
We Have Always Lived in the Castle
Reviews

Love an eerie gothic novel

SHES SO CRAZY I LOVE HERRRR

Both one of the best I've read and one of my favourites. Unbelievable

Almost like a fairy tale—playful and curious, yet dark and offbeat with a deep, underlying sadness—but far richer. There is so much that can and has been read into this, so many strands to pick and pull, so many angles to approach this from.
Jackson’s prose is so lively and wonderfully eerie in its first-person narration. Feels timeless in the best of ways. Makes me thrilled to explore more of her novels, and even more so to revisit this one many times to come.

Positively disturbing but I couldn’t put it down. Reading it made me feel weird for the rest of the day.

These girls just wanted to live their lives! But people are greedy and require too much

This book had a classic eerie vibe to it. I enjoyed the story concept immensely, the spooky town, the strangeness of the Blackwood sisters and the eerie mystery surrounding their house all came together to create almost a perpetual sense of dread. This was my first Shirley Jackson book so I was unfamiliar with her prose until now but I quite liked it.
The plot progression was good, I really couldn't predict anything, other than cousin Charles was going to be a piece of shit but I suppose that's to do with the author's great sense ability to create foreshadowing. The main twist didn't surprise me either but again I believe it's due to the way the author dropped hints and foreshadowed it, more than it being predictable. I will say after the main events of the book I thought the ending was going to be quite different. I was a little bit disappointed in how mellow it was, hence my rating isn't that high.
In terms of characters, they were incredibly peculiar but in the case of this book, it's what you would want. I think Merricat being the central character is the most well-fleshed out but Constance and Uncle Julian were intriguing too. Merricat is kind of a masterclass in spooky little girls, all her little rituals were fun to read about. Some of them were quite wholesome to me. I wish we got a better understanding of the villagers I wanted to understand their hatred so bad!
I think this is a book I would appreciate more if I re-visited it after I some more research and perhaps reading more of Shirley Jackson's works. I'm certain there is some nuances I missed out on in my first read.
All in all, this is a fun spooky little book.


I haven’t been transported, figuratively, in such a vividly eerie atmosphere from other works I’ve read before. I am amazed by Jackson’s prose and how she weaves the story into this chilling account of isolation and anger.


After only reading some of her short stories, I made the very wise decision (if I do say so, myself) of trying one of her novels. This was excellent, to say the least. I highly recommend. There are two wolves inside us: one who doesn't like leaving the house and seeing people, and another who knows they must leave the house and cope with seeing people by wishing those same people would drop dead.

was half asleep when i read this so i have no idea what happened between the beginning and the end tbh

horror books about a house that is both a refuge and a prison with a big focus on trauma and alienation and fixation on the past and codependency and themes of decay and-

CONFUSED! Is what I'm after finishing this novel. This Novel does showcase some excellent writing and story telling skills by the author. Chapter 1needed my utmost attention and I had to slow down my reading pace to understand all those directions and the story because there was a lot going on. From the chapter 2,the story began to flow more easily and was able to pick up some pace with my reading, by chapter 5, I was enjoying the story with the entry of cousin Charles and Merricat's attempts to frighten him with all that poison talk. By Chapter 7, I was back to the blurb in search of some missing element, like a plot or some kind of purpose or meaning to this story but failed to find any and by chapter 9, this book began to wear me out in terms of reading, I had to put it down and pick it back up a couple of times. This is how I actually felt at each of these stages throughout this book. Though I enjoyed the writing and the narration from Merricat's POV but as far as the story goes, this book just didn't make sense to me. There was no plot or purpose as to why the characters behaved it a particular manner, were they dead or alive, I had no clue. It was absolutely not a horror story and was very childish. And the ending just went on in circles and the chapters grew longer and tiresome to get through. The book just left me with a lot of unanswered questions. I personally wouldn't recommend this book unless you are looking for a good piece of writing.

it was an interesting book. I really enjoyed reading it, and I found the writing style readable. I still can't figure out why Mary Katherine put arsenic in the sugar and it makes me wonder if I didn't understand something in the bookI loved how the author played with the gothic genre and how she managed to let us enter Mary Katherine's mind and I truly appreciated how well-depicted the villagers were A book you need to read!

