
Reviews

personal copy

[reread, personal copy]

A vital essay collection that feels just as relevant today as it did in the 70s and 80s.

By far the most meaningful book I have read in a long time. Audre Lorde is such a beautiful writer, remarkable in thought, in word, in collection. This book is not for the casual consumer. It’s meant to be chewed on, to cause an awakening, to restructure the foundation of all that you know and all that you are. This will likely be a book I revisit often throughout the years - knowing it’s relevance resounds.

It is amazing and depressing how relevant and applicable this book is in 2021.

Felt like I was talking with a sister.

"For the master's tools will never dismantle the master's house. They may allow us temporarily to beat him his own game, but they will never enable us to bring genuine change" My first foray into Audre Lorde outside of the odd extract read in university and I loved it. This is absolutely essential reading for intersectional feminism, queer theory, Black Lesbian lit and just race/class/gender commentary. It is alarming how recent some of the issues Lorde brings up feel, not much has maybe changed. Brilliantly written, every essay highly engaging and worthwhile. An all-around must-read for everyone. I cannot wait to read more Audre Lorde, and to reread this once I have a physical copy and can highlight/take notes My top five favourites were - Uses of the Erotic: The Erotic as Power - The Master's Tools Will Never Dismantle the Master's House - Man Child: A Black Lesbian Feminist's Response - Grenada Revisited: An Interim Report - Scratching the Surface: Some Notes on Barriers to Women and Loving

Wow. Just incredible. Will def need to reread. “Black and Third World people are expected to educate white people as to our humanity. Women are expected to educate men. Lesbians and gay men are expected to educate the heterosexual world. The oppressors maintain their position and evade their responsibility for their own actions. There is a constant drain of energy which might be better used in redefining ourselves and devising realistic scenarios for altering the present and constructing the future.”

this had some really profound quotes. it can be heavy at times. the writing style was really different and could be hard to absorb at times. still glad I read it and heard her thoughts on these still relevant and prominent issues.

my most favorite book ever. i will never forget reading this for the first time. changed my view of myself in a time of prime adolescence

Probably more of a 3.5 but I am rounding up. This was an interesting collection of essays, and I liked getting to know a historical perspective of feminism from a Black lesbian woman. The audiobook is narrated well too and I would definitely recommend the format. It might not feel as inclusive as we would like it to be, but it wasn't really a deal breaker for me.

profoundly touched by her strength and intelligence. she's an inspiration! a must-read.

Prior to reading this I didn't really have any idea who Audre Lorde was. Usually essay compilations can be a mixed bag but Sister Outsider stays strong all the way through. This was a great introduction to Lorde as it really goes into who she is and her thoughts on all aspects of her life. Her experiences as a black lesbian allow her to speak on racism, sexism, and homophobia and how all of those facets correlate. The greatest strength to Lorde's work is that its less about "us vs them" and more about how we can all improve our lives through a better understand and consideration for those not like us. For this reason anyone can get something out of this book, regardless of race, sex, or orientation. It also helps that Lorde is an incredible writer, who makes each essay as vivid and enthralling as it is informative and eye opening. I look forward to reading more from her.











Highlights

which are the tyrannies you swallow day by day and attempt to make your own, until you will sicken and die of them, still in silence?

But as we come more into touch with our own ancient, non-european consciousness of living as a situation to be experienced and interacted with, we learn more and more to cherish our feelings, and to respect those hidden sources of our power from where true knowledge and, therefore, lasting action comes.

The woman’s place of power within each of us is neither white nor surface; it is dark, it is ancient, and it is deep.

as we learn to bear the intimacy of scrutiny and to flourish within it, as we learn to use the products of that scrutiny, for power within our living, those fears which rule our lives and form our silences begin to lose their control over us.
so many wow-quotes, so little time

I asked her one question, whether “the men were encouraged to work in the kindergartens to give the children a gentle male figure at an early age”.

Nothing I accept about myself can be used against me to diminish me.

