Esch jest przerażona do granic możliwości, jednak wie doskonale, że liczyć może tylko i wyłącznie na siebie i młodsze rodzeństwo. Ojciec alkoholik nie widzi świata poza butelką piwa, a bezlitosny żywioł jest coraz bliżej. Na domiar złego, dziewczyna dowiaduje się, że nosi w sobie nowe życie...

Zbieranie kości

Söyle Hayalet Sarkini Söyle

Naviga le tue stelle

Ein Hurrikan braut sich über dem Mississippi-Delta zusammen, aber Esch und ihre drei Brüder, die mit dem Vater in einer zusammengezimmerten Hütte am Rande des Waldes inmitten von Hühnern und alten Autowracks leben, haben noch andere Sorgen. Mit kleinen Diebstählen und viel Liebe versucht Skeetah, die neugeborenen Welpen seiner Pitbull-Hündin China durchzubringen. Randall will Basketballprofi werden, aber zugleich müssen er und Esch sich um Junior, den Jüngsten, kümmern, dem wie allen die Mutter fehlt, die bei seiner Geburt gestorben ist. Da merkt die Fünfzehnjährige, dass sie schwanger ist - von Randalls bestem Freund, der mit einer anderen zusammenlebt. Wem kann man sich anvertrauen, wenn kaum einer für sich selbst sorgen kann? Und doch stehen die Geschwister, wortlos und mit kleinen Gesten, unverbrüchlich füreinander ein. Versuchen, ohne Geld Vorräte anzulegen, mit Treibholz das Haus sturmfest zu machen. Als die zwölf Tage, die den Rahmen für den Roman bilden, zu einem dramatischen Abschluss kommen, sammelt die Familie ihre Kräfte, um einem neuen Tag ins Gesicht zu sehen. Vor dem Sturm ist ein bewegender, großherziger Roman über Familienbande in einer Welt, in der es nur wenig Liebe gibt, über Hilfe und Gemeinschaft unter widrigsten Umständen. Lebensnah und voller Poesie, wirft die unvergessliche Geschichte einer bedrohten Familie angesichts eines Jahrhundertorkans ein Schlaglicht auf die Wirklichkeit eines anderen, bitterarmen Amerika.

Vor dem Sturm

Linie krwi

Singt, ihr Lebenden und ihr Toten, singt

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Jesmyn Ward

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