At the heart of the novel is a mystery. Mary Katherine (Merricat), Constance, and their uncle are the sole survivors of a tragic poisoning. With Merricat as the unreliable narrator we're given pieces of their past to put together. By the end we'll know when it happened and how it happened. We'll also know a good deal of the troubling history of the Blackwood family and its toll on the house. Besides Merricat's first person narration, we also have Uncle Julian's attempts to write his lengthy memoir about the family and the day of the murder. His obsession with the past serves as an example of what previous Blackwoods must have been like. The root cellar full of preserves well past their shelf date is another example. Finally there is Merricat's observation that every new Blackwood had to find a place for their things without disturbing the places of everything else. Once in, nothing leaves unless it is broken beyond repair, and sometimes not even then. http://pussreboots.com/blog/2021/comm...

the ugliest book i've ever read

I wish I had read this in conjunction with Wide Sargasso Sea

It's...dark...that's it. The atmosphere, the way Shirley describes the whole thing happening with the family. It sent chills!

It's very short and it makes you want to keep reading. I read the book while listening to the audiobook, and the audiobook definitely helped set the atmosphere. It has an unsettling and strange atmosphere, but not really a scary one. Personally, I find it boring most of the time. However, I still think this book is amazing, and well-written. The story just wasn't really for me.

Want a truly creepy book...this is is. Shirley Jackson also wrote Haunting of Hill House. Terror can be fun!

I picked it up because it was supposed to be a horror genre but 1/2 of the book was not scary at all. And the other half was more shocking then horror.

Always a supporter of women’s rights and wrongs

god she never misses
Highlights

"Can't you make them stop?" I asked her that day. wondering if there was anything in this woman I could speak to, if she had ever run joyfully over grass, or had watched flowers, or known delight or love. "Can't you make them stop?"

I disliked having a fork pointed at me and I disliked the sound of the voice never stopping; I wished he would put food on the fork and put it into his mouth and strangle himself.
she’s just like me <3

I was thinking of Charles. I could turn him into a fly and drop him into a spider's web and watch him tangled and helpless and struggling, shut into the body of a dying buzzing fly; I could wish him dead until he died. I could fasten him to a tree and keep him there until he grew into the trunk and bark grew over his mouth.
this is like my daily inner monologue

The people of the village here always hated us.

We rarely moved things; the Blackwoods were never much of a family for restlessness and stirring.
understanding what the family is like

I was thinking of Charles. I could turn him into a fly and drop him into a spider's web and watch him tangled and helpless and struggling, shut into the body of a dying buzzing fly; I could wish him dead until he died. I could fasten him to a tree and keep him there until he grew into the trunk and bark grew over his mouth.

All our land was enriched with my treasures buried in it, thickly inhabited just below the surface with my marbles and my teeth and my colored stones, all perhaps turned to jewels by now, held together under the ground in a powerful taut web which never loosened, but held fast to guard us.

I disliked having a fork pointed at me and I disliked the sound of the voice never stopping. I wished he would put food on the fork and put it into his mouth and strangle himself.
Mary Catherine’s inner monologue is the best thing about this book.


I was wondering about my eyes; one of my eyes - the left - saw everything golden and yellow and orange, and the other eye saw shades of blue and grey and green; perhaps one eye was for daylight and the other was for night. If everyone in the world saw different colors from different eyes there might be a great many new colors still to be invented.

The day outside was full of changing light, and Jonas dannced in and out of shadows as he followed me. When I ran Jonas ran, and when I stopped and stood still he stopped and glanced at me and then went briskly off in another direction, as though: we were not acquainted, and then he sat down and waited for me to run again. We were going to the long field which today looked like an ocean, although I had never seen an ocean; the grass was moving in the breeze and the cloud shadows passed back and forth and the trees in the distance moved. Jonas disappeared into the grass, which was tall enough for me to touch with my hands while I walked, and he made small crooked movements of his own; for a minute the grass would all bend together under the breeze and then there would be a hurrying pattern across it where Jonas was running.