Somewhere, on the edge of consciousness, there is what I call a mythical norm, which each one of us within our hearts knows "that is not me." In america, this norm is usually defined as white, thin, male, young, heterosexual, christian, and financially secure. It is with this mythical norm that the trappings of power reside within this society. Those of us who stand outside that power often identify one way in which we are different, and we assume that to be the primary cause of all oppression, forgetting other distortions around difference, some of which we ourselves may be practising. By and large within the women's movement today, white women focus upon their oppression as women and ignore differences of race, sexual preference, class, and age. There is a pretense to a homogeneity of experience covered by the word sisterhood that does not in fact exist.

Difference must be not merely tolerated, but seen as a fund of necessary polarities between which our creativity can spark like a dialectic.

“Don’t trust white people because they mean us no good and don’t trust anyone darker than you because their hearts are as black as their faces. “ (And where did that leave me, the darkest one?)

We had to metabolize such hatred that our cells have learned to live upon it because we had to, or die of it.
Eye to Eye

The answer to cold is heat, the answer to hunger is food. But there is no simple monolithic solution to racism, to sexism, to homophobia.
Learning from the 60s

I am not free while any woman is unfree, even when her shackles are very different from my own. And I am not free as long as one person of color remains chained. Nor is any one of you.
Use of Anger

Unless one lives and loves in the trenches it is difficult to remember that the war against dehumanization is ceaseless.
Age, Race, Class, and Sex

It is as hard for our children to believe that we are not omnipotent as it is for us to know it, as parents.
Man Child

It is not the destiny of black America to repeat white America‘s mistakes. But we will, if we mistake the trappings of success in a sick society for the signs of a meaningful life.
Sexism

An inability to recognize the notion of difference as a dynamic human force, one which is enriching rather than threatening to the defined self
Scratching the surface

It is axiomatic that if we do not define ourselves for ourselves, we will be defined by others
Scratching the surface

Poetry is not only dream and vision; it is the skeleton architecture of our lives. It lays the foundations for a future of change, a bridge across our fears of what has never been before.
Poetry is not a luxury

As they become known to and accepted by us, our feelings and the honest exploration of them become sanctuaries and spawning grounds for the most radical and daring of ideas. They become a sate-house tor that difference so necessary to change and the conceptualization of any meaningful action.
Poetry is not a luxury

I also am intrigued by idea that there are writers who are paid to be writers and by -bot they survive and they wield considerable power. I am also well aware that if what they write is not acceptable, then it never gets read or it never gets printed. So what's new? But you do have a country there that has the largest reading nonulation in the world, that prints books of poetry in editions of 250,000 copies and those copies sell out in three months. Everywhere you go, even among those miles of cotton being arvested in the Uzbekhi sun, people are reading, and no mat- fer what you may say about censorship, they are still readin. nd thev're reading an awful lot. Some books are pirated from from the West because Russia does not observe International Copyright. In Sarmarkhand, Ernest Gaines' The Autobiograbhy of Miss Jane Pittman was the latest best seller. Now, how many the West because Russia does not observe International Russian novels in translation have you read this past year?
Trip to Russia - VII

But she talked most movingly of the history of the women of Uzbekistan, a history which deserves more writing about than I can give it here. The ways in which the women of this area, from 1924 on, fought to come out from behind complete veiling, from Moslem cloister to the twentieth century. How they gave their lives to go barefaced, to be able to read. Many of them fought and many of them died very terrible deaths in this battle. killed by their own fathers and brothers.
Trip to Russia - IV

I spoke in English and she spoke in Russian but I felt very strongly that our hearts spoke the same tongue.
Trip to Russia - IV

I watched all of this industry pass and it came through to me on that bus ride down to Samarkand that this land was not in- dustrial so much as it was industrious.
Trip to Russia -IV

Material had been brought down from the Ukraine to sink into the earth to build such buildings because Moscow, unlike New York, is not built upon bedrock. This strikes me as strange, that this city of oversize, imposing stone buildings should not be grounded on bedrock. Its like it re- mains standing on human will.
Trip to Russia -II