I told myself that long thin things would remind me to be kinder to Uncle Julian; this was to be a day of long thin things, since there had already been a hair in my toothbrush, and a fragment of a string was caught on the side of my chair and I could see a splinter broken off the back step. “Make him a little pudding," I said.

"Lazy Merricat," Constance said to me, "stop dreaming over your toast; I want you in the garden on this lovely day." She was arranging Uncle Julian's tray, putting his hot milk into a jug painted with yellow daisies, and trimming his toast so it would be tiny and hot and square; if anything looked large, or difficult to eat. Uncle Julian would leave it on the plate.

On Saturday mornings I helped Constance. I was not allowed to handle knives, but when she worked in the garden I cared for her tools, keeping them bright and clean, and I carried great baskets of flowers, sometimes, or vegetables which Constance picked to make into food. The entire cellar of our house was filled with food. All the Blackwood women had made food and had taken pride in adding to the great supply of food in our cellar. There were jars of jam made by great-grandmothers, with labels in thin pale writing, almost unreadable by now, and pickles made by great-aunts and vegetables put up by our grand-mother, and even our mother had left behind her six jars of apple jelly. Constance had worked all her life at adding to the food in the cellar, and her rows and rows of jars were easily the handsomest, and shone among the others. «You bury food the way I bury treasure," I told her sometimes, and she answered me once: "The food comes from the ground and can't be permitted to stay there and rot; something has to be done with it." All the Blackwood women had taken the food that came from the ground and preserved it, and the deeply colored rows of jellies and pickles and bottled vegetables and fruit, maroon and amber and dark rich green, stood side by side in our cellar and would stand there forever, a poem by the Blackwood women.

Constance can put her hand upon a bewildering array of deadly substances without ever leaving home; she could feed you a sauce of poison hemlock, a member of the parsley family which produces immediate paralysis and death when eaten. She might have made a marmalade of the lovely thornapple or the baneberry, she might have tossed the salad with Holcus lanatus, called velvet grass, and rich in hydrocyanic acid. I have notes on all of these, madam. Deadly nightshade is a relative of the tomato; would we, any of us, have had the prescience to decline if Constance served it to us, spiced and made into pickle?

Our mother had always served tea to her friends from a low table at one side of the fireplace, so that was where Constance always set her table. She sat on the rose sofa with our mother's portrait looking down on her, and I sat in my small chair in the corner and watched. I was allowed to carry cups and saucers and pass sandwiches and cakes, but not to pour tea.

The path was dark, because once our father had given up any idea of putting his land to profitable use he had let the trees and bushes and small flowers grow as they chose, and except for for one great meadow and the gardens our land was heavily wooded, and no one knew its secret ways but me. When I went along the path, going easily now because I was home, I knew each step and every turn. Constance could put names to all the growing things, but I was content to know them by their way and place of growing, and their unfailing offers of refuge.

"Can't you make them stop?" I asked her that day, wondering if there was anything in this woman I could speak to, if she had ever run joyfully over grass, or had watched flowers, or known delight or love.

It was a fine April morning when I came out of the library; the Sun was shining and the false glorious promises of spring were everywhere, showing oddly through the village grime. I remember that I stood on the library steps holding my books and looking for a minute at the soft hinted green in the branches against the sky and wishing, as I always did, that I could walk home across the sky instead of through the village.

“My name is Mary Katherine Blackwood. I am eighteen years old, and I live with my sister Constance. I have often thought that with any luck at all, I could have been born a werewolf, because the two middle fingers on both my hands are the same length, but I have had to be content with what I had. I dislike washing myself, and dogs, and noise. I like my sister Constance, and Richard Plantagenet, and Amanita phalloides, the death-cup mushroom. Everyone else in our family is dead.”
Brilliant 🤍